Here are 100 books that As If on Cue fans have personally recommended if you like
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Growing up, I always loved reading young adult romances where first love and growing up seemed like the perfect kind of summer story. As an adult, and especially as an educator, I have too often seen the likes and interests of my female students dismissed as silly or frivolous, romance being at the top of this list. I love cultivating a diverse classroom library, one that includes books for everyone’s interest and background. Writing stories for young readers and about what interests them has been the great privilege of my life.
Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.
As sweet as a macaron from Laduree, this romantic novel set in Paris about an American ballerina and a charming French boy isparfaitfor fans ofAmerican Royalsand Netflix'sEmily in Paris.
Mia Jenrow has always known she's destined to be a professional ballerina. In fact, it’s in her blood—according to family legend, her too-many-greats-to-count-grandmother once danced for the Paris Opera and was painted by Degas himself! Her parents say it’s just a fantasy, but to Mia it’s so much more than that. It’s her fate.
Mia is planning to spend a magical summer in France pursuing her dream, but as she pirou-ettes…
I was an ambitious teen, and as I entered adulthood, my relationship with ambition has continually evolved. Those of us with marginalized genders sometimes have our ambition treated with suspicion or scorn—by peers, family, or would-be mentors. I wanted to share books that don’t necessarily come to the same conclusion about ambition’s role in our lives, but that all grapple with what it means to be ambitious in a culture where that is often seen as threatening or unladylike—or where any sign of ambition gets one automatically labeled as “unlikeable.” I love these books’ narrators, and I hope you will find something to love in them too.
Hayley is thrilled to be accepted to a prestigious summer program for aspiring teen animators. But then only boys are chosen to direct the participants’ short films, and that might only scratch the surface of the boys’ club culture within the program. The multiple forms of sexism Hayley experiences throughout are so real, they were painful to read (in the best, truest way), as I reflected on my own experiences with misogynistic gatekeeping—but the community and solidarity that develop throughout this fantastic novel are very satisfying.
“Packs a swoony punch along with its feminist rage.” —Maurene Goo, author of Somewhere Only We Know
Moxie meets the world of animation in this fresh, unputdownable novel about a teen girl determined to prove herself in the boys’ club of her dream industry no matter what it takes.
Hayley Saffitz is confident, ambitious, and intent on following in the footsteps of her hero, renowned animation director, Bryan Beckett. When she’s given a spot in his once-in-a-lifetime summer program, Hayley devises a plan: snag one of the internship’s coveted directing opportunities. Dazzle Bryan with her talent. Secure a job post-graduation.…
I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.
The Other Side of Perfectis about a young ballet dancer, Alina, who suffers a life-changing injury and must learn to deal with her multilayered, sometimes unsympathetic, anger.
Even though its themes are heavy, I somehow couldn’t put this one down. The characters are so real (and often funny), and every conflict unfurls with realistic nuance, sometimes devastatingly so.
Mariko Turk’s refusal to simplify emotions—even when exploring painful topics like racism—earns this book a standing ovation from me.
For fans of Sarah Dessen and Mary H.K. Choi, this lyrical and emotionally driven novel follows Alina, a young aspiring dancer who suffers a devastating injury and must face a world without ballet—as well as the darker side of her former dream.
Alina Keeler was destined to dance, but then a terrifying fall shatters her leg—and her dreams of a professional ballet career along with it.
After a summer healing (translation: eating vast amounts of Cool Ranch Doritos and binging ballet videos on YouTube), she is forced to trade her pre-professional dance classes for normal high school, where she reluctantly…
I was an ambitious teen, and as I entered adulthood, my relationship with ambition has continually evolved. Those of us with marginalized genders sometimes have our ambition treated with suspicion or scorn—by peers, family, or would-be mentors. I wanted to share books that don’t necessarily come to the same conclusion about ambition’s role in our lives, but that all grapple with what it means to be ambitious in a culture where that is often seen as threatening or unladylike—or where any sign of ambition gets one automatically labeled as “unlikeable.” I love these books’ narrators, and I hope you will find something to love in them too.
Eliza is passed over for editor-in-chief of her school paper in favor of a less experienced boy... then her private manifesto against the injustice is leaked, and the resulting school conflict becomes about more positions than just hers. It’s a layered, thoroughly feminist look into the complexities of ambition, against the broader backdrop of Asian diaspora communities.
"Will leave a mark on your heart." Stephanie Garber, author of the Caraval series
"A smart romance with heart and guts and all the intoxicating feelings in between." Maureen Johnson, author of 13 Little Blue Envelopes
Falling in love wasn't part of the plan.
Eliza Quan fully expects to be voted the next editor in chief of her school paper. She works hard, she respects the facts, and she has the most experience. Len DiMartile is an injured star baseball player who seems to have joined the paper just to have something to do. Naturally, the staff picks Len to…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
This graphic novel skews younger than the others on this list. It’s a heart-warming, slice-of-middle-school-life that revolves around the school’s musical theater production, from auditions and rehearsals, set-building and costumes, to opening night, the 3-show run, and even the cast party. It invokes the highs and lows of a production, including the inevitable malfunctioning props and inter-cast issues. I love this story’s emphasis on how fun it is to work on sets, costumes, lights, and sound, and how important stage crew is to the production.
