Fans pick 100 books like The Doomed City

It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic. 

I’ve always loved Hong Kong New Wave movies, but they often emphasize action and flashy melodrama over historical context. For someone wanting to dig a little deeper, the graphic novel Boxers & Saints is a look into the parallel lives of two Chinese teenagers during the Boxer Rebellion—One is a red-blooded patriot eager to fight Western invaders. The other is a troubled girl who finds liberation in Christianity. Both characters are carried along, motivated, and then betrayed by fanaticism. When their paths cross, they are forced to learn the difference between religious faith and religious mania. The simple artwork isn’t meant to be lingered over…I read all 512 pages at breakneck speed.

If the other books on my list are about disillusionment, Asterios Polyp provides a good counterpoint as its message runs in the opposite direction. Sometimes people are better than you think. Asterios is an obnoxious architect whose worldview starts with the assumption that everyone else is wrong. After a series of crises (thrown out by wife, apartment fire) he has to flee the city and rent a room in the home of a rightwing redneck married to a hippie, just the sort of people he would never associate with by choice. He learns humility and goes about fixing his life. It’s all pretty predictable but the mix of elegantly cartoonish art and funny storytelling kept me engaged (even when I wanted to smack the hero.)

With an equal mix of strangeness and enigmatic philosophies, this short novel barely sold a hundred copies when it was first published in 1920, but has since been recognized as a unique work by noted critic Colin Wilson. Once you’ve read it, you’ll find it both hard to categorize and understand, but it sticks to you like the remnants of a drugged-out fever dream. 

The story of a mysterious man named Maskull, who travels to a planet called Tormance, a world both wondrous and strange. Even though it’s written as a travelogue, the sheer originality invokes an atmosphere of hidden, yet unattainable knowledge for both the protagonist and the reader. The abrupt ending itself neither answers anything nor brings the story to a conclusion, and it’s an experience you won’t soon forget.

A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.

I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns. 

Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.

Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into… show more.

I have always been fascinated by Russian authors because of their command of presenting human nature and its fears. I picked up this book because the author is from Russia.

Yevgeny wrote this novel at the height of the  Russian Revolution in the aftermath of the First World War. He projected a society in a distant future, fearing that complete control of the state would turn us into monotonous machines. Anyone daring to be different would be eliminated to ensure compliance and similarity.

My only reservation is that the book borders on science fiction rather than historical fiction.

Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.

Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.

Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.

This is a new dystopian matriarchal novel, first in a series, that I’ve just discovered. Interestingly, it’s been described as the opposite of The Handmaid’s Tale.

The story is of a female-controlled society in which men are kept imprisoned and used as breeders. Neen, a female scientist who is interviewing men for their potential as sperm donors, begins to question the status quo when some of the men she meets don’t fit her preconceptions.

I was attracted to the book because its story is comparable to my book, but the tone and world-building are completely different. I loved the plot twists and the focus on ethical dilemmas.

The Choosing is close to my heart because it highlights how the lowest in society, the outcasts, the unchosen, are chosen by God. The main character’s ongoing battle to see her worth struck a chord with me when I first read it as a teen struggling with my identity.

The overarching theme of this book is that when the world says you are worthless, God says you are priceless. The intriguing plot reeled me in from the first chapter, and the characters were so well fleshed out that I wished I could befriend them in person.

The Choosing is a beautifully crafted YA Christian dystopia, and finishing the book made me feel like I was saying goodbye to family.

This is my favourite series by Michael Robertson; its world-building is so real that it’s scary because this dystopian world could really exist. The world has its defined structure and the characters within it are believable, even if not all likable. It’s a complex series and yet is simple in its reading; compelling at the very least.