100 books like Inventing The Truth

Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.

Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world. 

This one didn’t change my life, but it did provide me with a no-nonsense guide to pesky things like conjunctions and clauses, superlatives and synonyms, prepositions and pronouns, and, obviously, alliteration. Ha. 

What I liked most about this book is that it isn’t written like a textbook. I read what is widely considered to be the writer's bible, The Elements of Style by William Struck and E.B. White, and considered giving up on my dream of becoming a writer because the book made me feel as if only someone with an Einstein-like intellect could write. 

But, as Mr. King wrote, the story is what matters; everything else is just dressing. But in saying that, being able to string together sentences helps (I think my jokes are funny, but no one else does), and this book gives a simple explanation of how to make your copy sing.

It’s 2005, and it’s my first day at The Daily Telegraph. I still couldn’t believe they had hired me as a cadet journalist. The smile I was wearing–from ear to ear–suddenly vanished when the Chief of Staff walked over and said, ‘Phelpsy, a bus has just crashed in Egypt. We have been told that there may have been some Australian tourists on board. Punch out 500 words and give it to me in an hour.’ 

I turned to my computer screen, looked down at my keyboard, and suddenly realized that I had no idea what I was doing. I’d never had any writing training, and my experience was limited to the gibber I had been submitting to the paper (for free) for the past year in the hope of landing a job. After ten minutes of writing a word or two, deleting them, and then doing it again, I… show more.

I loved this book because it demonstrates we can write about any subject we have a passion for: bowling, the bassoon, the Canary Islands, UFOs, opium, truffles, cats and dogs, evil and good, or cells!

Thomas starts his book by marveling about cells. Vivid imagination, not labor, carries him to subjects like insects, music, language, computers, and medicine. After all, they are interconnected, like we are. 

Which means I need only start with one subject* that stirs my wonder or worry and holds meaning for me. I don’t need to hunt for something to write about, it is right in front of my eyes. 

*BTW, the author of my book choice #1, Bill Zinsser, covered war, theatre, baseball, music, nonfiction writing, and memoirs. Note to self: One subject will do.

Washington, our first president…Mr. American Freedom himself—was not just a slave owner but a slave hunter. What was his problem, I wondered, as I read about how he and his wife positively obsessed over re-capturing Ona Judge, a woman who escaped from their bondage.

They spent years, money, and some political clout tracking her down and trying to drag her back. They had plenty of other enslaved people! They weren’t short of money! As I read this wild tale of courage and cruelty, I got the message…the Washingtons knew that if a slave could flee the President of the United States, it would demonstrate the hypocrisy of trying to found a nation on liberty that, uh,…..held men, women and children in bondage.

My spoiler for you: They failed. Judge never returned to the Washingtons and lived to tell her own tale about the ugly history of American freedoms. Dunbar’s book… show more.

If you’re interested in nineteenth-century African American activism, then you should read something by someone directly involved in that work. William Still, based in Philadelphia, was involved in a great many social-reform efforts, but he is known today primarily for his work with the Underground Railroad—an institution that was itself a blend of fact and fiction, history and legend. In this book, Still tells the story of a number of individuals who successfully escaped from enslavement, some of them with organized assistance, and others who managed on their own before reaching the networks available to them once they reached Philadelphia and Still’s network of committed antislavery workers.

Since the book is comprised primarily of these many individual stories, and with no discernible organizing principle, this can be a challenging book to read from the first page to the last. But that won’t stop you, and you might find yourself replicating… show more.

This book takes the idea of “badass” to another level of meaning and measure.

Here, Hattie is a mother of twelve children of various stories and in some ways, a stand-in for all mothers who made the migration north from the deep south of the United States. She’s tough but loving and endures the kind of struggles that would knock many people down.

It’s a book that keeps you turning the pages. 

Historians have charted the long, slow process of emancipation in Northern states. But no one has looked before at how children fared during this process. Webster’s ground-breaking work shows that it was virtually impossible for Black children in ostensibly free states to escape politics: as individuals living in a racist society, and as symbols of African Americans’ future, whatever they did or said was invariably surveilled, dissected, and judged. Racist thinking and racialised structures also severely curtailed freedom for the young.

Many Black Northern children were indentured or bound out, often in exploitative labor arrangements that restricted future possibilities. Others were confined to institutions like reformatories or orphanages, usually segregated based on pseudoscientific understandings of race that marked Black children as deviant, violent, or inferior. Circumventing the way Black suffering has been obscured in historical records, Webster manages to piece together archival fragments that show widespread victimization of Black children… show more.

This book couldn’t be set anywhere else. In 1985, a stand-off between city authorities and members of the MOVE organization ended when a state police helicopter dropped two bombs on MOVE’s West Philadelphia headquarters. Eleven people died, including five children, and more than 60 homes were destroyed. Two residents of the house – a 13-year-old boy and an adult woman – survived the conflagration. 

MOVE members believed in racial justice, animal rights, and a back-to-nature lifestyle. The group frequently clashed with neighbors and city leaders. On the day of the bombing, police had gone to the MOVE home to evict those living there. 

As a newspaper reporter, I twice interviewed two police officers on the scene who helped young Birdie Africa as he fled the burning home. The first words Birdie said to the officers were, “Don’t shoot me.” Two decades after the bombing, the police officers were still haunted… show more.

I love how author/illustrator Don Tate re-discovered and brought to life this true story of an office clerk who risked everything to become a conductor, and took it upon himself to be the record keeper, of the Underground Railroad. With his painstaking records, he reunited countless families torn apart by slavery and preserved an important piece of history. “It wasn’t his job to do,” the book says, “but William thought these written records might help someday.” This message—that we often have to step beyond what may be our “job” to help others and make a difference—will linger in the hearts and minds of kids who experience this powerful story.