100 books like Flower of Iowa

Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love. 

I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.

As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.

Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC. She is the author of Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into nine languages and made into an opera. Stephanie is the recipient of an American Book Award. She has lived in NYC all her life.

I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.

I have written 13 books and over 200 national magazine articles on U.S. Military weapons and am Field Editor for the NRA’s American Rifleman magazine. The story of the World War II weapons and campaigns have been widely covered but the First World War is sometimes all but forgotten. Those who are not familiar with America’s rather brief, but important, role in the conflict often do not realize how the First World War helped make the United States one of the world’s “superpowers.”

I have lived almost all my adult life in France, and have spent that whole time wondering what makes the French so French. One of the answers is their attitude to their own history. The French have got a lot of upheaval to process: at least five revolutions since 1789, and two World Wars fought on their soil, including a Nazi occupation that they still haven’t digested. I didn’t start writing about the French until I’d been living in France for about 10 years – I didn’t want to write like a tourist, and it took me that long to unweave the first strands of their DNA. I’ve never stopped writing about them since, half a dozen Merde novels and as many non-fiction books later.

I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century.  I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time.  It is with this in mind that I’ve chosen the books on my list.

I have always been interested in military history and wanted to become a professional soldier. I benefitted especially from three years as the American liaison officer on the staff of the German 12th Panzer Division. German Army organization, planning and decision-making, troop leadership, and training are outstanding and made a deep impression on me. I received a superb education as a historian at the University of Wuerzburg, Germany, which required history to be written from original source documents, not secondary sources uncritically accepted. My standards emphasize attention to detail in military planning and operations, and archival work in English, German, and French. As do the authors that I have selected.

I’m an author, radio broadcaster, journalist, and podcaster. I’ve been in the media for almost 40 years. Oddly, writing came to me very late but it hit me light a lightning bolt when it happened. I researched my Grandfather’s time on the Western Front in WW1 after discovering a letter he wrote to a friend. That was the moment I knew I had to write a book. My career has taken me from rock n roll radio to talkback in Commercial, Public, and now Community radio in Australia. I love what I do, but most of all, I just love telling stories to my audience, whatever the platform.