We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
Light duties. Large pay. No questions asked—or answered. After seeing a curious flyer, Freya takes a job caring for Elijah, the comatose son of the eccentric Vincetti family. She soon discovers that the Vincetti’s labyrinthine mansion hides a wealth of secrets, their corporate rivals have a nasty habit of being extravagantly executed, and Elijah is not the saint they portray him to be.
As well, Marilyn Monroe keeps showing up, unaware she’s very much deceased. And there’s something very strange about the story that Elijah’s brother Jack is writing… It has been said that comedies always end with weddings, tragedies with funerals. This story ends with both a bride and a body count.
This was the first Iain Banks book I ever read, and it does not mess around. It has one of my all-time unreliable narrators in Gonzo hack Cameron Colley, a man with a personal connection to the violent crimes he’s investigating. It also features some very clever use of second person to insert the reader directly into the story. This one is certainly not for the squeamish, but Banks is one of those rare writers who can portray elaborate violence in a way that is artistic and thought-provoking rather than merely gratuitous. The fact that the book is underscored by some well-considered social critique, as well as complex, layered characters, elevates it far above a standard crime thriller.
The twenty-fifth anniversary edition of a modern classic: 'ingenious, daring and brilliant' - Guardian
COMPLICITY n. 1. the fact of being an accomplice, esp. in a criminal act
A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.
The source is pretty thin, but Cameron senses a scoop and checks out a series…
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
I’m just going to say it, Station Eleven is one of the best sci-fi books of the century. I picked this up hoping for a repeat rush, but as a friend once cautioned me: ‘don’t chase that high.’ That’s not to say this isn’t a good read, it is, just that it’s dramatically different in both style and substance. The Glass House is a mystery novel, a ghost story, and a crime story. Mandel artfully explores an alternate take on the Bernie Madoff Ponzi scheme from the viewpoint of outsiders, a cast of artfully crafted characters. She eloquently explores ‘the kingdom of money’ and the ways that extreme wealth can separate you from reality.
INTERNATIONAL BESTSELLER • From the bestselling author of Station Eleven and Sea of Tranquility, an exhilarating novel set at the glittering intersection of two seemingly disparate events—the exposure of a massive criminal enterprise and the mysterious disappearance of a woman from a ship at sea.
“The perfect novel ... Freshly mysterious.” —The Washington Post
Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a…
I read Klein’s No Logo as a teenager and it formed a very deep impression on me, I’ve been a follower of her work ever since. I’m constantly confused and fascinated by people who claim that the climate crisis will be solved by ‘market solutions’ despite the mountain of evidence to the contrary, much of which is skillfully unpacked here. Important and enlightening.
Naomi Klein, author of the #1 international bestsellers, The Shock Doctrine and No Logo, returns with This Changes Everything, a must-read on how the climate crisis needs to spur transformational political change
Forget everything you think you know about global warming. It's not about carbon - it's about capitalism. The good news is that we can seize this existential crisis to transform our failed economic system and build something radically better.
In her most provocative book yet, Naomi Klein, author of the global bestsellers The Shock Doctrine and No Logo, tackles the most profound threat humanity has ever faced: the…
While I enjoyed this book while I was reading it, it was only after I’d digested it (pun intended) that I really came to appreciate its value. I think one of the real measures of an artwork is how much it sits with you in the months and years after the initial read/watch/listen, and this is one I think about often. The story follows a documentarian attempting to serve the corporate hierarchy and produce an asinine show about American wives and the meat-filled dinners they serve their husbands, but the novel gradually unfolds as a complex critique of misogyny, corporate control, Japanese and American culture, and the brutal nature of the modern livestock industry.
*PRE-ORDER RUTH OZEKI'S NEW NOVEL, THE BOOK OF FORM AND EMPTINESS, TODAY*
In a single eye-opening year, two women, worlds apart, experience parallel awakenings.
In New York, Jane Takagi-Little has landed a job producing Japanese docu-soap My American Wife! But as she researches the consumption of meat in the American home, she begins to realize that her ruthless search for a story is deeply compromising her morals.
Meanwhile, in Tokyo, housewife Akiko Ueno diligently prepares the recipes from Jane's programme. Struggling to please her husband, she increasingly doubts her commitment to the life she has fallen into.
Pete is content living a simple life in the remote Montana town of Sleeping Grass, driving the local garbage truck with his pot-bellied pig Pearl and wondering about what could've been. Elderly widow Wilma is busy meddling in Pete's life to try and make up for past wrongs that he knows nothing about. Yet.
When the sister Pete was separated from as a child shows up, Pete must confront a past he buried long ago, and Wilma discovers her long-awaited chance at redemption may cost more than she’s willing to pay.
For the first time in his life, Pete has everything to lose.
After years of drifting, fifty-year-old Pete Ryman has settled down with his potbellied pig, Pearl, in the small Montana town of Sleeping Grass--a place he never expected to see again. It's not the life he dreamed of, but there aren't many prospects for a high-school dropout like him.
Elderly widow Wilma Jacobsen carries a burden of guilt over her part in events that led to Pete leaving Sleeping Grass decades ago. Now that he's back, she's been praying for the chance to make things right, but she never…
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