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Ivan's War.
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I grew up in West Michigan, with a deep interest in American history, politics, and birds. Since boyhood I’ve wanted to learn the life story of my great-great uncle, Senator George P. McLean, who is credited with leading passage of the 1918 Migratory Bird Treaty Act. The MBTA represents a turning point in how the world views and now protects birds and the environment generally. Drawing upon my love of history, my degree in political science from the University of Michigan and a master's degree in Archives Administration, I spent over a year researching McLean’s life story. Thus began my four-year research and writing journey culminating in A Connecticut Yankee Goes to Washington.
This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981.
It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.
Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.
This was a brutish, primitive hatred, as characteristic of the horror of war in the Pacific as the palm trees and the islands...
Landing on the beach at Peleliu in 1944 as a twenty-year-old new recruit to the US Marines, Eugene Sledge can only try desperately to survive. At Peleliu and Okinawa - two of the fiercest and filthiest Pacific battles of WWII - he witnesses the dehumanising brutality displayed by both sides and the animal hatred that each soldier has for his enemy.
During temporary lapses in the fighting, conditions on…
As soon as I could read, my dad introduced me to the science fiction greats like Bradbury and Asimov. From there, I branched out to comics and fantasy. However, the tales that connected to me always had one thing in common: relatable characters. Whether it was the musing of Bradbury’s protagonists or the Hulk’s desire to be left alone, they all resonated with me personally. As a science fiction and fantasy author, it’s my job to make that same connection. Instead of escaping into imaginary realms, I have to figure out how to better observe the real world so I can tell better stories.
This book took me on a journey with a group of unlikely heroes, starting with their decision to enlist to fight in the war, following them through their training as paratroopers, and ending the conflict. Like many World War II veterans, they were volunteers. But the anticipation leading up to D-Day and the hell they went through in the woods of Bastogne was more than anyone could have ever expected.
Few histories of World War II hit me as hard as this one. As a child of the 1960s and 1970s, the war has always fascinated me. I’d read about the strategy, the epic battles, and the atrocities committed by the Axis Powers, but I’ve returned to this book many times over the past thirty years.
They fought on Utah Beach, in Arnhem, Bastogne, the Bulge; they spearheaded the Rhine offensive and took possession of Hitler's Eagle's Nest in Berchtesgaden. Easy Company, 506th Airborne Division, U.S. Army, was as good a rifle company as any in the world. From their rigorous training in Georgia in 1942 to D-Day and victory, Ambrose tells the story of this remarkable company, which kept getting the tough assignments. Easy Company was responsible for everything from parachuting into France early D-Day morning to the capture of Hitler's Eagle's Nest at Berchtesgaden. BAND OF BROTHERS is the account of the men of…
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
I was utterly engrossed by this amazing collection of Red Army women’s recollections, awed by the way they fought against enemy troops as well as misogynists and rapists in their own ranks.
These women were some of the toughest on the planet. They were not given proper uniforms until late in the war; they had the least training and often flew or fought in the most dangerous missions. I breathlessly read about their daring and bravery and became consumed with rage when I read about how their war service became tainted after the war.
Smeared as promiscuous because of their life at the front, many decorated heroines hid their medals in shame. This is a unique look at PTSD and the trauma of reintegration from the perspective of women warriors.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
Grossman consciously attempted to write the War and Peace of the Second World War, and in this panoramic masterpiece, he pulled it off. Like War and Peace, the book focuses both on the travails of a single family and the broader sweep of history, as we witness events from the perspective of persecuted Jewish scientists, soldiers (both Soviet and German), partisans, peasants, and generals.
This is an intensely personal work – Grossman covered the battle of Stalingrad for the Soviet press and knew his subject matter firsthand. Writing it was also an extremely courageous act. The KGB confiscated the manuscript and Grossman never lived to see the book published.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
No book has given me a clearer, more visceral sense of what it was like to be in the Red Army than this book. It reminds me of my favorite war story—Tim O’Brien’s The Things They Carried—Schechter dives into the objects (spoons, weapons, letters, trinkets, tools) that Red Army soldiers carried to give you a sense of their gritty, everyday reality—how they ate, slept, fought, joked, and what it felt like to be in their bodies as they moved through the killing fields of eastern Europe.
