89 books like City of Quartz

Do you remember watching the news during the pandemic, when you could see everybody’s bookcases for the first time? 

There’s a reason that everyone kept noticing this book over and over and again. First, it’s really long, which means it’s thick and the spine is very recognizable. More importantly, most people read it because of what Caro has to say about the nature of political power.

It’s a biography of Robert Moses, who held multiple state and local positions that allowed him to build most of the infrastructure in and around New York City during the mid-twentieth century: highways, bridges, parks, etc.

I love it because it explains why New York City is the way it is. The chapter on the Cross Bronx Expressway may be the best piece of urban history ever written.

It seems like a bit of a long title for a New York Times Bestseller but I promise this book is educational, entertaining, and worth every second. Sullivan spent a year observing a rat-infested alley, and came away with a better understanding of our least-favorite rodents, as well as the many people who spend their lives trying to keep rats and humans apart. At first it might seem weird to sit outside and watch the rats every night, but by the end, you can’t imagine doing anything else.

Little can match the raw power of urban photographer Camilo José Vergara’s images of our culture’s collective built fabric unraveling in plain sight. For more than four decades, Vergara has borne witness, in Detroit, in Newark, in Camden—in some of the most forgotten communities in America—to the devastating physical impacts of social, political, and economic forces gone relentlessly awry. In these chronicles marked by unassumingly brave, first-person pilgrimages to decaying mansions and among toppled public housing towers, Vergara helped me see what kind of mettle it truly takes to get the story straight.

During the aftermath of September 11, 2001, when I was working on my own book and the motif of demolition was suddenly inescapable, this modest children’s book was published. In lovely gouache, Maira Kalman encapsulates the story of the salvaged fireboat John J. Harvey and its heroic journey on that dark day. As I struggled to make sense of a world falling apart, this book was a breath of fresh air. Kalman shows how to meld urban history and tragedy in a tale told with supreme deftness and charm that ennobles, no matter your age. Above all, her volume stands as a hopeful tribute to the power of collective human action, against all odds, to turn the tide.

A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.

I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns. 

Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.

Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into… show more.

“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.

This is a personal favourite as it’s the Ellroy novel that carries the biggest emotional punch. Although it didn’t match the sales of its predecessor The Black Dahlia, The Big Nowhere is a more accomplished novel. The setting is LA, 1950. A murder plot is interweaved with the politics of the Red Scare, and a Hollywood milieu at the height of the film noir age. This is the novel that proved Ellroy was a literary writer, and not just a genre one.

This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.

What can you say about the book that kicked off a whole new genre?

Widely regarded as the first ‘cyberpunk’ novel, reading Virtual Light today is beyond eery. It takes place in the dystopian future year of 2006 (the book was written in 1994) and is set in San Francisco during a time when the middle class has disappeared and the only people left are either disgustingly rich or living on the street. And as I look around at what San Francisco, and many other cities have become, it makes me think that Gibson might be the Cassandra of the modern world. 

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.