Here are 90 books that Kamchatka fans have personally recommended if you like
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For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
I love chess, and even though I’m not brilliant at it, I really enjoy books where the characters play chess. The Royal Game by Stefan Zweig is probably the most famous, but I really enjoyed this murder mystery with a game of chess at its heart, which beautifully mirrors the plot as it unfolds.
The game is featured mid-game in a Flemish fifteenth-century painting. The modern protagonists analyze it forward and backward to understand the past and future. I loved the fact that the book includes illustrations of the game as it proceeds for the reader to analyze. There are also some interesting allusions to Douglas Hofstadter’s idea of strange loops, which is another one of my obsessions.
The clue to a murder in the art world of contemporary Madrid lies hidden in a medieval painting of a game of chess.
In a 15th-century Flemish painting two noblemen are pictured playing chess. Yet two years before he could sit for the portrait, one of them was murdered. In 20th-century Madrid, Julia, a picture restorer preparing the painting for auction, uncovers a hidden inscription in Latin that points to the crime: Quis necavit equitem? Who killed the knight? But as she teams up with a brilliant chess theoretician to retrace the moves, she discovers the deadly game is not…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
This science fiction novel always appealed to me because of its conceit that a society’s games are a reflection of its culture, ethos, and philosophy. Azad, the game at the heart of the book, is used by the Empire to determine the political, social, and economic structure of the whole planet. The prize for winning is to become emperor and to implement your strategy in real life.
I love the description of the game. It’s played on three huge boards that are more like landscapes than regular playing boards. Perhaps one might regard all the games that we have created and played on this planet collectively as Earth’s version of Azad.
The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death.Praise for Iain M. Banks:"Poetic, humorous, baffling, terrifying, sexy -- the books…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
I read this book as a student and immediately wanted to become a master of the Glass Bead Game. The trouble is that it’s not totally clear how to play this futuristic game. Players are expected to synthesize themes from music, mathematics, history, linguistics, philosophy, and art, which are woven together almost like a story as the game proceeds.
Ever since reading the book, I have aspired to practice this interdisciplinary approach to culture. You could say my own books are my latest moves in the Glass Bead Game.
The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
This book is Hogwarts meets The Glass Bead Game meets The Handmaid's Tale. I was recommended it when I talked about my games book at a local bookshop. I must admit that I was initially very nervous about a book riffing on one of my favorite books of all time (The Glass Bead Game), but I really enjoyed it.
It is set in a school that trains students to play the game against a political backdrop that Margaret Atwood could easily have conjured up. It helped to give another perspective on Hesse’s fictional game that, as I said in my first recommendation, I’ve been obsessed with ever since reading about it as a student.
'BEAUTIFUL' JOANNA CANNON
'MESMERISING' ERIN KELLY
'TOTALLY ADDICTIVE' JOANNA GLEN
'SUMPTUOUS' OBSERVER
'DIZZYINGLY WONDERFUL' THE TIMES
WINNING WAS EVERYTHING...
UNTIL IT DESTROYED THEM
Two young men, Leo and Carfax, close friends and fierce rivals. A family ripped apart by madness and tragedy. One woman, her life built upon a lie, with a mysterious connection to them all...
'INGENIOUS' GUARDIAN
'A STORYTELLER OF RARE IMAGINATION' MAIL ON SUNDAY
'BRILLIANT' WOMAN & HOME
'A RICH DELIGHT' SANDRA NEWMAN
'CAPTIVATING' DAILY MIRROR
'AN IMMERSIVE, IMAGINATIVE SLICE OF STORYTELLING' DAILY EXPRESS
'MAGICAL' IRISH INDEPENDENT
I was once a psychoanalyst, but I found that it was almost impossible to understand another human being. Animals were easier: they could not be hypocritical, they could not lie, they could not deceive. Whoever heard of an animal with an unconscious anger problem? If they were angry they showed it, if they loved they showed it. After I got fired from the Freud Archives (that’s a whole other story) I decided I wanted to read ten good books about animal emotions. This was in 1981. But it turns out there were no books on this topic I could read, except Darwin, 1872! So I decided to write my own.
Russell, who died far too young, talks, in particular, about a bear in a remote mountain area of Russia (the Kamtchatka Peninsula) who had young by her side when she came upon Charlie. Convinced he was going to die (who is more protective of their young than a mother bear?), he was surprised, shocked, then delighted when she left her two cubs in his care while she foraged for food nearby. Explanation: She had observed him taking care of orphaned cubs and releasing them in the wild and realized he would make a good babysitter.
This book changed the way people think about bears. It also created a whole new genre: authors who had not been to university, who had no academic credentials, could yet write compelling books about animals because they had first-hand experience with them. Revolutionary. You will come away with a whole new understanding of the…
A highly literary and reflective portrait of Charlie Russell’s beautiful and unparalleled relationship with some of our planet’s most majestic giants.
