Here are 100 books that Memorial Drive fans have personally recommended if you like
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I am an ethicist—a scholar and professor who thinks and writes about “right” and “wrong” in terms of human behaviors, actions, and relationships, especially where technology is involved. I went into this field because my first pregnancy was a baby girl named Zoe whose brain never developed (anencephaly). When I tried to do what I thought was right, arranging to have her organs donated, some thought it was wrong, and my efforts ultimately failed. In working through my grief, I wrote a SF novel about one woman’s struggles and strength in the face of a frightening use of technology. Books about enduring personal struggles with integrity remind me that this is part of life.
Trevor Noah is the funniest living comedian, and he is brilliant. Who would ever guess that his childhood was filled with so much trauma? Being set in Apartheid South Africa, I was able to keep a personal distance from the story. But it still touched and inspired me, perhaps because my own children are mixed race and had they been born there, I’d not have been allowed to marry or live with their father. Unimaginable. This autobiographical accounting of Trevor’s tormented life is a testimony to his inner strength. An average person from his background might be in prison or dead. But not Trevor. The question is why he made it through with such integrity and heart. He gives a lot of credit to his mother and I appreciate that.
The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.
One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his…
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
As someone who writes about historical embodied practices such as music and dance, I am always interested in how people write about lived experiences in their own bodies.
Though ostensibly a memoir about growing up in Mississippi, Heavy also explores the possibilities and impossibilities of writing. Laymon, nevertheless, gives lightness to his profound narrative with complex, challenging, yet always luminous prose.
*Named a Best Book of the Year by the New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics*
In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly).
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
Janet Fitch achieved a miracle with this novel about a girl rambling through a flawed foster care system after her mother is convicted of a heinous crime.
In a predictable set-up, the mother would be supportive despite her incarceration. She would be a wise person offering the girl advice. But the author had the confidence and skill to make the mother a beautiful monster, a brilliant, malignant poet whose attempts at controlling the girl are frustrated by the physical distance between them.
The girl’s growing awareness of her mother’s destructive potential is set against a series of foster families. I highly recommend White Oleander for the honesty of the mother-daughter conflict. The novel expertly depicts the epic struggle to create an identity in relation to a charismatic, narcissistic parent.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
I’m a law professor at Boston University who has studied and written about constitutional law, democracy, and inequality for over 20 years. I’m troubled by America’s rise to become the world’s leader in imprisoning its own citizens and the continued use of inhumane policing and punishment practices. These trends must be better understood before we can come up with a form of politics that can overcome our slide into a darker version of ourselves.
I
found this an essential first-person portrayal of the struggle for
living a life of service to others and also what is involved in
representing someone
who is actually innocent.
Stevenson’s description of starting his
career as a law student and young lawyer should resonate with any person
who
sees injustice in the world
and longs to make a difference. You have to go where the need is the
greatest, and he goes to the Deep South and has stayed in Alabama ever
since.
NOW A MAJOR MOTION PICTURE, STARRING MICHAEL B. JORDAN, JAMIE FOXX, AND BRIE LARSON.
A NEW YORK TIMES, WASHINGTON POST, BOSTON GLOBE, ESQUIRE, AND TIME BOOK OF THE YEAR.
A #1 New York Times bestseller, this is a powerful, true story about the potential for mercy to redeem us, and a clarion call to fix America's broken justice system, as seen in the HBO documentary True Justice.
The US has the highest rate of incarceration in the world. One in every 15 people born there today is expected to go
to prison. For black men this figure rises to one…
Growing up, my mother refused to acknowledge that my stepfather sexually abused me for many years. I was forced to call him “Dad” and I was told to “forgive and forget.” It took me decades to understand that while I could teach my mind to deny my pain and grief, trauma stayed embedded within my heart and shaped my life, relationships, internal beliefs, and decisions. After a triggering event, it ultimately morphed into depression, which I’m now battling in my forties. Having written two memoirs on the impact of trauma, I am only now finding the wisdom and courage to distance myself from my mother and stepfather. The books I’ve recommended have brought me comfort and a sense of relief.
While I found this memoir to be beautiful in language and story, I connected most with the author’s stark revelations. She writes from the perspective of a daughter, then a new mother, and finally a caregiver for both her child and her ailing mother. As she navigates life in these varied roles, she begins to see the truth about her mother with compelling clarity. In the end, I felt a deep sense of understanding and was able to remind myself that while I have been naive in my own relationships, it was love that compelled me to cling to my mother, even at the cost of my own wellbeing.
“A gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what is left unspoken.”—Mira Jacob, author of Good Talk
If our family stories shape us, what happens when we learn those stories were never true? Who do we become when we shed our illusions about the past?
Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya’s mother had always been a source of support—until…
Growing up, my mother refused to acknowledge that my stepfather sexually abused me for many years. I was forced to call him “Dad” and I was told to “forgive and forget.” It took me decades to understand that while I could teach my mind to deny my pain and grief, trauma stayed embedded within my heart and shaped my life, relationships, internal beliefs, and decisions. After a triggering event, it ultimately morphed into depression, which I’m now battling in my forties. Having written two memoirs on the impact of trauma, I am only now finding the wisdom and courage to distance myself from my mother and stepfather. The books I’ve recommended have brought me comfort and a sense of relief.
This vulnerable collection of essays drew me in with the words, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” As I continued to read, I had the eerie feeling that the author had read my diary (although I don’t actually have a diary), had met my mother, and had lived my life in so many ways. And while this book contains stories from many authors, the single thread of longing for mothers who’ve loved and hurt us ties them together seamlessly. They are beautifully expressed, sometimes heartbreaking, sometimes humorous, but ultimately worthy of savoring.
In the early 2000's, as an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took many years for her to realize what she was actually trying to write about: the fracture this caused in her relationship with her mother. When her essay, "What My Mother and I Don't Talk About," was published by Longreads in October of 2017, it went on to become one of the most popular Longreads exclusives of the year and was shared on social media by Anne Lamott, Rebecca Solnit, Lidia Yuknavitch, and other writers, some of whom had their…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
The Part That Burns is not a linear narrative but a memoir in fragments. Each essay or chapter is different, interesting, engaging like scattered pieces of a puzzle that the writer—and reader—are trying to put together.
It's about a childhood wrought with abuse and rejection, about trauma and epigenetics, home and roots. It's about a girl who grows up to become a teenager who becomes a young woman who becomes a wife and a mother and every step of the way, she yearns for what we all yearn for: acceptance and love.
My memoir is as slim and sparse as Ouellette’s and some might consider my chronological story as fragmented because of its tiny chapters and missing connective tissue from one chapter to the next.
"I love this book and am grateful it is in the world." —Dorothy Allison, New York Times best-selling author of Bastard Out of Carolina and Cavedweller "Simply beautiful. Precisely imagined, poetically structured, compelling, and vivid." —Joyce Carol Oates "A textured remembrance of a traumatic childhood that also offers affecting moments of beauty." —Kirkus Reviews (starred review)
In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather’s groping…
I'm an author of dark fiction from Wales, UK, who, for many years, taught primary school children. In my own writing I often gravitate towards the child’s point of view, and the same can be said of the fiction I choose to read. As a teacher I dealt with children’s issues on a day-to-day basis, and sometimes you wonder how these kids survive, or at least you understand the trauma they carry for the rest of their lives. But what about those who manage to rise above it? Those are the characters whose stories I love to read. The child lurks in all of us, and we must never lose sight of that fact.
Although the cover did nothing to attract me, it turned out to be one of those rare books you want everybody to read. Even though it was quite a long book, at around 480 pages, I loved every single sentence. The plot, the references to Native American culture, characterization, you name it. Superb.
I'm a former novelist who now writes historical narrative nonfiction, mainly about American cities and the people who give them life. Each book focuses on an important turning point in the history of a specific metropolis (I've written about Chicago, New Orleans, Los Angeles, and San Francisco), often when the city goes from being a minor backwater to being someplace of significance. And I try to tell this story through the lives of real individuals who help to make that transformation happen. My goal is to use the skills I developed as a fiction writer to create historical narratives that maintain strict standards of scholarship while being as compelling and compulsively readable as novels.
As any objective historian can tell you, there are very few spotless heroes in history, and very few villains whose wrongdoing isn't firmly rooted in the psychological and sociological forces that shaped them.
So I really admire writers who, like Kali Nicole Gross, take pains to put the bad actions of their subjects in the context of their time and circumstances. In this measured and nuanced account of a sensational 19th-century murder, Gross carefully examines Gilded Age attitudes toward race and gender, tracing their influence on the crime, its investigation, and its punishment.
The result is a book both scholarly and absorbing – not an easy feat for any author to pull off.
Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class, black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest.
As details surrounding the shocking case emerged, both the crime and ensuing trial-which spanned several months-were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the black community to public attention. At the same time, the mixed race of the victim and one of his assailants exacerbated anxieties over…
I’m half-Filipino and half-Spanish. Growing up in the Philippines, I had to deal with many of the same emotions that the characters on this list go through. My identity made sense to me, but I found that I often had to explain it to other people, and I also found that outside my own house, people made their own opinions about whether I was more Filipino, more Spanish, or something else entirely. I’ve always been fascinated by how characters in fiction deal with this struggle, and I’ve always related more to characters who feel out of place.
The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere.
“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns
A girl of two worlds, accepted by none… A half Reaper, half Shinigami soul collector seeks her destiny in this haunting and compulsively readable dark fantasy duology set in 1890s Japan.
Death is her destiny.
Half British Reaper, half Japanese Shinigami, Ren Scarborough has been collecting souls in the London streets for centuries. Expected to obey the harsh hierarchy of the Reapers who despise her, Ren conceals her emotions and avoids her tormentors as best she can.
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multiracial people,
domestic violence,
and
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