42 books like The Hunt for the 60s’ Ripper

Of all the books written about the massacre of the Bamber/Caffell family in August 1985, none captures the sadness and tragedy of the family dynamic as Lee has here. She delves deep into the troubled lives of June and Neville Bamber and their adopted children Jeremy and Sheila. It’s an extraordinary case – a real puzzle. I don’t actually agree with Lee’s (apparent) assumption of Jeremy Bamber’s guilt – the seven pages of police surmise at the end of her book have a number of holes that undermine the plausibility of their case. In my view, a retrial should have taken place. Nevertheless, Lee has created a truly poignant portrait of a time and a place – rural Essex in the brash 1980s – in which horror does battle with pity.

There is something very wrong with the official version of the Ratcliff Highway Murders of 1811, in which seven were killed – so much that simply does not add up. Detective fiction writer James and historian Critchley teamed up in 1971 to use their respective talents to sift the contradictory accounts of the killings of the Marr and Williamson households. They brilliantly capture the atmosphere of Regency Wapping and come up with an unusual partial solution, exonerating John Williams, whom tradition has always fingered as the killer.

After you read the book, you need to see Once Upon a Time... In Hollywood.

In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was the motivation behind such savagery?

The murders marked the end of the sixties and became an immediate symbol of the dark underside of that era. Vincent Bugliosi was the prosecuting attorney in the Manson trial, and this book is his riveting account of how he built his case from what a defense attorney dismissed as only “two fingerprints and Vince Bugliosi.”

The meticulous detective work with which the story begins, the prosecutor’s view of a complex murder trial, the reconstruction of… show more.

In 1961 campaigning journalist Ludovic Kennedy stirred the hornets’ nest of the Christie killings in north Kensington in the 1940s/early 50s. John Christie’s tenant, Timothy Evans, had been hanged in 1950 for the murder of his wife and child at 10 Rillington Place; but in 1953 it was discovered that Christie himself had turned the small terraced home into a charnel house – with the discovery of six female bodies. Kennedy’s book captures the squalor and madness at number ten, and the tragic chain of events that sent the wrong man to the gallows.

Silent Fear is a stunning mystery novel, scary because it is set in an institute for the blind during a lockdown. There is a serial killer on the loose and no inmates have the ability to see their persecutor. Yes, this one gets right inside your mind and I felt privileged to read it.

Helen Jewett was a sex worker living in New York in the 1830s. She worked in a brothel under a matron, which should have been a safe enough situation—she wasn’t out on the street, at least, and others knew when she had clients. Early one morning, however, others in the house wake up to realize there’s a fire in Helen’s room, and that she’s dead. Was it a murder committed by her last client, a man quickly identified as Richard Robinson, or was it a suicide? If she hadn’t died so brutally, we wouldn’t know Helen Jewett’s name, so she’s become another victim only known for her murder. Cohen reminds us that she’s more than just her death.

On an early trip to Savannah, I stayed a block from the mansion where the murder at the heart of John Berendt’s bestselling book took place and where the movie was filmed. I wrote much of my own book in another apartment not far away. In my writing, I was inspired by the way Berendt included himself in his story and I decided to incorporate some of my own struggles to uncover the truth about the brutal murder of William K. Dean.

The first in the series of Dave Robicheaux novels, this is handled quite well. The main character is very human, flawed by his own admission by a battle with an addiction to alcohol, but nonetheless is a tough and competent cop who definitely sees—and knows well—the seedier side. Set in the deep south, Burke takes you there with description that is so evocative that you can feel it with every sense, and the danger as the story unravels into a tale of corruption and bloody violence. I really wanted the main character to win this battle and it was one almost literally to the death. If you like great writing and to sit on the edge of your seat (near the bayou, so be careful), this is a must-read.

The biggest strength of this book is a large spoiler, which is a shame. I’d love to gush about it. You (should you choose to read it) get to learn about it as the work unfolds, though. For that, I’m jealous. Who doesn’t love to enjoy something so fun for the first time? The choice of victims and the reason for the kills makes the serial killer so compelling I rooted for the detective to always be one step behind. I loved him, don’t get me wrong. He is flawed and damaged, and I wanted him to succeed eventually. Thomas Holgate makes it easy to do that—want them both to “win”—as both have a point-of-view. The book was fun, interesting, and just a little brutal. 

Unique thriller!

The story is told from the viewpoint of the ghosts of the victims of a serial killer. At three different times, each of the three women is murdered, but they want to stop the serial killer so badly that they do not move on and stay ghosts.

I loved the author's interpretation of what the ghost could and couldn't do.; very interesting and very creative. The three ghosts have the same death experience, but each reacts differently. The serial killer's wife and children were another interesting aspect. Just a very good story and something very different.