Here are 100 books that Violets Are Blue fans have personally recommended if you like
Violets Are Blue.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a teacher with passion for history and writing realistic fiction. I published my two books when I was a teenager, and I currently work as a 6th-grade educator teaching writing. I love teaching and working with kids; it keeps me young. When I’m not teaching writing, I love to read realistic fiction, listen to or watch documentaries or horror podcasts, and write short stories.
This book is a great read for parents, teachers, and children. It's breaking down stereotypes in the field of education. It's perfect for book studies or book clubs at any level. I think everyone can get something different from this book.
"Fans of R.J. Palacio's Wonder will appreciate this feel-good story of friendship and unconventional smarts." -Kirkus Reviews
Ally has been smart enough to fool a lot of smart people. Every time she lands in a new school, she is able to hide her inability to read by creating clever yet disruptive distractions. She is afraid to ask for help; after all, how can you cure dumb? However, her newest teacher Mr. Daniels sees the bright, creative kid underneath the trouble maker. With his help, Ally learns not to be so hard on herself and that dyslexia is nothing to be…
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
I’ve been to India three times and I love to share books that show its complex, beautiful, and sometimes brutal culture. When sisters Viji and Rukku leave home to escape their abusive father, readers are given a detailed look at what living on the streets of India is like for many children. It’s a realistic lesson on the caste system and abject poverty, all wrapped in a compelling story; and I am always a fan of books that show siblings that care deeply for one another. I also hope it sparks an interest in that amazing country and its inhabitants.
"Readers will be captivated by this beautifully written novel about young people who must use their instincts and grit to survive. Padma shares with us an unflinching peek into the reality millions of homeless children live every day but also infuses her story with hope and bravery that will inspire readers and stay with them long after turning the final page."--Aisha Saeed, author of the New York Times Bestselling Amal Unbound
Cover may vary.
Four determined homeless children make a life for themselves in Padma Venkatraman's stirring middle-grade debut.
Life is harsh in Chennai's teeming streets, so when runaway sisters…
As a youngster growing up in the segregated South, I didn’t have access to books about Black history, culture, and experiences. Although I attended all-Black schools, the curriculum and the books in our libraries were mostly selected by an all-White school board. So, I didn’t know that much about the history of my own people. I would not begin to learn that until I attended college. When I married and had children of my own, my wife and I still had problems finding a variety of books for children and young readers for our own children to read. So, we started our own publishing company to address the need for these books.
This moving novel is right from the headlines of today reflecting real-life events.
The story follows a 12-year-old boy named Jerome who is shot and killed by a white police officer after he mistakes Jerome's toy gun for a real one. Jerome becomes a ghost who meets another ghost, that of Emmett Till, a black boy who was murdered in 1955.
Through Till's story, Jerome learns about other "ghost boys" left to roam society, trying to stop society from repeating itself.
A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes.
Only the living can make the world better. Live and make it better.
Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett…
As a kid, I read constantly. After my beloved mother left my abusive father and came out as a lesbian, a homophobic judge took me and my siblings--one of whom has Down syndrome--away from her. Reading was an escape. I loved weekends when I could leave my father’s house near Los Angeles and visit my mother who had a backyard full of trees and gardens. My parents argued constantly but as long as I could grow plants and observe birds, I was okay. Eventually, I moved to Oregon and volunteered to care for owls. I wrote Avenging the Owl to show that in the middle of family meltdowns, kids can turn to the natural world for comfort and inspiration.
This is the story of a girl named Rose, who is autistic and obsessed with homonyms. She lives with her father who’s often impatient with her needs and abandons her to drink at the local bar. Her mother has vanished, and Rose turns to her sympathetic uncle and her beloved new dog for comfort. When her dad lets the dog out during a storm, Rose and her uncle find the dog and realize it already has an owner. She learns the truth of her mother’s disappearance and moves in with her uncle.
Once again, here’s a story about the healing relationship that can exist between a kid and an animal. And as the sibling of a person with Down syndrome and a former special education teacher, I’m impressed with the author’s respectful portrayal of a girl on the autism spectrum.
From Newbery Honor author Ann M. Martin, who wrote the Baby-sitters Club series, comes a New York Times-bestselling middle grade novel about a girl, her dog, and the trials of growing up in a complicated and often scary world.
Rose Howard is obsessed with homonyms. She's thrilled that her own name is a homonym, and she purposely gave her dog Rain a name with two homonyms (Reign, Rein), which, according to Rose's rules of homonyms, is very special. Not everyone understands Rose's obsessions, her rules, and the other things that make her different―not her teachers, not other kids, and not…
I’m a Licensed Mental Health Counselor and I currently work as a High School Guidance Counselor for the past 25 years. I love kids and I love helping them to understand and love themselves and helping them to love and accept others as well. These books, even though the target audience is young (0-11 years old), older kids and adults can learn something from them as well. Sometimes a simple message is more powerful than a bunch of words.
This book is about a girl in a wheelchair who is cast in the middle school play. I love this book because it helps us understand the challenges of being in a wheelchair as well as all the challenges that go along with being a middle schooler. It addresses all those identity issues that occur during that age with the added challenge of being in a wheelchair.
