Here are 100 books that Let Us Now Praise Famous Men fans have personally recommended if you like
Let Us Now Praise Famous Men.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
This was the first book I read about Basilicata, and it is essential for anyone interested in Southern Italian roots. Written in staggeringly poetic language, it offers a sad but beautiful introduction to the culture and history of the region, which is hardly ever written about and barely even visited, even by Italians.
During WWII, Levi was sent as a prisoner to Basilicata as punishment, to work as a doctor among the peasants there. The book taught me about the feudal farm system still in place there well into the 20th century, about its inhospitable landscape, and its isolated, poverty-stricken population – my ancestors.
It set the bar high for me to write my own memoir and continues to inspire me. The title refers to the fact that the train line only went as far as Eboli – that Christianity and civilization stopped short of Basilicata.
'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.'
So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war,…
Andy Merrills teaches ancient and medieval history at the University of Leicester. He is a hopeless book addict, writes occasionally for work and for the whimsical periodical Slightly Foxed, and likes nothing so much as reading elegantly-composed works which completely change the way he thinks about everything. (This happens quite a lot).
On the face of it, this seems like a straightforward book. Magris traces the geography of the Danube from Furtwangen or Donauschingen in southern Germany to the Black Sea, and in so doing surveys the history of the regions through which it passes. That would be a bold enough project in its own right, but the book itself is so much more than this and is one that I’ve returned to many times since I first stumbled across it fifteen years ago. The riverine structure of the book sweeps the reader from prehistory to the twentieth century and back again, individual eddies linger on intriguing episodes – the building of the cathedral tower at Ulm, the significance of the Iron Gates – and then we’re off again on another evocative description of the river or aside on the forgotten history of Mitteleuropa. A terrific read.
Andy Merrills teaches ancient and medieval history at the University of Leicester. He is a hopeless book addict, writes occasionally for work and for the whimsical periodical Slightly Foxed, and likes nothing so much as reading elegantly-composed works which completely change the way he thinks about everything. (This happens quite a lot).
This is the only book on the list that relates directly to my main topic of research, but that is a strong recommendation in itself. In truth, there are lots of books about ‘late antiquity’ (or ‘the later Roman Empire’), and many of them are very good indeed. But they also tell a familiar story in familiar ways: they discuss politics, military actions, transforming towns, and (increasingly) plague and climate change. Sessa’s book deals with all of these themes in some way, but flips the whole thing on its head. This book looks at the period from the bottom up, thinking about the lived experiences of women and children, of country-dwellers, and those who inhabited the less glamorous corners of the empire. Reading this made me think again about lots of topics that I thought I knew well. It is also accessibly written and introduces a sometimes complex period very…
Daily Life in Late Antiquity is the first comprehensive study of lived experience in the Late Roman Empire, from c.250-600 CE. Each of the six topical chapters highlight historical 'everyday' people, spaces, and objects, whose lives operate as windows into the late ancient economy, social relations, military service, religious systems, cultural habits, and the material environment. However, it is nevertheless grounded in late ancient primary sources - many of which are available in accessible English translations - and the most recent, cutting-edge scholarship by specialists in fields such as archaeology, social history, religious studies, and environmental history. From Manichean rituals…
As a kid, I was addicted to almanacs, encyclopedias, and atlases. I liked collecting facts and snooping around other people’s lives, and my family, including extended family, totally indulged me by gifting me their history or factoid book collections. I remember one set my Grandma Sally gave me: Time Library of Curious and Unusual Facts. I cannot find the complete set anywhere these days, but it’s where I learned about spontaneous combustion and wealthy hoarders. Who wouldn’t want to know that stuff!
I love this book because it’s a collection of mini-biographies of contemporary writers, musicians, and artists from the 20th century, some I’d heard of and some I hadn’t, but they’re all weird.
Like, as I’m writing this, I just flipped to a random page and there’s a section on Michael Mann, who once owned the apartment I’m writing this in. And then I flip a little more and get five succinct and totally bizarre pages about Mao.
This international bestseller is an encyclopedic A-Z masterpiece-the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
Andy Merrills teaches ancient and medieval history at the University of Leicester. He is a hopeless book addict, writes occasionally for work and for the whimsical periodical Slightly Foxed, and likes nothing so much as reading elegantly-composed works which completely change the way he thinks about everything. (This happens quite a lot).
I came across this book unexpectedly in an American bookstore, and have since given it as a gift countless times. In essence, Reynolds provides a survey of human history through facial hair, creating a rambling, eccentric overview and proposing all sorts of improbable theories, many of which are probably right. The bookseller’s note on the back cover of my copy lists it as ‘History (?)’, which seems about right, but it has definitely made me think about history in a different way. I also now have a beard of my own (not connected).
Reynolds also wrote a similarly inspiring book about toilets.
I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.
I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.
As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I think Robert Stone was one of the greatest American novelists of the recent era, a man with a profound concern for how political situations affect the individual. I love Stone’s ability to delve into complex situations.
This is fiction, unlike the last two recommendations mentioned above, and takes place in Central America during the Seventies. I love books about political situations, and I love novels set in other countries. Stone is a master of both.
He was also a humble, good man, though maybe I’m not completely objective because he provided a generous blurb for my first novel. I had the pleasure of spending a little time with him after my novel was published, and I found him to be brilliant, funny, modest, and just a fun person to be around.
Like Dostoevsky, he was able to delve into deep matters by telling a great story with amazing characters.…
My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.
In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life.
As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.
Ivan Turgenev's Fathers and Sons explores the ageless conflict between generations through a period in Russian history when a new generation of revolutionary intellectuals threatened the state. This Penguin Classics edition is translated from the Russian by Peter Carson, with an introduction by Rosamund Bartlett and an afterword by Tatyana Tolstaya.
Returning home after years away at university, Arkady is proud to introduce his clever friend Bazarov to his father and uncle. But their guest soon stirs up unrest on the quiet country estate - his outspoken nihilist views and his scathing criticisms of the older men expose the growing…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.
My favorite books are the ones with heroes and heroines you don’t expect – the ones that remind you that we can all be heroes and heroines if we find our gifts and persevere until others see and benefit from them, too. That’s what It Jes’ Happened does with this story of Bill Traylor, a formerly enslaved man who began to draw pictures based on his memories of rural and urban life in Alabama. Adding to the wonder of his story, this self-taught artist didn’t start painting until he was 85, reminding us it’s never too late to do what you love. Author Don Tate is best known as an award-winning illustrator, but here he reminds us that he paints with words, too. Meanwhile, R. Gregory Christie’s warm, wistful art helps us see the world through Traylor’s eyes and heart.
New Voices Award Honor, Lee & Low Books Ezra Jack Book Award Honor, Ezra Jack Keats Foundation Editor's Choice, Booklist Best Children's Books of the Year: Outstanding Merit, Bank Street College of Education 100 Magnificent Children's Books, Fuse #8 Production, SLJ Choices, Cooperative Children's Book Center (CCBC) Original Art Show, Society of Illustrators
The inspiring biography of self-taught (outsider) artist Bill Traylor, a former slave who at the age of eighty-five began to draw pictures based on his memories and observations of rural and urban life in Alabama.
Growing up as an enslaved boy on an Alabama cotton farm, Bill…
