Here are 76 books that The Rich Man's House fans have personally recommended if you like
The Rich Man's House.
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I am passionate about the selected books because they have a unique way of broadening one's horizons and inspiring change in life. Their diverse narratives and profound insights invite all of us to discover new perspectives, challenge our beliefs, and deepen our understanding of the world.
Klein focuses on the most crucial issue we face today, climate change, fueled by a system obsessed with profits and constant growth, which resonated very deeply with me. This book is imperative because it shows how the consumption of resources and materials is what drives powerful states around the world to dominate and make modern colonies of weaker countries in the name of profit and at any cost.
I really liked how Klein breaks down ways that show us how our current economic system is at the heart of this crisis and that change will have to be made. I loved the insights she gave, and they made me think about how we can truly turn things around and create a sustainable world. I like how she explains clearly why late capitalism cannot be sustainable. This book is must read, especially by those who…
Naomi Klein, author of the #1 international bestsellers, The Shock Doctrine and No Logo, returns with This Changes Everything, a must-read on how the climate crisis needs to spur transformational political change
Forget everything you think you know about global warming. It's not about carbon - it's about capitalism. The good news is that we can seize this existential crisis to transform our failed economic system and build something radically better.
In her most provocative book yet, Naomi Klein, author of the global bestsellers The Shock Doctrine and No Logo, tackles the most profound threat humanity has ever faced: the…
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
While I enjoyed this book while I was reading it, it was only after I’d digested it (pun intended) that I really came to appreciate its value. I think one of the real measures of an artwork is how much it sits with you in the months and years after the initial read/watch/listen, and this is one I think about often. The story follows a documentarian attempting to serve the corporate hierarchy and produce an asinine show about American wives and the meat-filled dinners they serve their husbands, but the novel gradually unfolds as a complex critique of misogyny, corporate control, Japanese and American culture, and the brutal nature of the modern livestock industry.
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In a single eye-opening year, two women, worlds apart, experience parallel awakenings.
In New York, Jane Takagi-Little has landed a job producing Japanese docu-soap My American Wife! But as she researches the consumption of meat in the American home, she begins to realize that her ruthless search for a story is deeply compromising her morals.
Meanwhile, in Tokyo, housewife Akiko Ueno diligently prepares the recipes from Jane's programme. Struggling to please her husband, she increasingly doubts her commitment to the life she has fallen into.
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Gonzo journalism meets Tartan Noir as Iain Banks ventures into crime. A journalist who’s a big fan of all the bad stuff seems to have a link to a killer picking off members of the establishment.
The second-person narration follows the killer, an unusual stylistic flourish. The answers to the horror lie within, and this book goes to some unbearably dark places. (In theory, The Crow Road is also a murder mystery.)
The twenty-fifth anniversary edition of a modern classic: 'ingenious, daring and brilliant' - Guardian
COMPLICITY n. 1. the fact of being an accomplice, esp. in a criminal act
A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.
The source is pretty thin, but Cameron senses a scoop and checks out a series…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
I began this book aware that it was inspired by one of the most striking scandals ever (no need to mention which). So, I can’t say that the pivotal twist came as a surprise. Quite the opposite—it felt a bit like starting an Agatha Christie thriller knowing that the butler did it.
However, I was completely captivated by the character of Vincent (who is, I can safely reveal, a woman) and the way the story is intricately crafted around her. I enjoyed every line of this tale, in which I found a brilliant example of how a plot can skillfully put the events at the service of the characters, allowing their psychological traits to take center stage.
INTERNATIONAL BESTSELLER • From the bestselling author of Station Eleven and Sea of Tranquility, an exhilarating novel set at the glittering intersection of two seemingly disparate events—the exposure of a massive criminal enterprise and the mysterious disappearance of a woman from a ship at sea.
“The perfect novel ... Freshly mysterious.” —The Washington Post
Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
After a “massacre” of a herd of elk on a protected reservation forest—a scene which spoke more of frenzied bloodlust than hunting for sustenance—four Blackfoot men become the prey of a creature bent on revenge.
Jones’s narrative satisfied my thirst for wholly original horror while exploring the clash of Native American traditional and contemporary culture. The story touches on the characters’ drive to assimilate, guilt and sense of identity, and the need to move beyond resentments to create a life worth living.
I loved the originality of the beast, the slice of reservation life, and the endearing, flawed characters, all rendered with gorgeous precision.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
Yes, it’s a bit dated, but it was a bold, pioneering book for its day. Barber doesn’t shrink from describing birds as they are: intelligent, flexible, emotional animals with lives and personalities.
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
Another Newberry Medal winner, this book is unlike the rest because the terror doesn’t come from the supernatural. It’s from the cruelty of mankind and scientific testing on animals.
What I love about this book, and the movie made in the “nineteen hundreds”, is it respected the readers. It told us a frightening story and trusted us to be able to process it. Like all the books on this list, the authors didn’t treat us like kids. They treated us like readers, and that’s the best thing a writer can do for their fans.
Some extraordinary rats come to the aid of a mouse family in this Newbery Medal Award–winning classic by notable children’s author Robert C. O’Brien.
Mrs. Frisby, a widowed mouse with four small children, is faced with a terrible problem. She must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma. And Mrs. Frisby in turn renders them a…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
The Bun Field is a dream journey of a genderless child. It has a strange and nightmarish feel to it; the protagonist is being so vulnerable and kind of hurt, but it is not without a constant dark sense of humor. Dark as the country Finland in wintertime. It has a delicious pencil-smudged style as the school of Feuchtenberger has influenced many northern artists, myself included.
An introduction to the work of a new artist not to be missed Characterized by an intriguing disjointed rhythm and delicious pencil-smudged style, The Bun Field is defined by a surreal ebb and flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humor. Amanda Vähämäki’s first graphic novel is infused with a sense of abbreviated adolescence and a kind of gray-sky banality. In this story, a young girl dreams of a dinosaur eating Donald Duck; wakes to find a bald, hulking stranger sharing her breakfast; leaves to take a car trip with a bear;…
I have been passionate about animals all my life. I was raised on and currently help operate the family farm near Petersburg, Tennessee. I have a doctorate in animal science and joined Middle Tennessee State University (MTSU) as a Professor of Animal Science and Department Chair on August 1, 2007, after retiring from a 25-year career with the Extension Service (University of Tennessee and University of Kentucky). I enjoy participating in community activities such as the Petersburg Community Cultural Coalition, Petersburg Lion’s Club, and serving as President of the University of Tennessee Institute of Agriculture Retiree’s Association. I have written two books, Cane Creek Days and Princess of Horses.
Many years ago, I fell in love with Watership Down, Richard Adams’ iconic book about the trials and triumphs of rabbits, from the rabbit’s point of view.
With my doctorate in animal science, I know that neither rabbits nor horses can act, react or think like humans. Giving animals human-only abilities is called anthropomorphism and is not considered scientifically acceptable. That doesn’t matter when Richard Adams fuses his writing skills with a delightful concept of how animals face amazing challenges.
Traveller, Robert E. Lee’s famous war horse, narrates his view of a tragic general fighting in an epic failure of the human spirit.
This ironic, revisionist view of the Civil War is seen through the eyes of Robert E. Lee's horse, Traveller. Told in a series of monologues directed at a tomcat, his story depicts battles, retreats and casualties. But Traveller's idealization of his rider does not allow him to recognize or even understand defeat. Richard Adams has written "Watership Down", "Shardik", "The Plague Dogs", "The Girl in a Swing" and "Maia".
