Here are 100 books that The Dead Don't Boogie fans have personally recommended if you like
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These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Rilke, the auctioneer, finds a collection of photographs that show the death of a young woman. He journeys into the dark heart of Glasgow–and his own desires–to find out who she is.
An amazing debut, looking at the subcultures and twisted alleyways that stitch together every big city. I was compelled by how far Welsh was prepared to go, depicting a city I thought I knew.
'Unputdownable' Sunday Times 'I was hooked from page one' Guardian
When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Gonzo journalism meets Tartan Noir as Iain Banks ventures into crime. A journalist who’s a big fan of all the bad stuff seems to have a link to a killer picking off members of the establishment.
The second-person narration follows the killer, an unusual stylistic flourish. The answers to the horror lie within, and this book goes to some unbearably dark places. (In theory, The Crow Road is also a murder mystery.)
The twenty-fifth anniversary edition of a modern classic: 'ingenious, daring and brilliant' - Guardian
COMPLICITY n. 1. the fact of being an accomplice, esp. in a criminal act
A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.
The source is pretty thin, but Cameron senses a scoop and checks out a series…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
The seventies. The tough town. Laidlaw, Glasgow’s philosopher detective, is trying to find out who killed the lassie in the park. Arguably the template for Taggart, arguably the starting point for Tartan Noir.
I liked the way its bark was just as bad as its bite. It threatens to explode into violence all the way through, between most of its characters–then it does. Hard cases. And yet, at the very end, incredibly, compassion and sympathy.
First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author).
The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the darkness…
I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.
I love books with unusual structures, and this one certainly fits the bill. The story concerns the violent murder of three crofters (farmers) in a remote Scottish Highland community in 1869.
When reading the book and the way it is presented, you are never sure if you are reading true witness testimonies, contemporaneous court reports and medical statements, or the confession of the actual murderer himself. Unreliable narrators can sometimes be frustrating, but in this case, how sure are we that any of what we are reading is actually true?
The book delivers a sort of courtroom drama in which the reader is left to piece together to draw their own conclusion.
NAMED A BEST BOOK OF 2016 BY NEWSWEEK, NPR, THE GUARDIAN, THE TELEGRAPH, AND THE SUNDAY TIMES
A NEW YORK TIMES EDITORS' CHOICE
"THOUGHT PROVOKING FICTION"-THE NEW YORK TIMES BOOK REVIEW
A brutal triple murder in a remote Scottish farming community in 1869 leads to the arrest of seventeen-year-old Roderick Macrae. There is no question that Macrae committed this terrible act. What would lead such a shy and intelligent boy down this bloody path? And will he hang for his crime?
Presented as a collection of documents discovered by the…
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I read this gripping psychological noir about a woman escaping her past and falling into a steamy, lethal affair a few years ago, but it’s still vividly seared into my mind.
I found the writing utterly captivating, and I think Lippman is an absolute genius when it comes to plot. This twisty story of love, lies, betrayal, and revenge kept me guessing right until the very end–not to mention reading through the middle of the night!
WINNER OF THE eDUNNIT AWARD FOR BEST CRIME NOVEL NOMINATED FOR THE CWA GOLD DAGGER
'Dark, gleaming. Read it.' GILLIAN FYNN 'Note perfect . . . Not to be missed.' MEGAN ABBOTT
Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other - dangerous, even lethal secrets.
Then someone dies. Was it an accident or part of a plan? By now Adam and Polly are so ensnared in each other's lives and lies that neither one knows how to get away - or even if…
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
The English Wife had me racing to unravel the secrets at the heart of Annabelle and Bay's marriage. And at the same time I was savoring the fascinating characters and brilliant writing.
The twists and turns of the plot had me gasping, but the biggest mystery was understanding the central characters and their relationship.
Annabelle and Bayard Van Duyvil live a charmed life in New York: he's the scion of an old Knickerbocker family, she grew up in a Tudor house in England, they had a fairy-tale romance in London, they have three-year-old twins on whom they dot, and he's recreated her family home on the banks of the Hudson and named it Illyria.
Yes, there are rumours that she's having an affair with the architect, but rumours are rumours and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night ball,…
I’m an undying, relentless, optimistic champion of right winning over wrong, of justice prevailing over injustice, and of good people and animals (especially horses) being protected, championed, and loved. And I know from experience that all of this is seldom easy when the stakes are high. Couple that with my love of horses, especially Thoroughbreds, and you might understand that I admire main characters who are committed to protecting the innocent and bringing the bad guys to justice, whether that’s in the human or the equine world. And I love learning almost as much as I love people with character, heart, and courage. These books, I think, check all these boxes.
