Here are 100 books that Tom O' Vietnam fans have personally recommended if you like
Tom O' Vietnam.
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From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his…
A groundbreaking piece of journalism which inspired Stanley Kubrick's classic Vietnam War film Full Metal Jacket.
We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop.
Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
This is a story of new beginnings and it shook my preconceived notions of what a memoir embodies. By going back to Vietnam years after the war, the author illustrates how love and time can change our opinions… that hate is the easy way out… that differences can allow us to understand how truly precious we all are… that we can come full circle, out of the darkness and into the light.
With all the breathtaking imagery and lyric fury that characterizes his acclaimed poetry, Bruce Weigl recounts his struggles in the aftermath of the Vietnam War, which tore his life apart and in return gave him his poetic voice. Upon his release from duty he turned to alcohol, drugs, and women, living for years in a confused purgatory until he discovered salvation in poetry and in the love of his wife and their son. Yet it was only through a harrowing journey back to Vietnam, to adopt his eight-year-old daughter, that Weigl was finally able to heal himself. Moving from childhood…
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
This powerful story angered many when it was published, but Styron is asking serious questions: How do you survive a terrible experience, especially one that forces you to make an agonizing choice? Can you, in fact, survive that? He takes what I believe is the most extreme case of survivor guilt imaginable, which is the heart-rending decision that Sophie is forced to make and which is the core of the novel.
That’s in the past–the recent past for the characters–and in the present, the three main people in the novel find themselves in a painful love triangle that arises specifically from those terrible events but which I found to be a very perceptive insight into a situation that many of us find ourselves in.
It’s about a different kind of choice but one which will cause pain, whatever is decided.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
I’m a literary historian and I love reconstructing times in the past with enough factual detail that a reader feels as if they are there with the characters, side-by-side. I didn’t start this way. In fact, I wrote fiction for over a decade. It was only after writing eight atrocious, tension-less, now-in-a-box novels that I realized the books I enjoyed reading most were in the history and biography sections of a bookstore. Still, I was undeniably affected by my years in the trenches of fiction writing. As you may see from my choices, I love reading material from writers attempting to check the pulse of the country at that time.
We Won’t Go is a treasure trove of primary document material combined with personal accounts of regular American citizens objecting to the war in Vietnam. Instead of understanding the issue at a surface level, the stories Lynd collected help us understand the kind of arguments objectors had not just with the government, but also with each other. “If we try to avoid arrest,” wrote one conscientious objector, “or are content to let our friends be arrested instead of ourselves, we hand over to the government the key to deter everyone by jailing a few.” Whether you agree or not, Lynd’s book will give you a variety of perspectives on the issue, along with the actual ‘conscientious objector’ application.
From the back of the book: "We Won't Go is a collection of accounts by men confronted with the dilemma of conscience which military service poses. In addition to the accounts of these war registers, We Won't Go contains the full text of the Seeger decision, a copy of the application for conscientious objector status, a selection of documents related to war crimes, and a list of sources of information for those who are faced with the problem of the draft."
My expertise with the topic is that I served for over 22 months in the army, where I learned many things people do not learn in normal life. I belong to several Vietnam veteran organizations, and I am the first president of the Lehigh Northampton Vietnam Veterans Memorial.
As Tom took Basic Combat Training, learning to become an infantryman and kill, his religious beliefs would not allow him to kill. He applied for conscientious objector status, but he wound up in Vietnam where he worked as a clerk at the sprawling Long Binh Post. He is treated as a coward and faces criminal charges, but he keeps his faith. As a Christian, this book helped me come to grips with my military time, not wanting to kill, and fortunately, I never had to.
“Yesterday’s Soldier” is a different Vietnam War memoir. Packed into this tidy book is the story of a young man's coming of age in troubled times. The book is about of his transformation from infantryman to conscientious objector and his experiences in Vietnam. War, religion, and morality are always in the background of his story and they move to the surface in every chapter. The author, after years of studying for the priesthood in a religious seminary, leaves and is quickly exposed to the Selective Service. His belief in God and his country inspired him to enlist in the US…
I am a historian of modern (post-1898) American military history who has been fortunate enough to be at a university that supports my research. I have always been fascinated by the “black holes” in military history, the topics that are not glamorous like the big wars, charismatic generals, or Washington-level civil-military relations. This has led me to study such obscure topics as the conquest and pacification of the Philippines, the forty-year plans for Pacific defense prior to World War II, and how military officers have envisioned future war. The peacetime US Army is a terrific “black hole” because so many people, civilians, and military, assume that they already know that history.
