Here are 96 books that Mr. Fox fans have personally recommended if you like
Mr. Fox.
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As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
In choosing a theme for this list, I was very careful to think of one that would allow me to include this book, my favorite haunted house novel of all time. It’s gay; it’s weird; its central mystery is never fully resolved, which may be why it’s stuck with me for years and is one of the few novels I’ve reread more than twice as an adult.
Miranda Silver is neither a classic Gothic heroine nor an ass-kicking Sidney Prescott type, but someone stranger and more opaque. She’s confused and lonely and an unreliable narrator. Her romance with classmate Ore might offer some respite from the terrors of her family’s ancestral home, but it’s not enough to save her.
I love a queer story without a happily ever after. Knowing who you are and who you love doesn’t always make everything turn out okay. Sometimes, it just means you have…
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
My life quest has been to find true magic. Once believing it could only be uncovered in ruins or cathedrals continents away, I ended up discovering it in my own backyard under the Big Sky. When I was young, I read everything science fiction and fantasy to feel like that magic was real and bask in worlds far different from my own. Now, as a professional editor and author based in the West… I still read everything science fiction and fantasy, but now I get paid to do it.
I read this when my son was born, looking for a familiar story in more ways than one. This imported classic European fairy tale has our gunslinging Snow White escaping to the wild west and feels like a new comfort fable… if replacing dark twisted forests for a wind-whipped big sky can be comforting. It’s a story that doesn’t know how to end, or even if it should end—making it another facet to join numerous retellings. The Huntsman becomes a Pinkerton, the dwarves now a band of women on the run, and the Prince a melancholy expression of America’s history where many have no voice. It’s a bit cerebral and reveals heart-wrenching lessons when reflected on current times. Which, I suppose, is the purpose of a fable, right?
A New York Times bestselling author offers a brilliant reinvention of one of the best-known fairy tales of all time with Snow White as a gunslinger in the mythical Wild West.
Forget the dark, enchanted forest. Picture instead a masterfully evoked Old West where you are more likely to find coyotes as the seven dwarves. Insert into this scene a plain-spoken, appealing narrator who relates the history of our heroine’s parents—a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. Although her mother’s life ended…
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
I’ve devoted my career to writing love stories. I’ve analyzed and dissected most of the great ones, always with the intention of writing something to join their ranks. Along the way, I noticed something interesting: the books that make people cry often stick with them, long after they’ve finished reading them. Perhaps this is because we all need to release feelings that are not socially acceptable? Whatever the reason, if you’re like me and love a good cry, then you’ll most certainly enjoy the books on my list.
Until I wrote my book I was exclusively a screenwriter. And throughout my career, I’ve been hired to adapt a variety of different novels, mostly love stories and romantic comedies. But nothing I’ve ever worked on has haunted me quite like Alyson Richman’s tale of first love – a love ripped apart by the brutality of the Nazis and their “Final Solution.” And yet, even as the horrors unfold, Richman always manages to find pinpoints of light in the darkness. Her prose is both elegant and poetic – and the tale she weaves will undoubtedly call forth the waterworks.
A rapturous novel of star-crossed love in a time of war-from the international bestselling author of The Secret of Clouds.
During the last moments of calm in prewar Prague, Lenka, a young art student, and Josef, who is studying medicine, fall in love. With the promise of a better future, they marry-only to have their dreams shattered by the imminent Nazi invasion. Like so many others, they are torn apart by the currents of war.
Now a successful obstetrician in America, Josef has never forgotten the wife he believes died in the war. But in the Nazi ghetto of Terezin,…
I was raised in a loving but strict Catholic family in the 1970s, when girls like me were still expected to grow up to become traditional wives and mothers, rather than go to college and pursue a career. In a Pre-Cana class intended to prepare me and my fiancé for marriage (it didn’t work so well, as evidenced by our rancorous divorce twelve years later), I learned the concept of “family of origin,” and the profound impact a person’s upbringing has on them as an adult. I became fascinated by the psychic baggage each of us carries around, and how it affects our personal relationships and life choices.
The story of a flamingly narcissistic man plotting to betray his wife shouldn’t be funny at all, but Kaira Rouda definitely pulls it off with impressive skill and verve. Husband Paul is so insanely self-centered that I couldn’t stop laughing at the stream of inanities flying around in his egotistical brain as he drives his wife Mia to their lake house for what’s supposed to be the most memorable day of their lives. And is it ever, thanks to Mia’s moxie. You go, girl!
'[A] deliciously dark story shot through with black humour.' Sunday Mirror
A loving husband. The perfect killer?
'I wonder if Mia thinks I have a dark side. Most likely as far as she knows, I am just her dear loving husband.'
Paul Strom has spent years building his perfect life: glittering career, beautiful wife, two healthy boys and a big house in the suburbs.
But he also has his secrets. That's why Paul has promised his wife a romantic weekend getaway. He proclaims this day, a warm Friday in May, will be the best day ever.
