100 books like The Flanders Panel

This book was a phenomenon when it came out, and with good reason.

Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.

The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.

What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.

As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.

As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare.  Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.  

After the Impressionists and Vincent Van Gogh, the artists that come easily in third place for fictional ink spilled about them are the Pre-Raphaelites. Their personal lives are as colorful as their artwork. Australian Kate Forsyth has tackled the second phase of Pre-Raphaelitism led by Edward Burne-Jones's mythological and Arthurian paintings and William Morris's designs for furniture, wallpaper, and book art. The love lives of the artists, wives, models, and daughters find their way interwoven in the story of the art. Gabriel Rossetti, who was a major figure of the first phase of Pre-Raphaeltisim, is the flint that ignites the second phase. They all want to live in the dreams of the past, and of legends, but real life is never a fairy tale.

This science fiction novel always appealed to me because of its conceit that a society’s games are a reflection of its culture, ethos, and philosophy. Azad, the game at the heart of the book, is used by the Empire to determine the political, social, and economic structure of the whole planet. The prize for winning is to become emperor and to implement your strategy in real life.

I love the description of the game. It’s played on three huge boards that are more like landscapes than regular playing boards. Perhaps one might regard all the games that we have created and played on this planet collectively as Earth’s version of Azad.

I read this book as a student and immediately wanted to become a master of the Glass Bead Game. The trouble is that it’s not totally clear how to play this futuristic game. Players are expected to synthesize themes from music, mathematics, history, linguistics, philosophy, and art, which are woven together almost like a story as the game proceeds.

Ever since reading the book, I have aspired to practice this interdisciplinary approach to culture. You could say my own books are my latest moves in the Glass Bead Game. 

This book is Hogwarts meets The Glass Bead Game meets The Handmaid's Tale. I was recommended it when I talked about my games book at a local bookshop. I must admit that I was initially very nervous about a book riffing on one of my favorite books of all time (The Glass Bead Game), but I really enjoyed it.

It is set in a school that trains students to play the game against a political backdrop that Margaret Atwood could easily have conjured up. It helped to give another perspective on Hesse’s fictional game that, as I said in my first recommendation, I’ve been obsessed with ever since reading about it as a student.

Anyone who recognizes the title of this book is probably a Risk player. It’s the name of a rather obscure territory in this strategy board game of conflict and conquest, one that I love playing with my kids. The game is an important motif in this Spanish novel by Figueras.

The book, set in Argentina during the 1976 coup, is the enchanting story of a young boy trying to make sense of a world during a time of extraordinary upheaval. It beautifully illustrates how a game can provide an escape from the horrors of real life. By the way, if you want a tip for playing Risk, my mathematical analysis of the game reveals that North America is the best continent to occupy.

You might be wondering why I’m recommending book two of a series. Well, book one was a bit of a mess. While fun and intriguing in spots, it wandered and had trouble ending. It isn’t until book two that the characters who made it out of book one are developed into delightful mystery sleuths. Because of weaknesses in the first book, I would venture to guess some readers never discover the absolute wonder of the Vicky Bliss cozy mysteries. 

The characters are hilarious, and the situations and escapades are many. Vicky Bliss is a historian who visits multiple countries but always ends up having to investigate an art heist, a missing heirloom, or a found and fascinating artifact. The plots are well-developed, and the characters are absolutely lovable. 

If you are at all familiar with Elizabeth Peter’s Amelia Peabody series, you know this author understands intrigue, disguises, subterfuge, and, best… show more.

We are back in the world of horses, but this time western horses, not Thoroughbred racehorses. Laura Crum has created a series with a female equine veterinarian—Gail McCarthy—as her main character. I’m drawn to Gail because she’s incredibly competent as a vet, but also wicked smart at sniffing out the bad guys and has the courage to go against the boys very often to do just that. I’m always rooting for strong characters, men or women, and I love it that we women are now catching up in fiction as well as in real life!

This is the first in Crum’s series, but I’ve enjoyed all of them I’ve read. I love the rural setting, and I can almost smell the sweet scent of hay and hear the horses rustling gently in their stalls (which always does my heart good) as I read this book. In it, a dead horse… show more.