Here are 100 books that Dark Actors fans have personally recommended if you like
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What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
C. J. Sansom, a historian, died just recently, but he’s left a legacy of historical crime novels based around the time of Henry VIII. The main character is a charismatic, hunchbacked lawyer called Matthew Shardlake.
If, like me, you like books with strong characters, then, together with Sansom’s skill at weaving in the sights, sounds, smells, political shenanigans, and countless characters of Tudor England, Tombland is a fantastic read. It’s a long book (800 pages), so take your time on it, but I think this is historical crime fiction at its best.
Tudor England is brought vividly to life in Tombland, the seventh novel in C. J. Sansom's number one bestselling Shardlake series, for fans of Hilary Mantel and Philippa Gregory.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times 'Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time' - Andrew Taylor, Spectator
The Sunday Times Number One Bestseller
England, 1549: Two years after the death of Henry VIII, England is sliding into chaos . . .
What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
I like books from guys who’ve traveled and been around a while before sitting down to write them. I suppose I’m one, but Graham Greene remains a hero of mine even though he died over twenty years ago. In this book, Greene masterfully creates the atmosphere of dark, damp, smoky post-war side streets in post-war Vienna.
That the criminal element involves a crime syndicate selling diluted penicillin also appeals to me, as I’ve written three novels about fraud and corruption in the pharmaceutical industry.
Green’s book led to a series of films, and this book's signature tune still resonates with me.
Rollo Martins' usual line is the writing of cheap paperback Westerns under the name of Buck Dexter. But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's…
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
Spy novels, especially the British ones, are densely plotted, densely written, densely serious stories full of politics and betrayals…without a smile to be had by the characters or the reader. The only funny ones are satires. But this book is different.
I could enjoy all the pleasures of a spy novel, with all the betrayals and plot twists, and find myself laughing even as I was caught up in the suspense and surprises. If anything, the laughs made the twists more twisty and the tragedies more tragic.
This book revitalized an entire genre for me…by knowing where to find the humor in what was always portrayed as a humorless job in a humorless world.
'To have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels - the heir, in a way, to le Carre - is a terrific thing' Gary Oldman
Slough House is the outpost where disgraced spies are banished to see out the rest of their derailed careers. Known as the 'slow horses' these misfits have committed crimes of drugs and drunkenness, lechery and failure, politics and betrayal while on duty.
In this drab and mildewed office these highly trained spies don't run…
What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
Choosing a Ken Follett book is difficult–there are so many.
Eye of the Needle, a spy thriller, was the book that put Follett at the forefront of thriller writers, and I normally go for books where the main character is a man, but, in this case, I’ve chosen this book. This one is about a gang of disparate women (the Jackdaws) sent to blow up a telephone exchange in France just before D-Day. Flick is the young British secret agent tasked with assembling the team before parachuting into France.
I always aim to write perfectly feasible stories because life is too unpredictable to end with everyone living ‘happily ever after.’ Ken Follett also knows this, which is why this book is not only filled with deep secrets but also ends with tragedy – but I don’t want to spoil it for you!
In his own bestselling tradition of Eye of the Needle and The Key to Rebecca, Ken Follett delivers a breathtaking novel of suspense set in the most dangerous days of World War II.
D-Day is approaching. They don't know where or when, but the Germans know it'll be soon, and for Felicity "Flick" Clariet, the stakes have never been higher. A senior agent in the ranks of the Special Operations Executive (SOE) responsible for sabotage, Flick has survived to become one of Britain's most effective operatives in Northern France. She knows that the Germans' ability to thwart the Allied attack…
Being an Iraq War veteran and former Army officer, I cringe at the prevailing Hollywood cliché that stereotypes everyone that served in Iraq as Special Forces with crazy PTSD or being some broken human being. It’s apparent that popular movies and books on this war were produced without any veteran input, usually done by authors completely unfamiliar with the military and this region. I wrote my book Dodgebombto insert reality into the narrative—that most servicemembers were regular men and women who expertly fought jihadists, rebuilt this country, and tried to instill democratic self-determination while reconciling impossible political and strategic goals that muddled completing the job.
This compelling history of the U.S. Army’s 3rd Infantry Division’s armored spearhead into Baghdad details the coup de main that broke the Saddam’s regime’s grip on Iraq. Rich with exploits of individual soldiers, tank operations, and combat this nonfiction work relates the initial success in the war when victory seemed obtainable in months not years. I thoroughly enjoy this history because it illustrates the early war’s events accurately without politicized narrative and details just how daring and complicated this decisive attack was. If more people read this history, then our society could remember and have a fairer discourse on the Iraq War.
“A Pulitzer Prize–winning reporter provides a brilliant account of the harrowing drive into Baghdad by an American armor brigade.” —Seattle Post-Intelligencer
Based on reporting that was a finalist for the Pulitzer Prize, Thunder Run chronicles one of the boldest gambles in modern military history: the surprise assault on Baghdad by the Spartan Brigade, the Second Brigade of the Third Infantry Division (Mechanized). Three battalions and fewer than a thousand men launched a violent thrust of tanks and Bradley Fighting Vehicles into the heart of a city of five million people—and in three days of bloody combat ended the Iraqi war.…
I'm an award-winning and bestselling author who teaches creative writing to veterans as part of a collaboration between the Department of Defense and the National Endowment for the Arts. I’m also an Air Force brat who grew up around military folk. After traumatic events gave me personal experience with post-traumatic stress disorder, I better understood why veterans don’t talk about their time in war. The books on this list are some of my favorites for capturing the terror of battle and the difficulty of reintegrating into a society that gives little thought to the human cost of war.
