100 books like Dark Age

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.  

O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.

The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.

I read this book shortly after returning home from Iraq and remained haunted for months. Despite the novel being a work of fiction, it details the modern veteran's struggle to find his place in society and his unadulterated embrace of violence and camaraderie that permeates each corner of his life. Powers’ explanation of combat is similar to the suspended moment before a car crash is told in prose that sings, and probably why he won the PEN/Hemingway Award for this work of art. 

I was still a child when the Vietnam War ended, but for some reason, I always felt it was my war. It’s what I read about; it filed the movies I watched in high school. It was the war we trained for when I joined the Marines.

Marlantes arrived in Vietnam about the time I was born. Like the three preceding it, his memoir was written with a great deal of time for reflection. I feel that this interval between the action and the recounting of it adds a level of complexity to remembrances of a very harrowing time.

Stallings was there, on the frontlines, fighting. He was wounded, lost a leg. He received the Croix de Guerre from the French government and the Silver Star and Purple Heart from his government. Reading his book, you’re right there with the first Americans landing in France and then following them and those who came after right up until the armistice on November 11, 1918. He also published an award-winning photographic history of the war, wrote a novel about his experiences and, in 1924, with playwright Maxwell Anderson, co-wrote the famous play that twice was turned into a movie, “What Price Glory.” If you want to know what World War I was like for America, it’s well worth the read.

I was especially interested in the Great Depression years of this biography. Joe Dew graduated from Redfield, Iowa, two years after my mother graduated from the neighboring rival town of Dexter. Joe Dew’s father was a blacksmith, which was needed less and less during those times. Joe needed to find work. He had such drive and determination to find work, even eventually following the sweep of wheat harvesting from Texas and into the Pacific Northwest.

During Joe Dew's WWII years, he survived the Battle of the Bulge as a tank commander--with a Purple Heart, a Bronze Star, and a Distinguished Service Cross. The G.I. Bill enabled him to finish college in Ames, Iowa, then enjoy a career with General Motors.

I love books that inspire me and remind me that there is a way to overcome every hardship, if we will just keep our heads up and make the right choices. Tess Wakefield makes me remember too, that no matter what, there is always someone who will want to help, in the best way they know how. Her main characters, Cassie and Luke, do all the right things for all the wrong reasons, or maybe all the wrong things, for all the right reasons. They do suffer the consequences of those choices, but they learn a lot about themselves along the way. My favorite thing about Purple Hearts is how it teaches us that life is short and that we shouldn’t live with regrets. 

Written in Soviet Russia in 1972, but only published in 1989, this is the story of a bizarre experimental city populated by strangers from all over the last century. All have made a deal with mysterious mentors who are trying to find out…something, by subjecting the city’s inhabitants to apparently arbitrary torments like plagues of baboons. Our hero, Andrei, tries to take it in stride like a good Soviet boy, but finds himself increasingly doubtful as the conditions of the experiment just get weirder and weirder. The humor and situations are very Russian while the emotions will be familiar to anyone dealing with seemingly incoherent orders from above. Reading it at the height of the pandemic was certainly a trip.

I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching.
The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.

Some dystopian books show futures that aren’t relatable or believable at all. The whole story is a great mix of genres – not just dystopian but also sci-fi, thriller, and it reads like a crime novel with mobsters.  The reachers themselves are telepathic/telekinetic and add a unique dimension to a story that otherwise could fit in with a non-fantasy setting. The world-building in this book is so effective exactly because it feels real. I was sucked in and sympathetic toward the reachers because you can easily put many different peoples in their place today, and the political and social aspects of the story feel frighteningly possible.