This is a fascinating study of the creation, evolution, and ultimate success of the All-Volunteer Army after Vietnam. Bailey maintains her historical objectivity even when dealing with controversial and emotional subjects such as race, the role of women, and the Army’s commitment to combat. As she explores this traumatic institutional shift from war to peace, she skillfully interweaves the experiences of individuals into the story. The result is a well-written, enjoyable work that both meets the highest standards of scholarship and is enlightening and entertaining.
In 1973, not long after the last American combat troops returned from Vietnam, President Nixon fulfilled his campaign promise and ended the draft. No longer would young men find their futures determined by the selective service system; nor would the U.S. military have a guaranteed source of recruits.
America's Army is the story of the all-volunteer force, from the draft protests and policy proposals of the 1960s through the Iraq War. It is also a history of America in the post-Vietnam era. In the Army, America directly confronted the legacies of civil rights and black power, the women's movement, and…
I am a retired Army officer who served in a tank unit in Operation Desert Storm. After that war, I became convinced that the future of warfare looked more like America’s experience in Vietnam than like the war in which I had just fought. I taught at West Point and then served in another tank unit early in the war in Iraq before being sent to the Pentagon where I helped Generals David Petraeus and Jim Mattis write the Army and Marine Corps doctrine for counterinsurgency campaigns. I am now studying and teaching about the wars in Iraq and Afghanistan as a professor at the U.S. Army War College.
Wars change the societies in which they are fought, but they also profoundly affect the home front. Fallon’s collection of short stories examines the impact of the war in Iraq on America with a particular focus on the families of those serving in America’s most complicated and divisive war since Vietnam. You Know When the Men are Gone is honest, empathetic, and informed by the experience of being the wife of a soldier deployed in harm’s way, when every phone call or knock on the door causes your heart to stop. Even if they come home physically unharmed by war, all is not necessarily well.
“Gripping, straight-up, no-nonsense stories about American soldiers and their families. . . simple, tough, and true.”—The New York Times
“Prose that's brave and honest.”—People
“Terrific. . . and terrifically illuminating.”—The Washington Post
An award-winning story collection from the author of The Confusion of Languages.
Through fiction of dazzling skill and astonishing emotional force, Siobhan Fallon welcomes readers into the American army base at Fort Hood, Texas, where U.S. soldiers prepare to fight, and where their families are left to cope after the men are gone. They’ll meet a wife who discovers unsettling secrets when she hacks into her husband’s email,…
From an early age, it became obvious there were two types of people in the world. There were those who played it safe, who sold life insurance or worked for the government, who took their kids to soccer games and dutifully hosted Thanksgiving dinner. Then there were those who were haunted and driven by inner forces they couldn’t begin to understand. After realizing that I fell into the second category, I discovered many kindred spirits who had written books. While some of them sugar-coated their stories into “page-turners” or “beach reads,” the core of human obsession was unmistakable. I resolved to explore the outer edge of that obsession.
Some of us marry our childhood sweetheart, while others carry a lifelong torch for a love that seems unattainable. For Inez Victor—married to a U.S. Senator and failed Presidential candidate, a woman who has spent her entire adult life being photographed—the memories of Jack Lovett come in and out of focus like a camera lens. For decades, the two of them nurture a fantasy that finally explodes into the open with the force of the munitions that Lovett sells to governments around the world.
From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean—a gorgeously written, bitterly funny look at the relationship between politics and personal life.
Moving deftly between romance, farce, and tragedy, from 1970s America to Vietnam to Jakarta, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase.
Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his…
I am a professional economist and econometrician with over 50 years of teaching and research experience. I've published articles in more than 200 international publications and been on the senior teaching staff of top U.S. and Asian universities. In recent years, I have also been interested in serious scholarly studies on developing economies in Asia and as an economic consultant to several Asian government ministries.
To me, the book represents a pioneering landmark work on Vietnam’s epoch-making macroeconomic policy.
It is a very early study by an internationally distinguished economist and ministerial official on Vietnam’s reforms and development. The book covers the major and important problems and issues that existed in the beginning of the Doi Moi opening up policy in 1987. Significantly, these problems and issues still persist today in policy analysis and contemporary scholarly studies.
