Here are 100 books that Defending the Motherland fans have personally recommended if you like
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Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
There are several fascinating memoirs by ATA pilots including those by Diana Barnato Walker and the fittingly named Nancy Bird, but I was lucky enough to know Mary Ellis so her words speak most directly to me. A life recounted in sensible tones, reading this book it is easy to imagine you are settled into an armchair across from Mary, while at the same time realising that she would be much more comfortable in the cockpit of a Spitfire. By the end of the war she had delivered 400 Spitfires and flown 72 different types of aircraft. ‘Who needs love’, Ellis wrote, ‘when there is the ultimate thrill of speed, the sky, and the orgasmic experience of piloting the best fighter aircraft in the world?’ Enough said.
We visualise dashing and daring young men as the epitome of the pilots of the Second World War, yet amongst that elite corps was one person who flew no less than 400 Spitfires and seventy-six different types of aircraft and that person was Mary Wilkins.
Her story is one of the most remarkable and endearing of the war, as this young woman, serving as a ferry pilot with the Air Transport Auxiliary, transported aircraft for the RAF, including fast fighter planes and huge four-engine bombers. On one occasion Mary delivered a Wellington bomber to an airfield, and as she climbed…
My wife is a beautiful, intelligent, and determined woman. She took up rock climbing in her forties. She rides a motorcycle on and off-road. She scuba dives with sharks, she’s jumped out of an airplane, and she strapped crampons on her feet when I said we’re climbing a snow-covered mountain. One of my best friends in the world is from Finland. Typical of Finns, and Scandinavians in general, he has a dry wit and keen observations and thoughts which he delivers matter-of-factly in few words. Combining these two with a sprinkling of my own imagination produced Nora Sommer.
I have an obsession with WWII, submarines of the era, and especially the Battle of Britain. As women in dangerous and often traditionally masculine roles also appeal, it makes sense that true stories of these gallant pilots are right in my wheelhouse. Or cockpit…
During the war, female pilots were recruited to ferry planes for the Air Transport Auxiliary to RAF bases, freeing up male combat pilots.
Unarmed, without instruments or radios, the women often flew over the hostile skies of southern England in new or repaired aircraft, flight testing them on the way. Navigation was done by compass headings and visual references on the ground.
This book does a wonderful job of shining a light on the relatively small group of brave souls who did their part during dark times.
The story of the unsung heroines who flew the newest, fastest, aeroplanes in World War II - mostly in southern England where the RAF was desperately short of pilots.
Why would the well-bred daughter of a New England factory-owner brave the U-boat blockades of the North Atlantic in the bitter winter of 1941? What made a South African diamond heiress give up her life of house parties and London balls to spend the war in a freezing barracks on the Solent? And why did young Margaret Frost start lying to her father during the Battle of Britain?
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
There are several good biographies of Earhart by Mary S. Lovell and others, but worth also looking at is this compilation of the letters, diary entries and charts that Earhart sent back to her husband, bringing a striking immediacy to her final flight.
Amelia Earhart was twice the first woman to cross the Atlantic by air: initially in 1928 as a passenger just a year after Lindbergh's pioneering flight and then in 1932 flying solo. Like her contemporaries Amy Johnson and Beryl Markham she was featured in all the fashionable magazines of the day as a symbol of the new independent woman. The list of records Amelia established reads like a catalogue of aviation history and includes the first flights from Hawaii to California and from California to Mexico. In 1937 she attempted with a copilot, Frederick J. Noonan, to fly around the…
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
This is a left-of-field choice, but when thinking about female fliers it is worth remembering the cultural baggage they inevitably carry with them. Historically, female flight whether by broom, wing, mental transcendence or in the cockpit of a Spitfire, has threatened the patriarchy while liberating women. Even today, ‘flighty’ women are still considered in negative terms. This book explores the power and prejudice around aerial females.
From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike;…
I work in aviation, so it was natural to write about it when I started as a freelance writer. But I quickly realized that writing about aviation people is much more interesting than writing about airplanes. Because of my military background I found myself writing veterans’ stories. I’ve uncovered many stories that have never been told or have been forgotten over the years. And because I was in the Air Force in the 1980s and 1990s, I knew the events in my new book had never been told. During my research, I found more books with hidden histories and rediscovered some I read decades ago. This list is my favorites.
I originally read this book when it came out in 1990. It is about a group of young women in the Soviet Union who flew as combat pilots during World War II.
With U.S. women still prohibited from flying in combat in 1990, I was thrilled that women had already proven themselves in combat a half-century earlier. The “Night Witches” flew mostly at night, and their bombs relentlessly terrorized German ground forces invading the Russian homeland.
Many of the women were designated as aces for shooting down at least five enemy aircraft, and others were awarded the Hero of the Soviet Union.
Although the book has been criticized in recent years for not being entirely factual, it is still a great read about these courageous women.
In 1941 as the Nazi hordes swept eastward into the Soviet Union, the desperate call went out for women to join the Russian air force. Women responded and flew incessant bombing runs; the Germans, who came to dread them, called them 'night witches'.
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
I was utterly engrossed by this amazing collection of Red Army women’s recollections, awed by the way they fought against enemy troops as well as misogynists and rapists in their own ranks.
