100 books like How We Survived Communism & Even Laughed

I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).

I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).

I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).

I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).

Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.

Andrei Znamenski spent 35 years exploring religions, ideologies, and utopias. Formerly Associate Professor at Alabama State University, a resident scholar at the US Library of Congress, and then a visiting professor at Hokkaido University in Japan, he is currently Professor of History at the University of Memphis. Znamenski studied indigenous religions of Siberia and North America, including Shamanism and Tibetan Buddhism. At some point, he became intrigued with Western idealization and romanticization of non-Western cultures and spiritualities, the topic that he covered in his The Beauty of the Primitive: Shamanism and Western Imagination. His Socialism as a Secular Creed, which is a logical follow-up to that project, is an attempt to examine the socialist phenomenon as a political religion of the modern age.

At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.

I was born into a family with an Eastern European heritage, and lived and studied in the region for some years – including during the period of the collapse of the communist regimes. I am comfortable in Polish and Hungarian, and more vaguely functional in Russian and German – with Bulgarian a distant last. My undergraduate degree in history included an Eastern European specialization (including a paper co-administered between American and Hungarian institutions), and my graduate degree in economics included a focus on emerging economies. In my “day job” as a business analyst, I deal frequently with the business landscape in the region. I am married to a Pole, and have family in Poland.    

I write about Eastern Europe, both past and present, and what it means to have Russia as a neighbor. I write historical fiction and historical thrillers with a soupcon of espionage. I talk about the politics of the day, whether the story is set during WWII or in modern times. While my stories and characters are fictional, I constantly strive to accurately reflect time, place, and, most of all, history. I hope that my novels entertain and inform about a corner of the world folks may not know much about. 

I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.