100 books like The Animal Estate

This is an extraordinary study about life in and around the strait between the Pacific and Arctic oceans, home for Iñupiaq, Yupik, and Chukchi people and many other lively things, before and after the arrival of Russian and American colonial powers.

I admire the nuanced way in which Demuth exemplifies how capitalist and communist resource management transformed not only human but also animal cultures (whales, for example, strategize against whaling ships).

Anderson examines how domestic animals played into English colonization of the Chesapeake and New England in the seventeenth century.

She shows how the English conceptions of the natural world, which clashed with Native American visions, directed their territorial expansion. At the same time, the new environment transformed the English methods of livestock husbandry.

I learned from this book how to discern the role of animals in even the most commonplace legal arrangements. For example, legislation related to damages done by free-ranged cattle raised fundamental questions about the ownership of nature.  

For me, this was the book that changed everything!

Haraway does an amazing job of showing how the private lives and experiences of primate specialists were an important part of science. There’s even a chapter that shows how one of the dioramas at the American Museum of Natural History has a taxidermy gorilla whose painted landscape depicts the gravesite of the guy who shot him (you still see it in person today if you are in New York City). This and other stories in the book transformed my thinking about the lines separating “animals” from other Others.

The newest publication on my list, this book offers future directions for researching the history of human-animal relations. 

Arguing against the Eurocentrism of animal history, the book brings in multiple species into the historical inquiry of colonial Myanmar. Saha explores colonized people's interspecies relationships, with a particular emphasis on commodification processes.

I recommend the book to those who are interested not only in a captivating analysis, but also in a thought-provoking theoretical discussion about the intersection of animal studies and postcolonial scholarship.  

Philip Howell explores the place of dogs in Victorian homes and on the street.

There are familiar topics – vivisection, rabies, dogs’ homes, and dog cemeteries – but what set this book apart is that these are discussed in new ways drawing on literature and geography. Thus, we learn about Charles Dickens’s pet dog Sultan, alongside the many, many dogs in his novels, not just Bill Sikes’s Spike.

It surprised me just how many dogs roamed the streets of Victorian towns and cities, and how the police, often reluctantly, were responsible for bringing order to the streets. But public spaces were contested, with active and passive resistance by dog owners to measures requiring muzzling, leading, rounding up strays, and euthanizing unwanted curs and mutts.

This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.

Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.

Ah, a Victorian woman feeling restricted, what a shock. Thus, Lady Finchingfield decides to become Mademoiselle Noire, and enthralls Lord Henry. In something of a reaction to the excesses of the Regency period, the Victorian period had more rules than women could keep up with, and this way of addressing—or circumventing them—appealed to me as very creative. The disguise and gentlemen’s club add an aura of suspense so it was a super quick read for me. I love fast-paced books.

Bly was a brilliant investigative journalist best known in the United States for her exposé of the Women’s Lunatic Asylum based on her feigning of insanity as an undercover patient … until she became even more famous for her circumnavigation of the globe, inspired by Jules Verne’s fictional Around the World in 80 Days. Sponsored and encouraged by Joseph Pulitzer (editor of the tabloid newspaper, The New York World) and written in a witty, breezy style, Bly’s pithily-told tale upends every stereotype of fragile Victorian womanhood; her gutsy candor about her madcap race around what was supposed to be a wholly man’s world still stuns and delights!

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.

This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.

The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.

A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.