Fans pick 100 books like Flower of Iowa

This is another two-for-one book! It is a historical fiction about the life of Alexander the Great, told by his male lover, Bagoas. But it was written in 1972, only five years after the decriminalization of homosexuality in the UK. Bagoas is a nuanced character; he is frank about the nature of his love for Alexander the Great, and there are even a few sex scenes! As I read it, I couldn’t help reflecting on how groundbreaking this must have seemed in the context of the 1970s. 

Mary Renault is a very interesting figure in her own right. She was undoubtedly queer and lived with her partner for over 50 years. There are relatively few women in her novels, and many of them are unflatteringly depicted. Renault eschewed the label of ‘lesbian,’ was uncomfortable with the early gay pride movement, and is said to have told people that she wished… show more.

This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.

This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.

This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.

Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.

Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long… show more.

Boyne is a master storyteller, enormously gifted in doling out a story so that it unfolds bit by bit before us. I am in awe of his skill.

After WWI, a young soldier called Tristan is compelled to visit the sister of a fallen comrade to deliver the sister’s saved letters to her brother. All we know of Tristan is that he has endured something so terrible he at times would prefer not to live. 

What he does not tell is that he was intimately involved with her brother Will a few times, and loves him, but though the intimacy to which Tristan gave his heart was dismissed as nothing by Will. To give everything to another, and then to have the loved one dismiss and deny it cruelly can wear the lover to past endurance.

Which young man was responsible in the end for the conclusion? Unbelievable writing.  

A day-to-day chronicle of a remarkably observant Frenchman who served from the beginning to the end of the war, this fascinating book is full of minute observations, perceptive insights, and the real, gritty texture of military life, service at the front, visits home, and confrontations with civilian life and politics. Barthas recounts all of this with an engaging immediacy and passion that makes the reader sad to part company with him at the war’s end.

One of the very best books in English about France during this time, Hanna mines a treasure trove of letters between a married peasant couple from southwest France to tell an intimate history of the war, of its effects on families, women, villages, men, and the countryside. War stories take place on battlefields, of course, but also in homes and in hearts. Anyone wanting to understand the experience of the Great War at the front, on the home front, and everywhere in between, should start here.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.

As a fan of Catholic history and historical fiction, this story is surely one of my favorites. Set during the Great War, WWI, twenty-one-year-old Julia has her heart set on meeting her future husband. She makes and purchases expensive gifts for him–she's ready. Surely, she will meet her beloved soon.

When Julia is sent overseas with the Red Cross, she finds herself caring for injured soldiers in a field hospital in France. As she matures, Julia begins giving the gifts she'd made or purchased to the injured soldiers. A touching addition to this book was the addition of beautiful sonnets between Julia and her beloved. 

I love this group of very different women from Smithfield College who band together amid the Great War and set sail to nurse in war-torn France. 

Armed with good intentions but few practical skills and little knowledge of what they’re getting into, nothing is as they imagined—not the lodging, the lack of welcome, the unimagined obstacles, or the many differences in personalities that challenge them. Still, they buckle down to learn critical skills by doing, overcome countless obstacles while surviving dangerous characters and circumstances, work through their own personality clashes and prejudices, and accomplish more than they or anyone expected. 

The gift and beauty is that in banding together to accomplish the impossible they develop deep and lasting friendships. Band of Sisters is rich in inspiration desperately needed in our time.

This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.