Here are 100 books that The Bun Field fans have personally recommended if you like
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By François Vigneault and Jonas Madden-Connor
Author
Why are we passionate about this?
We’re a couple of award-winning graphic novel creators who happen to have been friends since middle school. We’ve been enmeshed in films and comic books for our entire lives, and always enjoyed discussing them with each other, sharing hidden gems, and staying up late to pore over what went right (or wrong) when a favorite comic was made into a movie or TV show. We’re in the middle of an ongoing wave of cinematic adaptations, with billion-dollar blockbusters and indie gems alike looking to graphic novels for inspiration. Read these five books now before they show up on a screen near you, and you’ll have the sweet pleasure of pronouncing “The graphic novel was better!”
Black Hole is a striking tale of a sexually transmitted plague running rampant amongst a community of teenagers in suburban Washington in the 1970s, all illustrated in creator Charles Burns’ almost inhumanly precise and dark art style. Mind-bending and terrifying, this graphic novel has come close to being adapted many times over the year, and its mix of eminently relatable interpersonal drama and existential dread make it a perfect fit for the screen, a horror story with heart and soul.
“The best graphic novel of the year” (Time) tells the story of a strange plague devastating the lives of teenagers in mid-1970s suburban Seattle, revealing the horrifying nature of high school alienation—the savagery, the cruelty, the relentless anxiety, and the ennui.
We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you’ve got it, that’s it. There’s no turning back.
As we inhabit the heads of several key characters—some kids who have it,…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This book is contemporary art. The graphics are on a different artistic level than most comics or graphic novels. It made me realize that the contemporary art scene can live and flourish in storytelling, which by the end of the day led me on my path to becoming a comic artist. The story about W the Whore has a weird poetic feel. It is not about a prostitute, but about a woman and that is the symbolism and metaphors Feuchtenberger introduces in her surreal landscape.
The experiences of womanhood are heightened and transformed in these eerie, fairy tale–like comics by a gifted artist-writer duo.
Soon after the fall of the Berlin Wall, the West German–born Katrin de Vries read a magazine featuring the drawings of the East German–born Anke Feuchtenberger. De Vries wrote to ask Feuchtenberger if she might want to collaborate, and together they’ve produced some of the most striking German comics of the last thirty years, most notably W the Whore.
Collected here in English for the first time, W the Whore, W the Whore Makes Her Tracks, and W the Whore Throws…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
Arsène Schrauwen has the simplicity and length to give you this feeling of never being able to escape your sickness or your loneliness. Olivier Schrauwen works with graphic novels as a contemporary artist. His drawings are so precise and weird, they make me think of great folk art as done by Bill Traylor. We realize the inner truth in his simple line and the awkwardness of life. This book is an experience like a dream; both utterly original and strangely familiar.
In 1947, the author’s grandfather, Arsene Schrauwen, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a modern utopia in the wilderness — but not before Arsene falls in love with his cousin’s wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsene’s loosening grip on reality is mirrored by the graphic novel reader’s uncertainty of what is imagined or real by Arsene.
I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Despite its garish cover, How to Read Donald Duck is not about cartoons. It's a penetrating analysis from a Marxist and nationalist perspective that helped me understand the influence of Disney in particular and U.S. entertainment exports in general in Latin America. The book was originally published in Spanish as "Para Leer el Pato Donald." The book was considered so dangerous that the Chilean Navy dumped the entire third edition into the sea during the dictatorship.
The book was my first insight into what's known in leftist circles as U.S. cultural imperialism. A lot has changed and lot has not since the book was first written, but it makes me reflect on the role U.S. cultural products play in Latin America today.
First published in 1971, How to Read Donald Duck shocked readers by revealing how capitalist ideology operates in our most beloved cartoons. Having survived bonfires, impounding and being dumped into the ocean by the Chilean army, this controversial book is once again back on our shelves.
Written and published during the blossoming of Salvador Allende's revolutionary socialism, the book examines how Disney comics not only reflect capitalist ideology, but are active agents working in this ideology's favour. Focusing on the hapless mice and ducks of Disney, curiously parentless, marginalised and always short of cash, Ariel Dorfman and Armand Mattelart expose…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
Yes, it’s a bit dated, but it was a bold, pioneering book for its day. Barber doesn’t shrink from describing birds as they are: intelligent, flexible, emotional animals with lives and personalities.
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
I have been passionate about animals all my life. I was raised on and currently help operate the family farm near Petersburg, Tennessee. I have a doctorate in animal science and joined Middle Tennessee State University (MTSU) as a Professor of Animal Science and Department Chair on August 1, 2007, after retiring from a 25-year career with the Extension Service (University of Tennessee and University of Kentucky). I enjoy participating in community activities such as the Petersburg Community Cultural Coalition, Petersburg Lion’s Club, and serving as President of the University of Tennessee Institute of Agriculture Retiree’s Association. I have written two books, Cane Creek Days and Princess of Horses.
Many years ago, I fell in love with Watership Down, Richard Adams’ iconic book about the trials and triumphs of rabbits, from the rabbit’s point of view.
With my doctorate in animal science, I know that neither rabbits nor horses can act, react or think like humans. Giving animals human-only abilities is called anthropomorphism and is not considered scientifically acceptable. That doesn’t matter when Richard Adams fuses his writing skills with a delightful concept of how animals face amazing challenges.
Traveller, Robert E. Lee’s famous war horse, narrates his view of a tragic general fighting in an epic failure of the human spirit.
This ironic, revisionist view of the Civil War is seen through the eyes of Robert E. Lee's horse, Traveller. Told in a series of monologues directed at a tomcat, his story depicts battles, retreats and casualties. But Traveller's idealization of his rider does not allow him to recognize or even understand defeat. Richard Adams has written "Watership Down", "Shardik", "The Plague Dogs", "The Girl in a Swing" and "Maia".
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
Another Newberry Medal winner, this book is unlike the rest because the terror doesn’t come from the supernatural. It’s from the cruelty of mankind and scientific testing on animals.
What I love about this book, and the movie made in the “nineteen hundreds”, is it respected the readers. It told us a frightening story and trusted us to be able to process it. Like all the books on this list, the authors didn’t treat us like kids. They treated us like readers, and that’s the best thing a writer can do for their fans.
Some extraordinary rats come to the aid of a mouse family in this Newbery Medal Award–winning classic by notable children’s author Robert C. O’Brien.
Mrs. Frisby, a widowed mouse with four small children, is faced with a terrible problem. She must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma. And Mrs. Frisby in turn renders them a…