This collection of poems by an Iraq war veteran opens a door into the crazy, horrifying world of America’s time in Iraq. I used this book while teaching a section on poetry to combat veterans at the local university. For some of these men and women, the poems offered their first glimpse into the power of verse. Turner showed my students how, through the searing beauty of words made into images, it was possible to capture—and thus contain—the horrors of war. As Turner writes:
This is a language made of blood.
It is made of sand and time.
To be spoken, it must be earned.
A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award.
Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but,…
Jerry
Stahl is an American novelist and screenwriter. His latest release, Nein,
Nein, Nein! One Man’s Tale of Depression, Psychis Torment, and a Bus Tour of
the Holocaust relieves Stahl’s group tour to concentration camps in Poland and
Germany. He has written a number of novels including Perv:
A Love Story, Plainclothes Naked, I, Fatty,
Pain Killers, Bad Sex on Speed, and Happy Mutant
Baby Pills: A Novel. Stahl
got this start publishing short fiction, winning a Pushcart Prize in 1976 for a
story in the Transatlantic Review. His 1995
memoir Permanent Midnight was adapted into a film starring Ben
Stiller as well as the screenplay for Bad Boys II, starring Will
Smith and Martin Lawrence.
Technically the reportage of a Rolling Stone writer embedded with Marines 2002, Evan Wright’s first-person account of young men at war is, in some ways, as much a story of the author’s experience of W’s nation building as it the story of the soldiers themselves. Wright earned the respect of the men he rolled with by riding on point, or in the lead vehicle, where he was sure to take enemy fire. It’s his description of what drove him to face such danger that makes the writer at once relatable and brave: “Partly it was about not losing face. I reverted to like, a twelve-year-old on the playground. I wouldn’t back down. And there were times when I knew we’d be shot at, and I’d fantasize about getting taken out of being embedded. But then I’d make it through and not be injured, and I’d be flooded with this deep…
Based on Evan Wright's National Magazine Award-winning story in Rolling Stone, this is the raw, firsthand account of the 2003 Iraq invasion that inspired the HBO (R) original mini-series.
Within hours of 9/11, America's war on terrorism fell to those like the twenty-three Marines of the First Recon Battalion, the first generation dispatched into open-ended combat since Vietnam. They were a new pop-culture breed of American warrior unrecognizable to their forebears-soldiers raised on hip hop, video games and The Real World. Cocky, brave, headstrong, wary and mostly unprepared for the physical, emotional and moral horrors ahead, the "First Suicide Battalion"…
I’m an OG ATLien (born in Atlanta, Georgia) and served in the US Marine Corps and the US Army. I hold a degree from Kennesaw State University and taught high school social studies from 2004 - 2006, before my military reenlistment which jumpstarted the events in my memoir.
My War is a true story set in 2004 post-invasion Iraq told by a US Army grunt on the bottom of the totem pole.
As a former infantryman near the bottom myself, I could relate to the rollercoaster ride war grunts endure that can go from extreme boredom and amp up to fierce combat in an instance. Buzzell’s language is grunt speak which is unrefined and full of profanity, not for everyone, but it’s the perfect dialect for describing everything from battles to talking trash with other grunts.
I also appreciated that Buzzell guided us through his life as a struggling twentysomething, before joining the army, rather than taking the reader straight to battle. Gen Xers will love \m/.
Colby Buzzell traded a dead-end future for the army-and ended up a machine gunner in Iraq. To make sense of the bloody insanity surrounding him, he started a blog about the war and how it differed from the government's official version. As his blog's popularity grew, Buzzell became the embedded reporter the Army couldn't control-despite its often comical efforts to do so.
The result is an extraordinary narrative, rich with unforgettable scenes: the Iraqi woman crying uncontrollably during a raid on her home; the soldier too afraid to fight; the troops chain-smoking in a guard tower and counting tracer rounds.…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false.
"Essential . . . one for the ages . . . a must read for all who care about presidential power." -The Washington Post
"Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today." -LA Times
One of BookPage's Best Books of 2020
To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naivete, craven groupthink, and a set of actors with idees fixes who gamed the process relentlessly. Everything was believed;…
As a combat Marine, I believe these books honor the brave men who served and died for America. I joined the Marine Corps at 17 years of age after graduating from St. Petersburg High School. I served as a machine gunner with the famed 5th Marine Regiment during the Tet Offensive in Vietnam. I was wounded 3 times by mortar round, grenade, and gunshot. I've written nine books around these subjects as well as an off-Broadway stage play titled The Battle For Nong Son. Many of my books are recommended reading for all newly commissioned officers at The Basic School. I am the recipient of the U.S. Marine Corps Combat Correspondents Association Brigadier General Robert L. Denig Memorial Distinguished Service Award for writing, as well as the Silver Star, 3 Purple Hearts, the Vietnamese Cross of Gallantry with Palm, the Civil Action Combat Medal, and the Marine Combat Ribbon among other decorations.
Major Scott Huesing is a Marine after my own heart. He was once a Lance Corporal and understands the Corps from top to bottom. He was the combat leader for Echo Company, 2nd Battalion, 4th Marines during their bloody battles in the deadliest city of the Iraq War. Reading this book taught an old Marine what the new Corps is like.
Winner of the 2019 Gold Medal Award, Best Military History Memoir, Military Writers Society of America
Ranked in the "Top 10 Military Books of 2018" by Military Times.
"In war, destruction is everywhere. It eats everything around you. Sometimes it eats at you." —Major Scott Huesing, Echo Company Commander
From the winter of 2006 through the spring of 2007, two-hundred-fifty Marines from Echo Company, Second Battalion, Fourth Marine Regiment fought daily in the dangerous, dense city streets of Ramadi, Iraq during the Multi-National Forces Surge ordered by President George W. Bush. The Marines' mission: to kill or capture anti-Iraqi forces.…