First, I love ALL the books this man has written, and for so many reasons! They’re set in Minnesota and have a Native American cast that persists from book to book, including the guy I love the most, Henry Meloux, the ancient “mide” (which means “healer”). In this book, one of Krueger’s latest, Henry figures prominently. He’s quiet, and yet people from even far away come to consult him and be healed by him. I love that he walks between our world and the spirit world so easily and sees so much that most of us miss. His character has given me permission to listen deeply to my own intuition. It’s funny how literature can affect us that way, right? Teach us things we long to learn. This book and this character do that for me in spades.
Also, in this book, another fellow, Prophet, is a fierce presence, a…
A disappearance and a dead body put Cork O'Connor's family in the crosshairs of a killer in the twentieth book in the New York Times bestselling series from William Kent Krueger , "a master storyteller at the top of his game" (Kristin Hannah, #1 New York Times bestselling author).
The disappearance of a local politician's teenaged daughter is major news in Minnesota. As a huge manhunt is launched to find her, Cork O'Connor's grandson stumbles across the shallow grave of a young Ojibwe woman-but nobody seems that interested. Nobody, that is, except Cork and the newly formed Iron Lake Ojibwe…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
I loved British forensic archeologist and single mom Ruth Galloway. She’s plump, “moon-faced,” and middle-aged.
In the line of duty, Ruth is doing a TV bit and worries that her stomach sticks out. I can relate. As she frantically searches for a kidnapped child, two dashing men vie for her affection–this gave me hope. And I loved the complex crew of characters, the twisty plot, ancient castles and towers, and the rather exceptional number of extramarital affairs.
I found this book to be a fine and fast-paced read, and Ruth Galloway is a unique and humble heroine. Happy to say there are 15 books in the series.
Historical crimes involving a Victorian child killer may hold the key to several contemporary deaths in this macabre outing for Dr Ruth Galloway, forensic archaeologist. Perfect for fans of Val McDermid and Ann Cleeves.
'Told with a deepening sense of the unease, seasoned with a touch of the occult' Daily Mail
Ruth has excavated a body from the grounds of Norwich Castle, which was once a prison. The body may be that of Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged for the murder of five children.
I write mysteries and I love to read them. The mysteries I write are traditional and cozy. The focus is on my sleuth as she solves murders, her relationships, and on the local setting. These past few years I've enjoyed reading mysteries quite a bit edgier than the ones I write. These books are filled with characters that are often unstable or emotionally damaged. The murders are more brutal; the plots are more complex. Psychological thrillers veer off in many directions, and the person narrating the story is not always reliable. You can't take for granted that what a character says is true. Your best bet is to observe the action and enjoy the ride!
A writer is working on a true crime book when she goes out into a snowstorm and discovers a child. Many years earlier, two young girls ventured out into the night. One returned to discover her parents have been murdered and her brother is a suspect. The other girl never returns. Who is this child and how did he get there? Going from the current mystery to the cold case years earlier, the solutions to both are resolved with a truly surprising punch.
“Fully realized, wholly absorbing and almost painfully suspenseful...The journey is mesmerizing.” —New York Times
A woman receives an unexpected visitor during a deadly snowstorm in this chilling thriller from New York Times bestselling author Heather Gudenkauf.
True crime writer Wylie Lark doesn’t mind being snowed in at the isolated farmhouse where she’s retreated to write her new book. A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace.
As a Rhode Islander, I didn’t have to do too much research to write Ready, Set, Oh. I was born in Providence, and I grew up in Cranston, a suburb outside the city. After graduating from a local high school, I studied at Brown University and after years of living in different cities, fifteen years ago I settled in Providence with my family. I adore this place—we have vibrant neighborhoods, gorgeous beaches, plenty of history, and a surprisingly lively literary scene. I assembled this list to draw attention to some great but under-recognized books set in Rhode Island, either by Rhode Islanders or writers with significant connections to the Biggest Little.
This compulsively readable novel by Cape Cod native and television writer Kepnes (7th Heaven, The Secret Life of the American Teenager) begins in a New Hampshire middle school where nerdy Jon and sweet Chloe are best friends united against the provincial attitudes of their small town. Everyone is shocked when John is kidnapped and given up for dead. Years later he turns up in Providence, where he has been kept in a coma by a rogue neuroscience professor who wants to transform him into the monster of The Dunwich Horror by Providence’s own, ambivalently celebrated H.P. Lovecraft. When John learns that he now has terrifying powers that put him at odds with everyone he loves, he sets out to find the professor whose recklessness got him into this mess—and maybe saved his life.
*** From the bestselling author of YOU, now a major Netflix TV series *** 'Compelling' Observer With her trademark flair, precision eye for detail and acerbic wit, Caroline Kepnes brings the suspense thriller to a whole new level with PROVIDENCE - a dark story of death, loss, horror, redemption and the love that binds us all.
In 2008, 13-year-old Jon Bronson disappears on his morning walk to school. After even his parents give him up for dead, only his best friend, Chloe, remains certain that he would come back.
Four years later, Jon returns with no memory of anything after…