Theatre Quotient: High. The bulk of the plot revolves around the show.
Raina Telgemeier, the author of the award-winning SMILE, brings us her next full-colour graphic novel . . . DRAMA!
Callie loves theatre. And while she would totally try out for her middle school's production of Moon Over Mississippi, she's a terrible singer. Instead she's the set designer for the stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
If you’ve never done theater, this book will have you running for the nearest audition. The non-fiction book contains heartwarming reflections from the cast, crew, and creative team for Fiddler on the Roof in Yiddish, including director Joel Grey. Readers get an inside look at show life, from cast bonding to pre-opening stress to performance mishaps. The vignettes convey what each cast and crew member contributes to making the magic happen. While heavy on the feel-good memories, it rings true and mesmerizes.
Theatre Quotient: High. It’s all theater, all the time!
A look inside Off-Broadway's Fiddler on the Roof in Yiddish, the ground-breaking, award-winning musical. Samantha Hahn, the youngest member of the cast, tells the story of how "Yiddish Fiddler" came to be. Samantha has interviewed the cast, crew, and creative team - each with a unique take on the show and the impact it has had on their lives - for a behind-the-scenes look at what makes "Yiddish Fiddler" so special. On the Roof takes the reader on a never before seen journey - from rehearsals that end in tears and screaming in elevators, to the beautiful bonds between company…
I’m a Licensed Mental Health Counselor and I currently work as a High School Guidance Counselor for the past 25 years. I love kids and I love helping them to understand and love themselves and helping them to love and accept others as well. These books, even though the target audience is young (0-11 years old), older kids and adults can learn something from them as well. Sometimes a simple message is more powerful than a bunch of words.
This book is about a girl in a wheelchair who is cast in the middle school play. I love this book because it helps us understand the challenges of being in a wheelchair as well as all the challenges that go along with being a middle schooler. It addresses all those identity issues that occur during that age with the added challenge of being in a wheelchair.
A heartfelt middle-grade novel about a theater-loving girl who uses a
wheelchair for mobility and her quest to defy expectations-and
gravity-from Tony award-winning actress Ali Stroker and Stacy Davidowitz
Thirteen-year-old Nat Beacon loves a lot of things: her dog Warbucks,
her best friend Chloe, and competing on her wheelchair racing team, the
Zoomers, to name a few. But there's one thing she's absolutely OBSESSED
with: MUSICALS! From Hamilton to Les Mis, there's not a
cast album she hasn't memorized and belted along to. She's never
actually been in a musical though, or even seen an actor who uses a
wheelchair…
I am an award-winning author of sex-positive contemporary romance and a citizen of the Cherokee Nation. As a reader, I’ve grown weary of Native American romance characters who are mostly caricatures and stereotypes. Last year, I went on a quest to find romance stories that portrayed contemporary Native characters experiencing love as they navigated real life in the 21st century. And who better to tell those stories than Native authors using their own voice? Now that I’ve found several great Native romance authors, I want to share these recommendations far and wide. Come, come, read Native romance!
This is one of the best Native books I’ve ever read. As a white-passing
Native who lived away from the tribe, I really identified with Louise Wolfe’s
experience as one of the few Native families in their mostly white, middle-class
Kansas town.
Lou’s struggle against racism on a macro and micro scale is relatable, and the
story is wonderfully rewarding. It's a must-read.
Winner of an American Indian Youth Literature Award
New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school — and first love.
When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I’d take this book with me if banished to a deserted island.
It’s a comprehensive account of the modern musical from London’s West End to the influence of Show Boat and beyond. Beautifully researched, it’s filled with fantastic timelines and gorgeous art, this is a get-lost-for-days sort of giant tome.
Of course, I didn’t choose it because they feature Legally Blonde and also include my quote: “I’ve also been a blonde… and I’ve also been underestimated.” No, not at all.
Musicals: The Definitive Illustrated Story showcases the complete history of the musical on stage and screen, from its origins in ancient Greece to early twentieth century dance halls and vaudeville to the golden age of cinema productions to the record-breaking Broadway musicals of today.
Packed with historical insights, memorabilia, behind-the-scenes gossip, and artifacts, Musicals: The Definitive Illustrated Story takes you on the ultimate behind-the-scenes tour of the best-loved musicals, such as Chicago, Les Misérables, The Lion King, The Phantom of the Opera, The Sound of Music, and many more.
In all, Musicals: The Definitive Illustrated Story features more than 140…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.
Winner of the ASCAP–Deems Taylor Award (2005)Many of today’s Broadway shows, from Rent to The Lion King, have become commercial hits, but do they have the cultural importance or the dramatic and musical artistry of such enduring productions as Oklahoma!, Show Boat, or Kiss Me, Kate? Mark N. Grant traces the transformation of singing and melody, libretto and lyric writing, dance rhythms, sound design, and choreography and stage direction through three distinct eras: the formative period (1866–1927), the golden age (1927–1966), and the fall (1967 to the present). He explores how and why the unsophisticated genre of pre-1927 musical comedy…
