Here are 67 books that Mrs. Frisby and the Rats of Nimh fans have personally recommended if you like
Mrs. Frisby and the Rats of Nimh.
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I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.
Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.
Scary Stories to Tell in the Dark is a classic collection of chillingly scary tales, in which Alvin Schwartz offers up some of the most alarming tales of horror, dark revenge, and supernatural events of all time, complemented in this paperback edition by spine-tingling illustrations by renowned artist Brett Helquist. Walking corpses, dancing bones, knife-wielding madmen, and narrow escapes from death-they're all here in this chilling collection of ghost stories. Make sure you read these books with the light ON!
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
A heartwarming young adventure story, winner of the prestigious Newbery Medal.
A deftly crafted fairy tale adventure story from a New York Times bestselling author, twice winner of the prestigious Newbery Medal. Here, reader, is the tale of a tiny, sickly mouse with unusually large ears; a mouse who takes his fate into his own hands. It is the tale of a beautiful, flaxen-haired princess who laughs often and makes everything around her seem brighter. It is the tale of a poor, deaf serving girl who entertains foolish dreams of splendour. It is a tale of impossible love, of bravery…
In addition to writing novels, I’m a humanities editor for Oxford University Press. So, I’m interested in the political and theological implications of non-human intelligence. I wonder how people would react to such a revelation. Some would be fascinated by this radical new perspective. Others would be horrified at what they perceive as a transgression against nature. I’m also drawn to this topic because I still vividly recall the entertainment of my youth, which regularly featured anthropomorphic animals. Sometimes they’re just cool or funny. But on occasion—like withThe Secret of NIMH—they raise profound questions of identity and rebellion, even for an audience that is too young to understand.
The animals in Bennett’s graphic novel do not gain sentience gradually, nor is their experience hidden from the rest of the world. Instead, animals all over the globe one day “wake up” and begin to wage war on humanity, and each other, creating a state of upheaval that few can comprehend. It’s that boldness and sheer shock value that I found most appealing. Like all good stories about animals gaining sentience, this one toys with the idea that non-human intelligence is some sort of affront to the natural order. At the same time, the story is grounded in the love between 11-year-old Jesse and her dog Sandor, who has sworn to protect her on a perilous journey. I enjoyed bouncing back and forth between affection and horror. Maintaining that balance is no easy feat!
The complete series in one massive mammal-friendly 600+ page hardcover!
One day, the Animals woke up. They started thinking. They started talking. They started taking revenge.
Now, a dog and his girl are trying to get away – out of New York City, and all the way to San Francisco, to the only person who might be able to protect and save her.
Follow Jesse and her dog, Sandor on their travels, where they'll meet the Animal Army, be introduced to a Queen Bee, escape the clutches of a terrible boarding school, and navigate the apocalyptic landscape of America, all…
In addition to writing novels, I’m a humanities editor for Oxford University Press. So, I’m interested in the political and theological implications of non-human intelligence. I wonder how people would react to such a revelation. Some would be fascinated by this radical new perspective. Others would be horrified at what they perceive as a transgression against nature. I’m also drawn to this topic because I still vividly recall the entertainment of my youth, which regularly featured anthropomorphic animals. Sometimes they’re just cool or funny. But on occasion—like withThe Secret of NIMH—they raise profound questions of identity and rebellion, even for an audience that is too young to understand.
A childless couple adopts a chimpanzee named Looee, and you already know from reading that sentence that it will lead to trouble and heartbreak. After a few pages, I didn’t care. In McAdam’s skilled hands, the inevitable sadness doesn’t matter, because the delicately handled point of view perfectly captures a doomed creature trapped between two opposing identities. In contrast, we also meet Podo, an alpha chimp at a research facility seeking to test the intelligence of primates. Podo is fully ape, but he is turning into something more. Their paths soon join, taking them deeper into a gray area between human and animal that I had never seen rendered on the page so vividly before.
Walt and Judy's happiness has been blighted by their childlessness; although their marriage seems blissful, Judy feels increasingly empty and Walt longs to make her happy again. So one day he brings home Looee - a baby chimpanzee. Looee, exuberant and demanding, immediately fills the gap in Walt and Judy's life, and they come to love him as their own son. Like any child, Looee is affectionate and quick to learn, generous and engaging. But he is also a deeply unpredictable animal, and one night their unique family life is changed forever. At the Girdish Institute, chimpanzees have been studied…
Being a human is fraught, so I've always been fascinated by stories of sentient animals, long before I sold my first short story at age 19 (about a tiny dragon that lived in a bathtub drain) or my 48th story (which features talking sand cats and is reprinted in my collection The Ramshead Algorithm: And Other Stories). While most of my 90+ published stories star humans, talking animals are a reoccurring motif in my work and in the ????+ books I've read across 40+ years. If you're ready to branch out beyond Watership Down and Redwall, here are 5 books that more fans of sentient animals should know about.
