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Tom O' Vietnam.
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From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his…
A groundbreaking piece of journalism which inspired Stanley Kubrick's classic Vietnam War film Full Metal Jacket.
We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop.
Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
This is a story of new beginnings and it shook my preconceived notions of what a memoir embodies. By going back to Vietnam years after the war, the author illustrates how love and time can change our opinions… that hate is the easy way out… that differences can allow us to understand how truly precious we all are… that we can come full circle, out of the darkness and into the light.
With all the breathtaking imagery and lyric fury that characterizes his acclaimed poetry, Bruce Weigl recounts his struggles in the aftermath of the Vietnam War, which tore his life apart and in return gave him his poetic voice. Upon his release from duty he turned to alcohol, drugs, and women, living for years in a confused purgatory until he discovered salvation in poetry and in the love of his wife and their son. Yet it was only through a harrowing journey back to Vietnam, to adopt his eight-year-old daughter, that Weigl was finally able to heal himself. Moving from childhood…
Having edited 5 newspapers in North London a few years ago, I found that my love of reading–especially historical novels–expanded to writing once my business was sold to a well-known newspaper publishing company. All history fascinates me, as is obvious from my recommendations, and even though these could be listed as fiction, they all have a great deal of fact within them. I delved into historical reading as a very young girl and progressed from the Georgette Heyer novels to my current more in-depth novelists, so my range has been quite vast and varied over the years. I truly wish I had more time to read.
This book haunted me long after I had finished it.
It is based on a true story and takes us back to the horrendous days of Auschwitz, where Sophie had to make the choice of saving just one of her two children and she chose her son, Jan, sending her daughter Eva to the gas chamber. A choice no mother should have to make, and after making such a choice, sadly, she never saw her son again.
We must fast forward to 1947, and Sophie is a Polish immigrant in New York, where she lives in a boarding house with Nathan and Stingo. Her second choice, I will leave you to read, but there is so much more to this story by William Styron, and if you want to be depressed as well as impressed, this is definitely the book for you.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
We Won’t Go is a treasure trove of primary document material combined with personal accounts of regular American citizens objecting to the war in Vietnam. Instead of understanding the issue at a surface level, the stories Lynd collected help us understand the kind of arguments objectors had not just with the government, but also with each other. “If we try to avoid arrest,” wrote one conscientious objector, “or are content to let our friends be arrested instead of ourselves, we hand over to the government the key to deter everyone by jailing a few.” Whether you agree or not, Lynd’s book will give you a variety of perspectives on the issue, along with the actual ‘conscientious objector’ application.
From the back of the book: "We Won't Go is a collection of accounts by men confronted with the dilemma of conscience which military service poses. In addition to the accounts of these war registers, We Won't Go contains the full text of the Seeger decision, a copy of the application for conscientious objector status, a selection of documents related to war crimes, and a list of sources of information for those who are faced with the problem of the draft."
My expertise with the topic is that I served for over 22 months in the army, where I learned many things people do not learn in normal life. I belong to several Vietnam veteran organizations, and I am the first president of the Lehigh Northampton Vietnam Veterans Memorial.
As Tom took Basic Combat Training, learning to become an infantryman and kill, his religious beliefs would not allow him to kill. He applied for conscientious objector status, but he wound up in Vietnam where he worked as a clerk at the sprawling Long Binh Post. He is treated as a coward and faces criminal charges, but he keeps his faith. As a Christian, this book helped me come to grips with my military time, not wanting to kill, and fortunately, I never had to.
“Yesterday’s Soldier” is a different Vietnam War memoir. Packed into this tidy book is the story of a young man's coming of age in troubled times. The book is about of his transformation from infantryman to conscientious objector and his experiences in Vietnam. War, religion, and morality are always in the background of his story and they move to the surface in every chapter. The author, after years of studying for the priesthood in a religious seminary, leaves and is quickly exposed to the Selective Service. His belief in God and his country inspired him to enlist in the US…
I am a historian of modern (post-1898) American military history who has been fortunate enough to be at a university that supports my research. I have always been fascinated by the “black holes” in military history, the topics that are not glamorous like the big wars, charismatic generals, or Washington-level civil-military relations. This has led me to study such obscure topics as the conquest and pacification of the Philippines, the forty-year plans for Pacific defense prior to World War II, and how military officers have envisioned future war. The peacetime US Army is a terrific “black hole” because so many people, civilians, and military, assume that they already know that history.
