100 books like Mrs. Beeton's Book of Household Management

This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.

Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.

I loved this book because of the power of the story and the beautifully rendered characters. Though not a World War 2 book but a love story set in the American South, it covers many of the same themes, like oppression and resistance.

The central characters, Ellen and William Craft, were powerfully realized. I followed their journey from slavery to freedom with breathless anticipation as Ellen disguised herself as a wealthy white woman and William as her slave.

I cheered at the end when the Crafts fled to Canada en route to Liverpool, England, where they toured on the lecture circuit and were formally educated on how to read and write. They continued to speak out against slavery and celebrated its ending in America in the 1860s.

I love this book for what it teaches us about the global nineteenth century and the complexities of identity.

Seacole traveled widely as a medical practitioner—from Kingston to London, Cruces to the Crimea, and eventually settled in England. Identifying herself as a “doctress,” an “unprotected female,” and “Mother Seacole,” she underscored the plasticity of Victorian gender ideals of separate spheres as she claimed her role on the battlefront.

She condemned the racism she faced as a Black Creole woman, yet also supported the British empire. Most of all, as my students often point out, she had the bravery to tell her own story.

I’m captivated by Caroline Norton’s spirit and contradictions. She fought against inequality in English laws regarding child custody, marriage, divorce, contracts, property, and wages. But she continually maintained that she was against the idea of women’s suffrage or equality with men, writing instead that she claimed only one right: the right of women’s protection under the law.

I appreciate how she makes us think about the law in new ways, and also admire her candid writing about domestic violence. When her brutal husband destroyed her letters, attacked her, and took away her children and her income, she promised that as long as he held her copyrights, all her future writings would address only the issue of women and the law.

Ah, a Victorian woman feeling restricted, what a shock. Thus, Lady Finchingfield decides to become Mademoiselle Noire, and enthralls Lord Henry. In something of a reaction to the excesses of the Regency period, the Victorian period had more rules than women could keep up with, and this way of addressing—or circumventing them—appealed to me as very creative. The disguise and gentlemen’s club add an aura of suspense so it was a super quick read for me. I love fast-paced books.

In this field-defining classic, Ritvo boldly showed the academic world that the relations between humans and other animals are worthy of historical inquiry.

The book delves into various subjects in Victorian life: hunting and the designation of nature reserves, the emergence of pet shows and their relations to class formation, meat consumption, and its national symbolism. The book’s impressive breadth of sources spans from popular newspapers’ illustrations to agricultural studbooks.

While primarily focused on nineteenth-century England, Ritvo's insights have inspired researchers, including myself, to examine similar themes in different cultures and historical periods.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.

This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.

The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.

A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.

Trapped in Time is the quincentennial weekend escape.

Thanks to a bump on Emma’s head, the story takes you on a time-travel excursion back to the Victorian era, where modern-day Emma suddenly finds herself. With no way back to reality, she navigates and manipulates her way into the arms of the aristocratic John to serve a secret purpose.

But as Emma confronts the struggles of women in this era, she faces critical decisions of mind and heart. This story resonated on many levels to see the hard won progress as women we’ve made and that our path continues with batons held high.

Bly was a brilliant investigative journalist best known in the United States for her exposé of the Women’s Lunatic Asylum based on her feigning of insanity as an undercover patient … until she became even more famous for her circumnavigation of the globe, inspired by Jules Verne’s fictional Around the World in 80 Days. Sponsored and encouraged by Joseph Pulitzer (editor of the tabloid newspaper, The New York World) and written in a witty, breezy style, Bly’s pithily-told tale upends every stereotype of fragile Victorian womanhood; her gutsy candor about her madcap race around what was supposed to be a wholly man’s world still stuns and delights!