These women were some of the toughest on the planet. They were not given proper uniforms until late in the war; they had the least training and often flew or fought in the most dangerous missions. I breathlessly read about their daring and bravery and became consumed with rage when I read about how their war service became tainted after the war.
Smeared as promiscuous because of their life at the front, many decorated heroines hid their medals in shame. This is a unique look at PTSD and the trauma of reintegration from the perspective of women warriors.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
I was born on April 22, 1939, just over four months before the start of World War II, and the very first words I can remember reading were a big black headline in August 1945: The War is Over. Ever since, I’ve been fascinated with that war, and about 75 years after it ended, I felt moved to write a book about how it began. Since I hold a PhD in English from Princeton, taught English at Dartmouth for nearly forty years, and I’ve been studying, teaching, and writing about literature for sixty years, I decided to make it a book about literature: the fiction, poetry, and drama inspired by World War II.
Irresistibly clear and readable, this book explains the biggest mistake that France and Britain made before war broke out. Gripped by “ideological anti-Communism,” they simply could not bring themselves to forge an alliance with the Soviet Union against Hitler’s Germany. As a result, Hitler beat them to the punch. After he struck his own deal with Stalin and thus neutralized any Soviet threat to his belligerence, Germany and the Soviets carved up Poland between them. And even though Britain and France had pledged to defend Poland, the only thing they did for that poor, brave nation after Hitler invaded it was to declare war on Germany—and then do nothing for the next seven months of what came to be known as the “joke war.”
At a crucial point in the twentieth century, as Nazi Germany prepared for war, negotiations between Britain, France, and the Soviet Union became the last chance to halt Hitler's aggression. Incredibly, the French and British governments dallied, talks failed, and in August 1939 the Soviet Union signed a nonaggression pact with Germany. Michael Carley's gripping account of these negotiations is not a pretty story. It is about the failures of appeasement and collective security in Europe. It is about moral depravity and blindness, about villains and cowards, and about heroes who stood against the intellectual and popular tides of their…
I'm the author of four literary biographies and of one in progress. My current project is a concise interpretive biography of Ayn Rand, commissioned by Yale University Press, Jewish Lives. Among the best known and most divisive twentieth-century writers, the author of The Fountainhead and Atlas Shrugged remains the subject of fascination. I began my career as a journalist in Moscow. Before turning to literary biography I lectured in Russian literature and history in Canada. My essays and reviews have appeared in The Wall Street Journal, Huffington Post, Literary Hub, Tablet Magazine, National Post, and other newspapers and outlets.
Grigory Baklanov (born Grigory Friedman) belonged to the generation of soldiers that faced the full brunt of the German attack on the Soviet Union and of whom only 3% survived.Forever Nineteen (trans. Antonina Bouis) is a tribute to the men who remained forever young; as the author elucidates in the introduction to the novel’s American edition, “I wanted them to come alive when I wrote this book, I wanted people living now to care about them as friends, as family, as brothers.” Baklanov had attained international renown with his 1959 novel The Foothold[An Inch of Land], which appeared in 36 countries. His portrayal of the war is more personal than Grossman’s and has a different angle: rather than depicting famous battles, he is concerned with ordinary soldiers’ lives, which can be cut short at any moment. (Disclosure: Grigory Baklanov is my father.)
The story of a nineteen-year-old lieutenant in the Russian army tells of an "ordinary" man whose bravery and dedication helped save the Soviet Union from German rule in World War II, and describes the rugged and bitter battle he fought
I visited Moscow for the first time in 1964. The Cold War was in full swing. I was still at school, learning beginners' Russian. I returned a few years later as a graduate student. By this point I was hopelessly infected with an incurable and progressive disease: curiosity about the Soviet Union under communism. I was full of questions, many of which could not be answered for decades, until communist rule collapsed. Becoming a professional scholar, I spent the next half-century studying the history, economics, and politics of communist societies. The biggest obstacle was always secrecy, so it seems fitting that the system of secrecy is the topic of my most recent book.
This is one of two books I kept by my bedside during my three years as head of an academic department.
It taught me how building a network of peers and a loyal team of subordinates are keys to survival under a suspicious boss. Berliner based his work on hundreds of interviews of managers who left the Soviet Union before, during, and after World War II. From a scholarly point of view, the book contains astonishing detail and insights from the inside of the Soviet system in its most secretive and repressive period.
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
It was because of Proust that I came to learn of the existence of the Polish painter and writer Józef Czapski. While a prisoner of war in the dark heart of Soviet Russia during the Second World War, this singular, cosmopolitan spirit devised a series of lectures on Proust and In Search of Lost Time as a vital counterpoint to the grim surroundings he and his fellow prisoners were forced to endure, offering them a context for addressing their lives and their bleak fates. Freezing, nearly starving, lice-ridden, Czapski mapped out Proust’s cosmology in several pages of his journal that served to fuel his talks. Scheherazade-like, night after night, he slowly revealed the already-legendary French novelist’s complex world of ideas and characters, giving voice to the life-enhancing magic great art bestows.
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II.
During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality,…
