Fans pick 87 books like Innocent Flowers

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

I had no idea before I read this book that Jerome K Jerome started his working life as an actor—or rather a would-be actor, as his acting days didn’t last long. This is a highly entertaining account of his days trying to woo corrupt agents and indifferent theatre managers, and how his own lofty perceptions of his talents as an actor were dashed by absconding producers. His experiences of life at the bottom of the acting ladder are also reflected in other actors’ memoirs, some (but not all) of whom went on to bigger things. A must-read for any parent who wants to dissuade their offspring from taking up a life ‘on the boards’.

This is an apparently ‘true’ account of the first-ever production of Bernard Shaw’s Pygmalion (from which sprang My Fair Lady), directed by Shaw himself—in the days when playwrights mostly directed their own work—and featuring two theatrical giants: Herbert Beerbohm Tree as Professor Higgins and Mrs. Patrick Campbell as Eliza Doolittle. Tree, who as an actor liked to don disguises in the form of false noses and wigs, was incapable of playing ‘straight’, and Shaw, with what appears to be the patience of a saint, had a right old time dissuading him from giving Higgins a limp and a Scottish accent. Meanwhile Mrs. P—ironically, bearing in mind the story of the play—struggled with her cockney accent and disappeared from the last week of rehearsals without telling anyone where she’d gone. (She was getting married for the second time.) I don’t know how ‘true’ this all is but it makes for… show more.

This great book gives a comprehensive and amusing overview of English society in the Edwardian period and the battle between what the author calls the Established Order and New Ideas, as reflected in the theatre and women’s role in society in particular. There is a very funny description of the role of the Censor, an employee of the Lord Chamberlain called the Examiner of Plays, an ex-bank manager who made his own rules according to his own whim and was accountable to nobody. The book also covers topics such as the popularity of ‘theosophy’ and the occult; and the prevailing hypocrisy of the Old Order as epitomised in the attitude of the monarch, King Edward VII, who tolerated ‘irregular’ behaviour so long as it was discreet, and condemned public immorality while indulging in affairs left right and centre.

I was a teenager the first time I picked up this book. Romance novels weren’t my thing, and considering this one was heavily marketed as such, I nearly overlooked it. But once I got past the swooning, steamy promotional packaging, I realized there was quite more to it. In some ways it planted the seed in my younger self for the storyteller I would eventually become. It tells the story of a woman who has lost hope for her mess of a life, only to be given the rare opportunity to experience past-life-regression and alternate versions of herself in several previous lifetimes. Readers are swept through the centuries in richly told settings as we watch her experience the loves, losses, and lessons that have all led to the circumstances of her current, present-day life. 

Private Arrangements was my introduction to Sherry Thomas’s absolutely exquisite prose and story-telling. The setting is the Edwardian period and gives us a couple who were once passionately in love. The day after their wedding everything goes wrong with no way to pick up the pieces. Indeed, the two have lived apart for the last ten years. Now she wants a divorce, and he has a shocking proposal for her. How on earth can two people who have made such terrible mistakes find their way back to each other? Thomas takes you on an emotional ride on the way to the answer. She’s an amazing writer whose characters come to life on the page in a way few can match. If you haven’t read her work, you should.

This is a brilliantly written fast-paced time travel adventure, mystery, and romance, all rolled into one. Conway’s descriptive writing style brings the characters and settings of 1912 and present-day vividly to life. The history field trip scene reminded me so much of my own university field trip to a local cemetery that I wondered if we’d been on the same course. However, this story is set in Birmingham rather than Liverpool, but the similarities were uncanny.

The author has really done his research too, but where a less skilled author might inform the reader through info-dumping, Conway conveys the sights, sounds, and historical details of Edwardian Moseley through action and dialogue. You feel as though you have travelled back in time with Rachel and Danny and are experiencing the story with them. There are so many twists and turns and unexpected reveals that you can’t help but keep reading. But… show more.

Be careful what you wish for! This is a book for kids with wild imaginations.

A group of Edwardian kids move from London to the countryside of Kent. There, they meet a wish-granting sand fairy. It's worth reading just for the hilarious ways that the wishes go wrong. That it’s never been out of print proves the enduring amazingness of this novel.

It does not contain a sword.

I devoured this modern classic comedy of manners like a good period drama. 

The novel follows the adolescent years of Sebastian, duke and heir of the country house Chevron, where his mother Lucy plots luncheons and indulges parties where alcohol, games, and affairs are the prime guests. The tone is witty and the food, from the ingredients on display to the behaviours of those who eat, is used as a powerful show of appearances.

This fascinating study shows that victim-blaming has a long history and doctors have been part of the problem, playing a significant role in constructing and reinforcing rape myths in the years 1850-1914. The unique focus on age, medical beliefs about puberty, and public concerns about sexual offences and working-class sexuality explains why even children under the legal age of consent might not be seen as sexually innocent. Medicine provided a scientific rationale for deeply entrenched and remarkably stable popular beliefs about ‘real rape’ and ‘victimhood’, contributing to the serious burden that female victims faced in court.