A heartfelt middle-grade novel about a theater-loving girl who uses a
wheelchair for mobility and her quest to defy expectations-and
gravity-from Tony award-winning actress Ali Stroker and Stacy Davidowitz
Thirteen-year-old Nat Beacon loves a lot of things: her dog Warbucks,
her best friend Chloe, and competing on her wheelchair racing team, the
Zoomers, to name a few. But there's one thing she's absolutely OBSESSED
with: MUSICALS! From Hamilton to Les Mis, there's not a
cast album she hasn't memorized and belted along to. She's never
actually been in a musical though, or even seen an actor who uses a
wheelchair…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor's status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers.
This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing…
Make-believe is my vocation, calling to me since earliest childhood. Not too surprising, for I was raised in a Southern Gothic household, simmering with mendacity and thwarted desires. Back then, I plotted stories for my dolls and scribbled plays of love and murder for backyard productions with the neighbor girls. Living and schooling were necessary preparation for the next story or play. To this day, while truly embracing my lived-life with passion and wonder, I still make sense of it, in part, through make-believe—an act that is both solitary and collaborative—writing dialogue for actors to interpret and novels for readers to perform in their own active imaginations.
In the plague years of 14th century England, a young runaway priest, Nicholas Barber, hides himself by joining a troupe of traveling players and thereby finds himself a new role in a wider world. Nicholas’s story begins at an inflection point, when the residents in a particular town are more interested in an actual crime of murder than in seeing yet another iteration of the traditional religious Morality play. To captivate and keep their audience, the actors—with Nicholas now one of them—create a play of real life about the town’s murder. Their drama evolves in a series of performances as they discover more details of the mystery, at last leading them to its resolution. A fascinating interplay of history, mystery, theater, and human nature! I love this book.
In medieval England, a runaway scholar-priest named Nicholas Barber has joined a traveling theater troupe as they make their way toward their liege lord’s castle. In need of money, they decide to perform at a village en route. When their traditional morality plays fail to garner them an audience, they begin to stage the “the play of Thomas Wells”—their own depiction of the real-life drama unfolding within the village around the murder of a young boy. The villagers believe they have already identified the killer, and the troupe believes their play will be a…
I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.
The Other Side of Perfectis about a young ballet dancer, Alina, who suffers a life-changing injury and must learn to deal with her multilayered, sometimes unsympathetic, anger.
Even though its themes are heavy, I somehow couldn’t put this one down. The characters are so real (and often funny), and every conflict unfurls with realistic nuance, sometimes devastatingly so.
Mariko Turk’s refusal to simplify emotions—even when exploring painful topics like racism—earns this book a standing ovation from me.
For fans of Sarah Dessen and Mary H.K. Choi, this lyrical and emotionally driven novel follows Alina, a young aspiring dancer who suffers a devastating injury and must face a world without ballet—as well as the darker side of her former dream.
Alina Keeler was destined to dance, but then a terrifying fall shatters her leg—and her dreams of a professional ballet career along with it.
After a summer healing (translation: eating vast amounts of Cool Ranch Doritos and binging ballet videos on YouTube), she is forced to trade her pre-professional dance classes for normal high school, where she reluctantly…
I was an ambitious teen, and as I entered adulthood, my relationship with ambition has continually evolved. Those of us with marginalized genders sometimes have our ambition treated with suspicion or scorn—by peers, family, or would-be mentors. I wanted to share books that don’t necessarily come to the same conclusion about ambition’s role in our lives, but that all grapple with what it means to be ambitious in a culture where that is often seen as threatening or unladylike—or where any sign of ambition gets one automatically labeled as “unlikeable.” I love these books’ narrators, and I hope you will find something to love in them too.
This book is an absolutely to-die-for rivals-to-lovers tale, sparked when Natalie is forced to team up with her long-time enemy on a musical in order to secure funding for the arts at their high school. Natalie’s evolving relationships with her family and friends are complex and brilliant, and I felt allthe feelings about the interplay between art and ambition while reading.
A pair of fierce foes are forced to work together to save the arts at their school in this swoony YA enemies-to-lovers romance that fans of Jenny Han and Morgan Matson are sure to adore.
Lifelong rivals Natalie and Reid have never been on the same team. So when their school's art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She's fighting to direct the school's first ever student-written play, but for her small production to get funding, the school's award-winning band will have to lose it. Reid's band. And he's got no intention…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
As a teacher of History and Musicals at NYU, I’ve seen how theatre students are most interested in the shows they know, which typically means those produced in their lifetime. So I try to meet them where they are and then journey backwards into the past. While Singular Sensationmoves forward in time from the 1990s, it shows how the Broadway we know today came to be. And who could resist reading about Patti LuPone throwing a floor lamp out her dressing room window when Andrew Lloyd Webber fired her fromSunset Boulevard? So I hope you’ll come back for more and read Riedel’s equally dishy yet informative Razzle Dazzle, which is about Broadway in the 1970s, when someone could mug you at knifepoint in broad daylight on 42nd Street (and, in my case, did).
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers-shows that changed the history of the American theater.
The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals,…
