Here are 100 books that The Human Nature of Birds fans have personally recommended if you like
The Human Nature of Birds.
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I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
This beautifully illustrated, comprehensive book is a must-have for bird enthusiasts. It is not only a useful guide to identifying birds, but also an illuminating source on little-known aspects of bird behavior.
“Undoubtedly the finest guide to North American birds.”—Guy McCaskie, Birding
The publication of The Sibley Guide to Birds, First Edition quickly established David Allen Sibley as the author and illustrator of the nation’s supreme and most comprehensive guide to birds. Used by millions of birders from novices to the most expert, The Sibley Guide became the standard by which natural history guides are measured. The highly anticipated second edition builds on this foundation of excellence, offering massively expanded and updated information, new paintings, new and rare species, and a new, elegant design.
The second edition of this handsome, flexibound volume…
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
A British musicologist opens the windows to her country home and lets wild birds come in and nest there. This unique study allows her (and us) to observe these feathered sprites up close and personal. Many befriend their human hostess, with remarkable revelations.
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
True to form, Montgomery advances our understanding of birds through stories and adventures from the field. An accessible book from a celebrated writer whose love of animals is infectious.
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
An electrician and his wife rescue an orphaned baby house sparrow and raise him into adulthood and beyond. This beautifully and at times hilariously told story is full of precious revelations about the rich personality of a bird routinely overlooked by us.
“There’s a special providence in the fall of a sparrow.” --William Shakespeare, Hamlet
B fell twenty-five feet from his nest into the life of Chris Chester. The encounter was providential for both of them. B and Chester spent hours together playing games like bottle-cap fetch or hide-and-seek. They learned “words” in each other’s vocabularies. B developed a fetish for nostrils and a dislike of the color yellow. He grew anxious if Chester came home late from work. At bedtime he would rub his sleepy eyes on Chester’s thumb and settle to sleep in his palm. Chester ended up turning part…
I teach people how to enjoy birds. I’ve led bird walks, taught seminars, co-owned a wild bird feeding shop, and written two books and well over a hundred newspaper columns on birds. Over the years, I’ve conveyed a fair heap of information about birds because accurate knowledge and biological understanding are valuable tools for fostering appreciation. But I consider making birds relevant and vivid in our everyday lives to be far more important than simply accumulating facts. These are a few books that get to the heart of what I am most excited about: changing how we see and hear birds and thereby enriching our experience of every single day.
This is the best book I’ve ever read on what it feels like to be a bird. It takes the form of a novel following the migration and searches for companionship of an Eskimo curlew.
But it isn’t a kid’s novel of entirely anthropomorphized animals, complete with a full complement of human thoughts. Instead, Bodsworth gives a skillfully restrained rendition of what instincts and urges birds might really feel, carefully threading the needle between boring accounts that allow no emotions to birds and fanciful accounts that erroneously attribute all kinds of complex thoughts and calculations to them.
The migratory and nesting instincts are tremendously powerful feelings, feelings experienced by the birds I see right in my neighborhood. Bodsworth does them justice and makes the birds characters in an enormous, epic drama.
Driven by instinct, the graceful Eskimo curlew flies its nine-thousand-mile route from the Arctic Circle to the tip of South America and back again. Bodsworth conveys the mechanics of this single bird's remarkable flight and its instinctive search for others of its kind. The lone survivor comes to stand for the entirety of a lost species, and indeed for all in nature that is endangered.
Having studied literature at university and been a closet nerd, coding at night in a dank basement room, I've always been intrigued by the interface between human and machine. Then, as a senior executive in a large multinational, I was acutely aware of the value of empathy as a leadership skill. In a world that is increasingly divided and divisive, I’ve become an empathy activist. I believe that the business world can be a force for positive change, but as a society we will need to engage in a much more meaningful and rigorous debate about the ethics involved in the opportunities offered by using artificial intelligence and robots in the workplace.
Telving’s book is ahead of its time in exploring the deep questions of what our humanity is, with perspectives on our future life with AI and intelligent robots. I was particularly intrigued by the ways that the author explores how we evaluate our own consciousness, how we tend to anthropomorphize animals and objects, and the tricky ethical questions around how to legislate a life with robots. Telving deals with one subject that had been far off my radar in the form of the difference between the hard and easy problem of consciousness. It’s a very philosophical question, but in today’s world, where our values, beliefs, and interactions are in mutation, this understanding of consciousness is ever more pertinent.
Humanlike robots and digital humans are both fun and useful in many situations. But the more we interact with technology with human traits, the more we believe it to possess real human characteristics like consciousness and personality. As a new breed of artificial beings enter society on a large scale, many of us will start believing they deserve moral consideration and perhaps even rights. In this entertaining and humorously written book, Thomas Telving argues that even though the above scenario is close to inevitable, we should still do all we can to avoid it. Presenting us with thought-provoking future scenarios,…
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
The Bun Field is a dream journey of a genderless child. It has a strange and nightmarish feel to it; the protagonist is being so vulnerable and kind of hurt, but it is not without a constant dark sense of humor. Dark as the country Finland in wintertime. It has a delicious pencil-smudged style as the school of Feuchtenberger has influenced many northern artists, myself included.
An introduction to the work of a new artist not to be missed Characterized by an intriguing disjointed rhythm and delicious pencil-smudged style, The Bun Field is defined by a surreal ebb and flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humor. Amanda Vähämäki’s first graphic novel is infused with a sense of abbreviated adolescence and a kind of gray-sky banality. In this story, a young girl dreams of a dinosaur eating Donald Duck; wakes to find a bald, hulking stranger sharing her breakfast; leaves to take a car trip with a bear;…
I have been passionate about animals all my life. I was raised on and currently help operate the family farm near Petersburg, Tennessee. I have a doctorate in animal science and joined Middle Tennessee State University (MTSU) as a Professor of Animal Science and Department Chair on August 1, 2007, after retiring from a 25-year career with the Extension Service (University of Tennessee and University of Kentucky). I enjoy participating in community activities such as the Petersburg Community Cultural Coalition, Petersburg Lion’s Club, and serving as President of the University of Tennessee Institute of Agriculture Retiree’s Association. I have written two books, Cane Creek Days and Princess of Horses.
Many years ago, I fell in love with Watership Down, Richard Adams’ iconic book about the trials and triumphs of rabbits, from the rabbit’s point of view.
With my doctorate in animal science, I know that neither rabbits nor horses can act, react or think like humans. Giving animals human-only abilities is called anthropomorphism and is not considered scientifically acceptable. That doesn’t matter when Richard Adams fuses his writing skills with a delightful concept of how animals face amazing challenges.
Traveller, Robert E. Lee’s famous war horse, narrates his view of a tragic general fighting in an epic failure of the human spirit.
This ironic, revisionist view of the Civil War is seen through the eyes of Robert E. Lee's horse, Traveller. Told in a series of monologues directed at a tomcat, his story depicts battles, retreats and casualties. But Traveller's idealization of his rider does not allow him to recognize or even understand defeat. Richard Adams has written "Watership Down", "Shardik", "The Plague Dogs", "The Girl in a Swing" and "Maia".