The Stuff of Soldiers uses everyday objects to tell the story of the Great Patriotic War as never before. Brandon Schechter attends to a diverse array of things-from spoons to tanks-to show how a wide array of citizens became soldiers, and how the provisioning of material goods separated soldiers from civilians.
Through a fascinating examination of leaflets, proclamations, newspapers, manuals, letters to and from the front, diaries, and interviews, The Stuff of Soldiers reveals how the use of everyday items made it possible to wage war. The dazzling range of documents showcases ethnic diversity, women's particular problems at the front,…
Francine Hirsch is Vilas Distinguished Achievement Professor of History at the University of Wisconsin-Madison, where she teaches courses on Soviet History, Modern European History, and the History of Human Rights. She spent fifteen years researching and writing about the Soviet Union’s experience in World War II and the role that it played in the Nuremberg Trials. Her recently published Soviet Judgment at Nuremberg was awarded the 2021 Certificate of Merit for a Preeminent Contribution to Creative Scholarship from the American Society of International Law.
This vivid history of the Soviet Union at war by BBC journalist Alexander Werth is worth picking up for the Stalingrad chapters alone. In January 1943, Werth set out by train from Moscow to Stalingrad with a small group of correspondents. His conversations with Russian soldiers, officers, nurses, and railwaymen about the fighting, the Germans, and the Soviet defense of the city are woven into these chapters and make for extremely engaging reading.
In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.
As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations,…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
This book is probably the first scholarly book that blew my mind and pushed me to want to know what else I had always gotten wrong.
Where, like most people I know, I had always thought that the Japanese bombing of Pearl Harbor was just a thing that happened because of “war,” this book made it clear why it happened.
The US and Japan, both diplomats and everyday people, did not choose to understand each other. Different world views, different assumptions, and plain old racism led the US and Japan into a horrific, bloody conflict with long-lasting consequences.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.”
In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.”
Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
I am a professor of Russian history at Carnegie Mellon University.I have visited Russia many times and spent years working in Russian archives. I am keenly aware of the impact World War II and the Nazis had on the country: a loss of 26-7 million people, wide-scale suffering, mass murder of civilians, and destruction of cities, towns, and villages. The majority of German divisions were concentrated on the eastern front, and it was here the Red Army broke the back of the Wehrmacht. Yet because of divisions created by the Cold War, Americans are taught little about the central role the Soviet Union played in this victory. As a historian, I am strongly committed to bringing the full story of the war to light.
Why are soldiers willing to fight and die, often despite horrific odds, for a cause? And why do whole armies fall apart under less difficult conditions? The Red Army, which lost millions of men and suffered massive encirclements by the Wehrmacht provides the perfect case study of these questions. After months of retreat, the Red Army turned the tide at Stalingrad and drove the Nazis back to Berlin.
Reese’s careful research and balanced conclusions note that morale and motivation fluctuated depending on soldiers’ nationality, social group, and personal circumstances. Many were deeply motivated by Soviet patriotism, which was sometimes, but not always coincident, with socialist ideals and support for Stalin. The army quickly proved that despite catastrophic losses of people and equipment, it could regroup and deliver victory. Its successes were tied in no small measure to the efforts the Soviet state poured into creating strong morale and motivation. Credit,…
Inept leadership, inefficient campaigning, and enormous losses would seem to spell military disaster. Yet despite these factors, the Soviet Union won its war against Nazi Germany thanks to what Roger Reese calls its "military effectiveness": its ability to put troops in the field even after previous forces had been decimated. Reese probes the human dimension of the Red Army in World War II through a close analysis of soldiers' experiences and attitudes concerning mobilization, motivation, and morale. In doing so, he illuminates the Soviets' remarkable ability to recruit and retain soldiers, revealing why so many were willing to fight in…
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
The Eastern Front has not always attracted the most readable scholarship, while two of the major works by British writers are by those who cannot read Russian. Hill is a welcome relief. His scholarship is impeccable and his book is readable. An important contribution.
In a definitive new account of the Soviet Union at war, Alexander Hill charts the development, successes and failures of the Red Army from the industrialisation of the Soviet Union in the late 1920s through to the end of the Great Patriotic War in May 1945. Setting military strategy and operations within a broader context that includes national mobilisation on a staggering scale, the book presents a comprehensive account of the origins and course of the war from the perspective of this key Allied power. Drawing on the latest archival research and a wealth of eyewitness testimony, Hill portrays the…