Charlie Russell is a legend, not only in his home territory of Alberta but in all of Canada and around the world. An author of several books, including Walking with Giants: The Grizzlies of Siberia, The Spirit Bear: Encounters with the White Bear of the Western Rainforest, and Grizzly Heart: Living Without Fear Among the Brown Bears of Kamchatka, he has been the subject of numerous interviews, documentaries, and articles showcasing him and the bears he loved.
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
More about hiding out and the lead-up to the final shoot-out than the bank robbery at the start, this novel is based on a real case from the 1960s. After they rob a bank in the Province of Buenos Aires, Dorda and Brigone, escape with the money over the Rio de la Plata. They find a bolthole in Montevideo, the capital of Uruguay, a country much like Argentina culturally and historically, but with fewer hysterical tendencies. Not happy about this are the politicians and police officers involved in the robbery and anxious for their cut of the loot. Piglia does a good job of recreating Argentina in the 1960s. Despite some stylistic pretensions and his overwriting of the main characters, the author manages not to get in the way of the story.
Based on original reports and witness statements, Money to Burn tells the story of a gang of bandits who, fancying themselves as urban guerillas, raided a bank in downtown Buenos Aires. They escaped with millions of dollars in cash but six weeks later found their hideout surrounded by three hundred military police, journalists and TV cameras. The subsequent siege and its shocking outcome have become a Latin American legend.
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.
Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.
Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.
'A portrait of a world in fragments, a mirrorball made of razor blades' Guardian
Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires - a place where reality and the preternatural fuse into strange, new shapes. These stories follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is a paragon of contemporary Gothic from a writer of singular…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
As much as any writer I know, Jorge Luis Borges soars in both poetry and fiction. His short stories would make him a candidate for my top five fiction authors, and they make a great bridge to his poetry.
With their profound examinations of the mysteries of selfhood and time, their love letters to the activities of reading and writing, and their reimagining of the past—from his native Argentina to Europe and beyond—Borges’s poems offer endless riches for my mind and my heart.
The largest collection of poetry ever assembled in English by "the most important Spanish-language writer since Cervantes" (Mario Vargas Llosa)
A Penguin Classics Deluxe Edition with flaps and deckle-edged paper
Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in…
At twenty-six I was living in Wuhan. I had been in China for a couple of years and was looking for a change. Not ready to go back home to New Zealand, I made my way across Europe, through the USA, and on to Argentina. Since that visit, I’ve followed Argentina's economic crises and scoured its newspapers for quirky crime stories. I started to send out true crime articles to various magazines. Eventually, I had enough material to write a novel. For years I’ve wanted to find a literary yet straightforward crime novel set in Argentina. The search goes on, but below are the best I’ve come across so far.
An Agatha Christie-style mystery set in Buenos Aires. At two in the morning, Pancho Soler returns drunk to his apartment building on Santa Fe Avenue. He presses the button for the lift, and it arrives with a surprise inside: a beautiful blonde woman, sitting upright, but dead. Many of the suspects who live in the building are recent immigrants from Europe and, as the novel is set in the 1950s, their memories and secrets from WW2 are still fresh. Boris, a Bulgarian chemist who worked for the Nazis, is the most entertaining of the lot. There are the usual red herrings and revelations in the search for the murderer. The young Argentinian detective is a little flat by Christie's standards, but this is a satisfying whodunnit.
Frida Eidinger is young, beautiful and lying dead in the lift of a luxury Buenos Aires apartment block.
It looks like suicide, and yet none of the building's residents can be trusted; the man who discovered her is a womanising drunk; her husband is behaving strangely; and upstairs, a photographer and his sister appear to be hiding something sinister. When Inspector Ericourt and his colleague Blasi are set on the trail of some missing photographs, a disturbing secret past begins to unravel...
One of Argentina's greatest detective stories, Death Going Down is a postwar tale of survival and extortion, obsession…
My name is Rebecca Sanford, and my debut novel is based on the historical events of Argentina's last military dictatorship and the work of the grandmothers of the Plaza de Mayo. As a graduate student in the international affairs program at The New School, I conducted field research for my master's thesis with the Identity Archive of the Grandmothers at the University of Buenos Aires. This experience inspired a fictional story that ultimately became The Disappeared.
In this book, Laura Alcoba recounts memories of her childhood from the tender perspective of a 7-year-old girl whose parents are being targeted by Argentina’s dictatorship. Laura and her family hide out in a small house on the outskirts of Buenos Aires, where a resistance movement is operating a secret printing press behind the façade of a rabbit farm.
Through snippets of conversations that she isn’t meant to understand (but does) and strict rules of secrecy intended to protect her, wonder and curiosity prevail. I loved seeing this hidden world through Laura’s eyes.
Laura was 7 years old when her parents' political sympathies began to draw the attention of the dictator's regime. Before long, her father was imprisoned and Laura and her mother were forced to leave their apartment in the capital of Buenos Aires to go into hiding in a small, run-down house on the outskirts. This is the rabbit house where the resistance movement is building a secret printing press, and setting up a rabbit farm to conceal their activities. Laura now finds herself living a clandestine existence - crouching beneath a blanket in the car on her way to school,…
