Here are 100 books that Women Who Fly fans have personally recommended if you like
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Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
There are several fascinating memoirs by ATA pilots including those by Diana Barnato Walker and the fittingly named Nancy Bird, but I was lucky enough to know Mary Ellis so her words speak most directly to me. A life recounted in sensible tones, reading this book it is easy to imagine you are settled into an armchair across from Mary, while at the same time realising that she would be much more comfortable in the cockpit of a Spitfire. By the end of the war she had delivered 400 Spitfires and flown 72 different types of aircraft. ‘Who needs love’, Ellis wrote, ‘when there is the ultimate thrill of speed, the sky, and the orgasmic experience of piloting the best fighter aircraft in the world?’ Enough said.
We visualise dashing and daring young men as the epitome of the pilots of the Second World War, yet amongst that elite corps was one person who flew no less than 400 Spitfires and seventy-six different types of aircraft and that person was Mary Wilkins.
Her story is one of the most remarkable and endearing of the war, as this young woman, serving as a ferry pilot with the Air Transport Auxiliary, transported aircraft for the RAF, including fast fighter planes and huge four-engine bombers. On one occasion Mary delivered a Wellington bomber to an airfield, and as she climbed…
My wife is a beautiful, intelligent, and determined woman. She took up rock climbing in her forties. She rides a motorcycle on and off-road. She scuba dives with sharks, she’s jumped out of an airplane, and she strapped crampons on her feet when I said we’re climbing a snow-covered mountain. One of my best friends in the world is from Finland. Typical of Finns, and Scandinavians in general, he has a dry wit and keen observations and thoughts which he delivers matter-of-factly in few words. Combining these two with a sprinkling of my own imagination produced Nora Sommer.
I have an obsession with WWII, submarines of the era, and especially the Battle of Britain. As women in dangerous and often traditionally masculine roles also appeal, it makes sense that true stories of these gallant pilots are right in my wheelhouse. Or cockpit…
During the war, female pilots were recruited to ferry planes for the Air Transport Auxiliary to RAF bases, freeing up male combat pilots.
Unarmed, without instruments or radios, the women often flew over the hostile skies of southern England in new or repaired aircraft, flight testing them on the way. Navigation was done by compass headings and visual references on the ground.
This book does a wonderful job of shining a light on the relatively small group of brave souls who did their part during dark times.
The story of the unsung heroines who flew the newest, fastest, aeroplanes in World War II - mostly in southern England where the RAF was desperately short of pilots.
Why would the well-bred daughter of a New England factory-owner brave the U-boat blockades of the North Atlantic in the bitter winter of 1941? What made a South African diamond heiress give up her life of house parties and London balls to spend the war in a freezing barracks on the Solent? And why did young Margaret Frost start lying to her father during the Battle of Britain?
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
This is a gripping history of the Soviet female fighter, bomber and night bomber squadron pilots told through their interwoven biographies. These were the women who fought and died in the skies above Stalingrad and Kursk, and whose skills, as well as courage, astounded and terrified the Luftwaffe. Although invited to train and serve alongside their male comrades, the women were of course given uniforms and equipment designed for men, plenty of hostility, and a place, for those who survived, only at the back of the victory parades.
Plucked from every background and led by an NKVD Major, the new recruits who boarded a train in Moscow on October 16, 1941, to go to war had much in common with millions of others across the world. What made the members of the 586th Fighter Regiment, the 587th Heavy-Bomber Regiment, and the 588th Regiment of light night-bombers unique was their gender: the Soviet Union was creating the first all-female active combat units in modern history.
Drawing on original interviews with surviving airwomen, Lyuba Vinogradova weaves together the untold stories of the female Soviet fighter pilots of the Second World…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
There are several good biographies of Earhart by Mary S. Lovell and others, but worth also looking at is this compilation of the letters, diary entries and charts that Earhart sent back to her husband, bringing a striking immediacy to her final flight.
Amelia Earhart was twice the first woman to cross the Atlantic by air: initially in 1928 as a passenger just a year after Lindbergh's pioneering flight and then in 1932 flying solo. Like her contemporaries Amy Johnson and Beryl Markham she was featured in all the fashionable magazines of the day as a symbol of the new independent woman. The list of records Amelia established reads like a catalogue of aviation history and includes the first flights from Hawaii to California and from California to Mexico. In 1937 she attempted with a copilot, Frederick J. Noonan, to fly around the…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
If you try to learn about the cultural history of the sacred female cross-culturally, you are likely to encounter the attitude in our patriarchal society that Goddesses couldn’t really have been widespread or ever been very important. A handy refutation can be found in this book, which contains information on over 11,000 Goddesses, nymphs, spirits, and deified women around the world. Grouped according to geographic regions, each entry gives you not only the translation of the Goddess’s name but also her story. That is, it’s a biographical dictionary because it gives the characteristics and the mythology associated with each Goddess. If you read through the entries for any one region, you will become immersed in a deeply poetic sense of the resonant cultural history underlying later developments.
This biographical dictionary contains 11,500 entries for goddesses from around the world and throughout time. Each entry contains area location, associated attributes, and a brief description. Many entries also contain brief retellings of the main myth pertaining to that goddess. This book is intended for religion students and scholars; those interested in New Age.
I have been a spiritual seeker my entire life, drawn to the mysteries of life, the nature of the soul, the afterlife, intuitive knowing, higher consciousness, and psycho-spiritual transformation. Besides the numerous personal teachers who have enriched my path, personal/ spiritual growth books have been a powerful guide and inspiration. In my coaching practice “Touch The Soul”, I continually draw on my own 70 plus years of acquired elder wisdom as well as the wisdom of so many who have come before me, writers and wayshowers of expansive spirituality.I am grateful to share a few books which may enlighten and deepen your own spiritual journey.
What does it mean to become “a juicy crone”? Expanded mystical, intellectual, intuitive, and meditative wisdom as well as healing laughter, outrage, and compassion are all available to the elder woman in the goddess archetypes present in her psyche. I love the comprehensive and empowering recognition of the beautiful, priceless inner gifts possible in a woman's rebirthing after the age of 50.
From the bestselling author of Goddesses in Everywoman comes a celebration of life past fifty.
At some point after fifty, every woman crosses a threshold into the third phase of her life. As she enters this uncharted territory she can choose to mourn what has gone before, or she can embrace the juicy-crone years.
In this celebration of Act Three, Jean Shinoda Bolen, Jungian analyst and bestselling author of Goddesses in Everywoman, names the powerful new energies and goddess archetypes of compassion, outrage, healing laughter, and new layers of wisdom that come into the psyche at this momentous time. Bolen…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
With The Goddess Path the late Patricia Monaghan, author of The New Book of Goddesses and Heroines, bequeathed a well-designed and deeply wise pathway into spiritual engagement. She begins in “Basics of Goddess Spirituality” by answering commonly heard questions, then presents “Frameworks for Goddess Imagery” and “The Goddess Year” of rituals. The rest of the book is “The Goddess Revealed”: a chapter on each of twenty Goddesses, presenting her historical or traditional invocation, her myth and meaning, her symbols, and her feasts. At that point, Patricia Monaghan presents suggestions for invoking each Goddess through the reader’s personal ritual. Here she wisely speaks of the dynamics of women’s lives in modern culture and the power of this spiritual practice, flowing from extremely ancient roots into the presence of 21st-century women.
In this text, Patricia Monaghan, offers a creative approach to worship, one in which the reader can develop and ritualize their own connection to the goddess' manifestations around the world.
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private…
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.
While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely…