This is a fascinating study of the creation, evolution, and ultimate success of the All-Volunteer Army after Vietnam. Bailey maintains her historical objectivity even when dealing with controversial and emotional subjects such as race, the role of women, and the Army’s commitment to combat. As she explores this traumatic institutional shift from war to peace, she skillfully interweaves the experiences of individuals into the story. The result is a well-written, enjoyable work that both meets the highest standards of scholarship and is enlightening and entertaining.
In 1973, not long after the last American combat troops returned from Vietnam, President Nixon fulfilled his campaign promise and ended the draft. No longer would young men find their futures determined by the selective service system; nor would the U.S. military have a guaranteed source of recruits.
America's Army is the story of the all-volunteer force, from the draft protests and policy proposals of the 1960s through the Iraq War. It is also a history of America in the post-Vietnam era. In the Army, America directly confronted the legacies of civil rights and black power, the women's movement, and…
I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
Wars change the societies in which they are fought, but they also profoundly affect the home front. Fallon’s collection of short stories examines the impact of the war in Iraq on America with a particular focus on the families of those serving in America’s most complicated and divisive war since Vietnam. You Know When the Men are Gone is honest, empathetic, and informed by the experience of being the wife of a soldier deployed in harm’s way, when every phone call or knock on the door causes your heart to stop. Even if they come home physically unharmed by war, all is not necessarily well.
“Gripping, straight-up, no-nonsense stories about American soldiers and their families. . . simple, tough, and true.”—The New York Times
“Prose that's brave and honest.”—People
“Terrific. . . and terrifically illuminating.”—The Washington Post
An award-winning story collection from the author of The Confusion of Languages.
Through fiction of dazzling skill and astonishing emotional force, Siobhan Fallon welcomes readers into the American army base at Fort Hood, Texas, where U.S. soldiers prepare to fight, and where their families are left to cope after the men are gone. They’ll meet a wife who discovers unsettling secrets when she hacks into her husband’s email,…
As a journalist I have seen and experienced amazing things. As a memoirist my job is to make you shiver as I take you down a crumbling Ukrainian coal mine, laugh in frustration as I argue with a customs agent charging me $100 for a few bootleg CDs and smile with happiness when I finally locate my Ukrainian date after a classic miscommunication. I’m recommending memoirs that will take you on adventures, tackle serious topics, but leave you with hope, and oftentimes a smile of understanding. Even if you haven’t covered a war, faced death, or disappeared, these writers speak to the universal hopes, fears, and disappointments of human life.
As a female journalist who has lived and worked abroad, including in sometimes unsafe situations but excluding war, I was drawn to Miller’s story about covering the Vietnam War. In 1970 young American women were not supposed to go to Vietnam. They were supposed to get married, and Miller did—to a member of the military whose job proves her ticket to Vietnam.
As one of the rare female reporters in Vietnam, Miller captured stories her male colleagues couldn’t or wouldn’t cover such as how young Vietnamese girls were often tricked into the sex trade. An outsider in the “old boys club” of news and war Miller is able to understand better than her male colleagues how the war is impacting the locals who have in some ways been made outsiders in their own country.
The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war.
There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot…
I have a strong, if contrarian, interest in modern history, Asian history in particular. I have published more than a dozen articles and book reviews on the subject, and I have taught courses on modern Asian history (China, Japan, Vietnam, India) at New York University, where I have been a professor since 1968. A brief history of my somewhat unusual academic career may be found in a 50-page memoir published via Amazon in 2020 together with an appendix containing a sampling of my short writings. It is titled Moss Roberts: A Journey to the East. The memoir but not the appendix is free via Researchgate. In addition, I have studied (and taught) the Chinese language for more than half a century, and published translations of classical works of literature and philosophy.
This work is thorough and informative on the US invasion and defeat but unlike many books on the war also provides extensive discussion of Vietnam’s long history, which dates back more than two millennia. It covers Vietnam’s contentious relations with China and France.
For many Westerners, the name Vietnam evokes images of a bloody televised American war that generated a firestorm of protest and brought conflict into their living rooms. In his sweeping account, Ben Kiernan broadens this vision by narrating the rich history of the peoples who have inhabited the land now known as Viet Nam over the past three thousand years.
Despite the tragedies of the American-Vietnamese conflict, Viet Nam has always been much more than a war. Its long history had been characterized by the frequent rise and fall of different political formations, from ancient chiefdoms to imperial provinces, from…
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