88 books like Complicity

I read Klein’s No Logo as a teenager and it formed a very deep impression on me, I’ve been a follower of her work ever since. I’m constantly confused and fascinated by people who claim that the climate crisis will be solved by ‘market solutions’ despite the mountain of evidence to the contrary, much of which is skillfully unpacked here. Important and enlightening. 

While I enjoyed this book while I was reading it, it was only after I’d digested it (pun intended) that I really came to appreciate its value. I think one of the real measures of an artwork is how much it sits with you in the months and years after the initial read/watch/listen, and this is one I think about often. The story follows a documentarian attempting to serve the corporate hierarchy and produce an asinine show about American wives and the meat-filled dinners they serve their husbands, but the novel gradually unfolds as a complex critique of misogyny, corporate control, Japanese and American culture, and the brutal nature of the modern livestock industry. 

McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time. 

Some mysteries are related more to character than plot, and sometimes figuring out ‘whodunnit’ is only half of the solution. Emily St. John Mandel’s terrific novel begins with a clear mystery setup: somebody has graffitied the words ‘Why don't you swallow broken glass’ onto the window of a hotel, triggering a series of events that have profound effects on a disparate group of people. The joy of reading this book is seeing how far away from this initial incident we can stray, whilst still retaining a desire to unravel the cause and effect.

Thriller writer and contemporary ‘queen of crime’ Val McDermid draws deeply on her own years as a tabloid journalist to bring fictional reporter Allie Burns to life during the winter of discontent. This unputdownable tale of a newspaper investigation into matters of life, death, and corruption is so evocative of a 1970s Glasgow newsroom that I could practically smell the fags and taste the whisky. More Allie Burns stories are promised, and I for one can’t wait.

Michael Connelly is the immensely successful author of the Harry Bosch books, but The Poet is the first book in his much shorter Jack McEvoy series.

McEvoy is a reporter who has a penchant for chasing down serial killers, and unfortunately becoming a target as well.

The psychological horror here comes from Connelly’s exacting and precise account of who the killer, dubbed the Poet, is and how he came to be.

I discovered this along with McEvoy and came to realization that he was becoming a target before he did. It’s a long book, but I found that I did not want to put it down before I learned how it played out.

The first time I read David Rosenfelt’s Andy Carpenter series, I immediately thought that Groucho Marx had moved to North Jersey, gone into law, and adopted a rescue dog. Rosenfelt’s reluctant lawyer hero goes at his oddball cases with a collection of even odder associates. Dry, witty, and a little self-effacing, Rosenfelt’s style brings to life a cast of characters that made me reluctant to put his books down. I started the series with the third book, Bury the Lead, first but quickly caught up. The first book in the series is Open and Shut. Mystery and animal lovers will find a place in their heart and funny bone.

Edna Buchanan moved from New Jersey to Miami on a whim in 1965 and found her calling in the journalistic life.

Calvin Trillin would later write, “In Miami, a few figures are regularly discussed by first name among people they have never actually met. One of them is Fidel. Another is Edna.”

She had a nose for the bizarre and the macabre—as well as for a good lead: “A man wandering along a Miami Beach street in his undershorts and carrying a blood-stained knife Sunday morning led police to the scene of a murder.”

In this memoir she recalls zipping around South Florida from Hollywood to Homestead in her yellow Triumph Spitfire to produce her almost-daily cataloguing of gruesome crime. The “polite” killer who abducted couples on dates, raped the woman, and then allowed her to dress before shooting both.

The hand grenade thrown… show more.

There is so much wit and humor in this memoir that touches upon the immigrant experience from the perspective of the first-generation adult child. Deb goes on a journey to learn who his parents are as individuals and gains a perspective that is often difficult to achieve in the Indian community because parents don’t often share with their children who they are on the inside. The vulnerability with which Deb shares his childhood desire to blend into the white community in which he was raised was so relatable because I’d had a similar upbringing in another part of the country. This book made me laugh hard, think more deeply, and want to know my parents better.

Robin Robertson’s noir narrative The Long Take might seem like an unusual choice for this list.

Essentially a long noir poem, The Long Take concerns Walker, a Canadian veteran of D-Day with acute PTSD who finds life unraveling in the urban landscapes he inhabits after the war.

With a poet’s precision, Robertson follows Walker as he moves from city to city, taking it all in. Homelessness, crime, race—nothing is spared.

Why, you’d think you were in a 40s film noir, reading about it all, and then you find Walker on the streets of LA in 1948 seeing some of those very films being shot, films like Act of Violence and Criss Cross.

An outstanding achievement, The Long Take is a wholly original work of art.