100 books like Friends of Interpretable Objects

My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.

My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.

I am an award-winning historian and philosopher of the human sciences. But I got here by means of an unusually varied path: working for a private investigator, practicing in a Buddhist monastery, being shot at, hiking a volcano off the coast of Africa, being jumped by a gang in Amsterdam, snowboarding in the Pyrenees, piloting a boat down the canals of Bourgogne, playing bass guitar in a punk band, and once I almost died from scarlet fever. Throughout my journey, I have lived and studied in five countries, acquired ten languages, and attended renowned universities (Oxford, Harvard, and Stanford), all while seeking ways to make the world a better place.

My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.

I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books: Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.

We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade! 

I have been passionate about animals all my life. I was raised on and currently help operate the family farm near Petersburg, Tennessee. I have a doctorate in animal science and joined Middle Tennessee State University (MTSU) as a Professor of Animal Science and Department Chair on August 1, 2007, after retiring from a 25-year career with the Extension Service (University of Tennessee and University of Kentucky). I enjoy participating in community activities such as the Petersburg Community Cultural Coalition, Petersburg Lion’s Club, and serving as President of the University of Tennessee Institute of Agriculture Retiree’s Association. I have written two books, Cane Creek Days and Princess of Horses.

I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt. 

Growing up in Cincinnati, Ohio, my dyslexia made reading a challenge. However, my close encounters with books led to a meaningful and expressive life. From my family's barbershop, I absorbed colorful conversations and tall tales, fueling my imagination. Expressing those narratives through drawings at my kitchen table granted me solace. Driven by a desire to bring stories to life, I leaped and pursued an education in art. In a picture book art class, my calling as an author and illustrator became clear. Transforming words into vivid illustrations and breathing life into children's literature became my heartfelt pursuit. With over 75 books now in my repertoire, I am truly fortunate.

As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.