Here are 93 books that City of Quartz fans have personally recommended if you like
City of Quartz.
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I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
Even prior to reading this book, I casually considered Alexander von Humboldt to be one of my geographical heroes, a workaholic as addicted to adventure as he was obsessed with advancing our understanding of the planet.
However, Wulf’s book opened my eyes not only to the sheer extent of his contributions to how we view the world, from human-induced climate change to the development of increasingly accurate and informative maps and diagrams but also to his cultural and political significance, influencing politicians and inspiring poets to continue fashioning and representing the planet as they see fit.
In placing the founder of ecology and modern environmentalism centre-stage, this engaging biography extols Humboldt’s revolutionary understanding of how the natural and human worlds are interconnected and helps us appreciate how our relationship with the planet can be scientific and emotional simultaneously.
WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2016
'A thrilling adventure story' Bill Bryson
'Dazzling' Literary Review
'Brilliant' Sunday Express
'Extraordinary and gripping' New Scientist
'A superb biography' The Economist
'An exhilarating armchair voyage' GILES MILTON, Mail on Sunday
Alexander von Humboldt (1769-1859) is the great lost scientist - more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon.
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
This book really got to me because it offers a rich and quixotic history of walking that encompasses the Romantics, the French flaneurs, and a host of other wanderers. In her chapter on San Francisco, Solnit re-maps the space of her home city in a way that outlines her own rediscovery and gave me new eyes to see a place that I love.
A passionate, thought provoking exploration of walking as a political and cultural activity, from the author of the memoir Recollections of My Nonexistence
Drawing together many histories--of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores--Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most…
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
How often do we consider the people behind the objects we use every day?
This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.
While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.
This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important…
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China.
China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta.
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
I loved how this book reads like a thriller—a David and Goliath thriller—in which a lowly clockmaker competed against the foremost scientists of his era and won—and even after he had won, he had to fight dastardly efforts by the elites of his day to deprive him of his prize and hard-earned fame.
The book spoke to my fascination with how things get made and why craftsmanship is important. But it also spoke to my concern with class and how those in power can rig things to their benefit, with, in this case, the happy result that good triumphed over evil.
The dramatic human story of an epic scientific quest and of one man's forty-year obsession to find a solution to the thorniest scientific dilemma of the day--"the longitude problem."
Anyone alive in the eighteenth century would have known that "the longitude problem" was the thorniest scientific dilemma of the day-and had been for centuries. Lacking the ability to measure their longitude, sailors throughout the great ages of exploration had been literally lost at sea as soon as they lost sight of land. Thousands of lives and the increasing fortunes of nations hung on a resolution. One man, John Harrison, in…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.
Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.
It’s a book full of surprises and provocative ideas.
Provocateurs Will Self and Ralph Steadman join forces in this post-millennial meditation on the vexed relationship between psyche and place in a globalised world, bringing together for the first time the very best of their 'Psychogeography' columns for the Independent.
The introduction, 'Walking to New York', is both a prelude to the verbal and visual essays that make up this extraordinary collaboration, and a revealing exploration of the split in Self's Jewish-American-British psyche and its relationship to the political geography of the post-9/11 world.
Ranging from the Scottish Highlands to Istanbul and from Morocco to Ohio, Will Self's engaging and…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.
This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself.
The Sweeping Novel of a Twentieth-Century California Life
Love and War in California tells the story, through the eyes of Payton Daltrey, of the last sixty years of an evolving America. The award-winning author Oakley Hall begins his newest work in 1940s San Diego, where his endearing, wide-eyed narrator must define his identity in terms of self, family, and World War II. As his classmates disappear into the war one by one, he becomes obsessed with abuses of power and embroiled with the charming, dangerous Errol Flynn; with the Red Baiting of the American Legion; with the House Un-American Activities…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
I regard this book as the quintessence of a modern geography trade book, a work that compels us to examine the places around us with an increasingly critical eye.
Drawing on current geographical thinking and a rich assortment of case studies from across the globe, Bonnett demonstrates why place matters: it is how we apply meaning to the world. Accordingly, to be placeless—whether through dispossession or demolition on the ground or deletion from the map—is tantamount to not existing at all.
Part of what makes this book such a captivating read is its attention to such concerns. Our relationship with the world may be quite innocuous, characterised by innocent curiosity and a craving for excitement, but it can also assume an ugly side, where people seek to seize places only for themselves. Ultimately, what we make of the planet, mundane and remarkable all at once,…
'A fizzingly entertaining and enlightening book' Daily Telegraph
'Mesmerising' Geographical Magazine
'A fascinating delve into uncharted, forgotten lost places. But it's not just a trivia-tastic anthology of remote destinations but a nifty piece of psycho-geography, explaining our human need for these cartographical conundrums.' Wanderlust
In a world of Google Earth, in which it is easy to believe that every discovery has been made and every adventure already had, Off the Map is a stunning testament to how mysterious our planet still is.
From forgotten enclaves to floating islands, from hidden villages to New York gutter spaces, Off the Map charts…
I have been fascinated by cities—in all their glorious, polyglot, and all-too-human complexity—for more than 25 years. I’m a writer, community planner, and urban revitalization consultant who works to activate the potential of distressed places, and create strategies that support social, ecological, and economic vitality. Exploring the often overlooked ways we’ve unbuilt our cities has helped me see their powerful potential.
Great writing on cities is rarer than it should be. The late Mike Davis, using Los Angeles as his muse, showed me—and so many others—new ways of thinking about cities through his vividly and passionately argued prose. Weaving together strands of architecture, urban history, social justice, and ecology, Davis has inspired me like no other author to examine cities critically, from unexpected perspectives and with a fierce point of view. Underlying his outrage at the injustices of the unravelling metropolis is a mordant sense of humor—making him an unbeatable guide as we all ride shotgun through desperate times.
'Courageously broad in its scope, City of Quartz changes intellectual gear - from history to sociology to urban theory - often with consummate ease, and fits its diverse threads together in a sort of 'history noir' as gripping as any Chandler. ' Listener.
In this taut and compulsive exploration, Mike Davis recounts the story of Los Angeles with passion, wit and an acute eye for the absurd, the unjust and, often the dangerous. He tells a lurid tale of greed, manipulation, power and prejudice that has made Los Angeles one of the most cosmopolitan and most class-divided cities in the…
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.
The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.
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