Technically, Brooke Bolander's The Only Harmless Great Thing is a novella and not a novel.
But this story, set in an alternate universe in which hyperintelligent elephants are forced into toxic factory work, packs so much pathos, vivid description, and (especially!) the world-building around elephant culture—I swoon over the voice in which the elephants tell their stories and myths to the reader—it may as well be three times as long.
This is the most modern book on my list, and it did get some excellent critical attention, including the 2018 Nebula Award for Best Novelette. But Bolander's voice of the elephants alone (to say nothing of the other voices, each masterfully different) is so danged magnificent, the more people know of this work, the better.
Finalist for the Hugo, Locus, Shirley Jackson, and Sturgeon Awards
The Only Harmless Great Thing is a heart-wrenching alternative history by Brooke Bolander that imagines an intersection between the Radium Girls and noble, sentient elephants.
In the early years of the 20th century, a group of female factory workers in Newark, New Jersey slowly died of radiation poisoning. Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island.
These are the facts.
Now these two tragedies are intertwined in a dark alternate history of rage,…
In addition to writing novels, I’m a humanities editor for Oxford University Press. So, I’m interested in the political and theological implications of non-human intelligence. I wonder how people would react to such a revelation. Some would be fascinated by this radical new perspective. Others would be horrified at what they perceive as a transgression against nature. I’m also drawn to this topic because I still vividly recall the entertainment of my youth, which regularly featured anthropomorphic animals. Sometimes they’re just cool or funny. But on occasion—like withThe Secret of NIMH—they raise profound questions of identity and rebellion, even for an audience that is too young to understand.
Though there is a supernatural element to this story, it features a dog named Tomorrow who learns about the real world in the most mundane way possible: by hanging around too long, and experiencing the inevitable loss that we all face. After his master injects Tomorrow with an immortality elixir, the two are separated, and the dog waits over a century for his companion to return. Along the way, he witnesses historical events, while meeting animals who live the innocent life he once enjoyed. By the time Tomorrow resumes his search, he is a changed dog, a person in every sense of the word, though his identity remains rooted in loyalty and love. This book makes you wonder: can you hold onto those good things after life has chipped away at you for so long?
“A grand sweep of adventure and travel, war and romance—along with a generous amount of face licking—that will have dog lovers enthralled.… Tomorrow offers a rich exploration of love, life and loyalty, in a world whose sensory atmosphere is irresistible.” —NPR
Venice, 1815. A two-hundred-year-old dog is searching for his lost master. And so begins Tomorrow, a story of love that spans the centuries and of hope as the world collapses into war. Tomorrow is a dog who must travel through the courts and battlefields of Europe in search of the man…
As a twelve-year-old, I read nothing but ghost books—not monsters, horror, or mystery, but ghosts. Though I debuted as an author in teen fantasy, a middle grade editor discovered my talent for spooky atmospheres, and I was once again drawn into the world of lost souls. In fact, when I was working on my first spooky novel, The Haunting, my editor requested the book to remind him of the works of Mary Downing Hahn—one of my favorite authors as a child. I’d found my calling. It just happened to be from beyond the grave…
Imagine finding a beautiful dollhouse where its occupants reenact the night of a murder from decades ago…creepy, right? Betty Ren Wright’s The Dollhouse Murders is a unique ghost story where the ghosts communicate their tragic tale through miniature doll versions of themselves.
Its mystery and old family secrets make this book one of my all-time favorites.
Dolls can't move by themselves. . . . Or can they?
This special anniversary edition of the hair-raising mystery that's kept readers up at night for thirty-five years features a foreword by Goosebumps creator R.L. Stine.
Amy is terrified. She hears scratching and scurrying noises coming from the dollhouse in the attic, and the dolls she was playing with are not where she left them. Dolls can't move by themselves, she tells herself. But every night when Amy goes up to check on the dollhouse, it's filled with an eerie light and the dolls have moved again! Are the dolls…
Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.
Thisis the tale of a writer and reader who share a house. The writer, however, is a reclusive human and the reader a rat longing for a friend. The author’s approach is clever and subtle. And while I’m naturally drawn to books about writers, it was the rat that captivated me. I read this book rather quickly. I had to know if Walter could find his way through the difficulty of loneliness.
Two lonely creatures find that companionship is closer than they thought in this charming tale of friendship
This is the story of a writer and a reader. The writer is a person. The reader is a rat. They share an old house on Long Island, but have never met. How these two lonely creatures discover one another is the essence of this story.
Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.
Ratscaliburreveals what happens when a ragician turns grade seven student—Joey—into a rat. Joey becomes Ratscalibur when he pulls a spork from a dehydrated scone. The other rats are convinced he can help save their kingdom but Joey is not so confident. Still, if he wants the chance to become a boy again, he must help the rodents fight their devious enemies. Rich in humor, this book’s charm also comes from illuminating a character who is quite certain he’s not meant to be a hero. This novel is full of original twists that will keep readers turning pages.