I am a historian with a PhD in history from American University. My research has focused on the changing nature of U.S. citizenship after the passage of the Nineteenth Amendment. In particular, my newly released book, Gendered Citizenship, sheds light on the competing civic ideologies embedded in the original conflict over the Equal Rights Amendment (ERA) from the 1920s through the 1960s. My research has won recognition through several grants and fellowships and my writing has appeared in the Washington Post, History News Network, New America Weekly, Gender on the Ballot, and Frontiers.
In Public Vows, Nancy Cott explores how the history of marriage in the United States reflects the creation of a very public and political institution. As Cott shows, in the early years of the United States, the common law doctrine of coverture allowed white men to hold a monopoly over the country’s civil and political institutions. For Cott, marriage has always been a public institution with political implications. As Cott explains, the political undercurrents and legal aspects of marriage have often allowed men to have control over women in law and in custom. Cott’s study was a vital component for my own work as her analysis helped me to better understand how the early U.S. legal system privileged husbands and fathers over wives and daughters with regard to property, earnings, contracting, and guardianship rights.
We commonly think of marriage as a private matter between two people, a personal expression of love and commitment. In this pioneering history, Nancy F. Cott demonstrates that marriage is and always has been a public institution.
From the founding of the United States to the present day, imperatives about the necessity of marriage and its proper form have been deeply embedded in national policy, law, and political rhetoric. Legislators and judges have envisioned and enforced their preferred model of consensual, lifelong monogamy--a model derived from Christian tenets and the English common law that posits the husband as provider and…
Over my twenty years as a historian, the common thread in my work is the gap between how people are supposedto behave and how they actually do behave. From interracial sexual relationships in the segregated South, to rum smuggling from Cuba during Prohibition, to abortion on college campuses before Roe, I'm interested in how people work around rules they don’t like. And rules about sex are some of the most ignored rules of all. Reading about strange beliefs and common desires connect us to our ancestors. Being a professor of history at the University of Alabama in Tuscaloosa, Alabama allows me to research bad behavior in the past to my heart’s content.
We now take effective birth control for granted. But it used to be illegal, even for married couples. It wasn’t legal for unmarried couples until 1972! But that didn’t stop Americans of every kind from making and using a wide variety of substances and contraptions to try and limit births. From mom-and-pop condom shops to the Pill, this book traces birth control’s transformation from an illicit trade associated with the obscene and pornographic to a legitimate business.
From the 1873 Comstock Act to the groundbreaking inventions of today, a history of contraceptives reveals how they evolved from an illicit trade located in secret places and pornography outlets to one of the most legitimate businesses in America.
I am an unusual scientist in the sense that I have doctorates in both biology and anthropology, so I am very interested in the dichotomy between what our bodies truly want (biology) and how we are supposed to behave, or tell others to behave, in our cultural settings (cultural anthropology). Amazingly, studies show that we spend more time and attention in our lives living for others for what they think of us, than doing what we truly want, and that we often regret that, when we are close to dying. These books make us reconsider that way of living, so we can change this before it is too late.
The book is, to my knowledge, the only one that fully covers the evolution of marriage in the West, including historical details and interesting biological and anthropological data; it changes the way we are indoctrinated to think by showing that sex, love, and marriage were for most of the time completely separate things, while we now try as much to force the three items to be always together.
The most surprising part for people who have not been familiar with the history of these topics is how recent and geographically localized it is the expectation that love, sex, and marriage should be together.
Just when the clamor over "traditional" marriage couldn’t get any louder, along comes this groundbreaking book to ask, "What tradition?" In Marriage, a History, historian and marriage expert Stephanie Coontz takes readers from the marital intrigues of ancient Babylon to the torments of Victorian lovers to demonstrate how recent the idea of marrying for love is—and how absurd it would have seemed to most of our ancestors. It was when marriage moved into the emotional sphere in the nineteenth century, she argues, that it suffered as an institution just as it began to thrive as a personal relationship. This enlightening…
I adore non-fiction books that read like novels. After ten years of working in research labs, my master’s degree in biology led me to a new career in science writing. I recently dove into the worlds of narrative non-fiction and history when I wrote Radiant, the Dancer, The Scientist and a Friendship Forged in Light. Immersing myself in Belle Époque Paris to research and intertwine the stories of Marie Curie and the inventor/dancer Loie Fuller helped me discover a passion for telling the stories of important figures forgotten by history.
In Portrait of a Marriage, Steinbeck scholar Susan Shillinglaw beautifully brings John Steinbeck’s first wife Carol into the spotlight. The impeccably researched narrative lays out the path of a ten-year marriage doomed to fail, even as Carol shapes John into one of America’s great writers. I couldn’t put it down.
Carol Henning Steinbeck, writer John Steinbeck's first wife, was his creative anchor, the inspiration for his great work of the 1930s, culminating in The Grapes of Wrath. When they met at Lake Tahoe in 1928, their attachment was immediate, their personalities meshing in creative synergy. Carol was unconventional, artistic, and compelling. During the formative years of Steinbeck's career, when they lived in San Francisco, Pacific Grove, and Los Gatos, their modernist circle included Ed Ricketts, Joseph Campbell, and Lincoln Steffens. In many ways Carol's story is all too familiar: a creative and intelligent woman subsumes her own life and work…
