Fans pick 100 books like Fifth Business

Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).

It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!

For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.

In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’?  Whoosh.

I love this stuff but understand it’s an acquired taste!

More insane narrators (or are they?) but you can’t get more unreliable than that. Discovered these thematically linked novels decades ago and came back to them when I was trying to work out the voice of the Trunk Murderer in my Trilogy and what mental state that person might have been in.  

In The Deadly Percheron a psychiatrist has a patient, otherwise seeming perfectly sane, claiming delusions that aren’t necessarily believable. (Except, of course, in fiction the best delusions are. The psychiatrist is drawn in and you know that’s not going to end well.) 

Robin Jarvis scared the living snot out of me as a kid and when I reread his books as an adult…. Same thing happens.

The Deptford Mice trilogy is a wonderfully scary series, with characters you love and root for and completely forget that they’re smaller than a baby potato. He is a brilliant storyteller and I recommend all his books to you if you’re over nine years old.

(Says the person who gifted them to an eight-year-old and caused nightmares.)

Joe Maxwell was an Australian Soldier in WW1 who wrote this story of his time in the 18th Battalion (same battalion as my Grandfather, Stan Dunkley). Chances are they knew each other. Joe wrote the story from his own perspective and told of his mates and the fun they had behind the lines. Interestingly, when it came to the actual fighting, he tended to write little; perhaps because it was too horrible to write about but his bravery is well documented. He was the only soldier of the 18th BN to win the Victoria Cross after single-handedly taking a German machine gun nest. He also had the rare distinction of fighting the entire war without gaining so much as a scratch. I highly recommend this for its personal account of one man’s experience.

Set among the dilapidated Anglo-Irish gentry in rural Ireland as they sink slowly into decline, what makes this book strange and unique among country house novels is the way it deals with its narrator. The daughter of a landowner in a big run-down house, in a social world dominated by horses and hunting, she sees what’s going on around her but fails to understand it, hemmed in by rules of behaviour that make many things simply impossible to name. We see that her brother is gay, for instance, but she never spots it, even when she walks in on her brother and his boyfriend in a state of undress, and she never finds her own way out of this strange doomed world. 

This book is darkly funny, tinged with gothic, and completely merciless.  No less a writer than Hilary Mantel has said she wishes she’d written this novel.

As a child, one of my favourite stories, that went on to help shape my personal writing style, was The Whitby Witches by Robin Jarvis. As a care leaver I found the main characters, siblings who had been shunted between several foster homes because of the brother's psychic gift, relatable. The sister doesn't believe him - a brilliant source of conflict because all they have is each other, yet there's this huge wedge between them. But the best part is how well the author blends the magical with the mundane. There's a group of almost Lovecraftian creatures that can only be seen by those with The Sight, living alongside the villagers. I loved the idea of unseen people, just a shadow's width away, unknown things living side by side with a blissfully ignorant human populace. That contrast between the ordinary and fantastical had crept into a lot of my stories.

A Dead Man in Deptford was the last published novel of Anthony Burgess’s lifetime and can be seen as a companion piece to his earlier fictional biography of William Shakespeare, Nothing Like the Sun. A Dead Man in Deptford follows Christopher Marlowe’s life, and Will of Warwickshire lurks very very much in the background of this novel. This somehow adds to the poignancy, as even within his own story, the reader is always aware that Marlowe’s era will be dominated by the name of William Shakespeare. 

Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.

Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.

I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.