Here are 98 books that The Ghost Box fans have personally recommended if you like
The Ghost Box.
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
When I first encountered Harry Dresden, a professional wizard solving a double homicide in Chicago, I was instantly hooked by its noir, fantasy, and traditional mystery with dollops of humor. This novel—the first in The Dresden File series—kept me engaged the entire time with a fast-moving plot and interesting characters.
I could see in my mind’s eye Chicago’s skyscrapers and their reflection in Lake Michigan as Harry dug deeper into the crimes and the supernatural world. This was my first urban fantasy read, and Butcher’s ability to blend a private investigator story with the supernatural ensured it was not my last.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago…
As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put…
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
The Progeny is one of the best books I read last year. It’s a really fun and unique read because it combines historical fiction with urban fantasy and just a hint of sci-fi. The main character, Emily, has had her memory erased—but now someone is trying to kill her. She must figure out who she was and what was so important that she erased it from her memory, a journey which takes her on a quest through Europe to find out who she really is. The story explores the true history of Elizabeth of Bathory and ties it in with suspense and superpowers for a fast-paced story that is unlike any other. I read it in a couple of days because I couldn’t put it down.
New York Times bestselling author Tosca Lee brings a modern twist to an ancient mystery surrounding Elizabeth Bathory, the most notorious female serial killer of all time.
Audra Ellison has no idea why she's had her memory wiped clean, only that she chose to erase her past to protect someone else. But soon, a handsome stranger tells her she's special. Unique. That she has the power to influence the minds of others. And that her life is in danger.
She soon discovers that she is the descendant of a serial killer, the infamous "Blood Countess" Elizabeth Bathory, and that she,…
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
I’ve always been a fan of vampire stories and the related lore. From Dracula to Buffy to Anne Rice, I love all the different takes on vampire mythology, so The Incurables was a really neat book to discover. It takes a different approach to vampire lore, making it a viral disease that affects certain people based on their biology. The main character, Eveleen, contracts the disease and is put in an underground bunker with other infected, as the government tries to cure them, but there are much darker forces at play, and conspiracies to uncover and escapes to plan. The story was dark and twisty with threads of romance and really high stakes, and basically everything I love about vampire stories.
Eveleen Spellman has a good job, a good boyfriend-a good life. Until she starts showing symptoms of the deadly Cava-V20 virus. A new strain of the virus has the medical community baffled, and at the first sign of symptoms, Eveleen is shipped to the Hollow, a treatment facility, to be quarantined.
But there is more to the virus than anyone knows, and Eveleen soon learns the horrifying truth of her condition-she's turning into a vampire. Eveleen struggles to accept the fate the doctors tell her is inevitable, and with other patients in the Hollow, forms a plan to fight back…
I love urban fantasy and all the associated genres, like paranormal and horror. I love the question of “what if” and exploring how things would work if certain rules of magic or the supernatural were real. I love the variety and scope of world building that can be done parallel to and within our world through urban fantasy. That “what if” question is at the center of my own writing, and especially when I read non-fiction on topics like parallel universes and aliens and demons, I get so much inspiration for stories and worlds and what might be happening just beyond our view.
This book was so much fun. Quintessential urban fantasy—a supernatural world overlaying the real world, with a fantastic jumble of supernatural characters, including fae, shifters, vampires, genies, and more. There’s mystery and romance and fae politics and magic, and it was an absolute blast to uncover the world and get to know the characters. The main character is part-genie, but has a curse put on her so she can only use a little of her magic. She is framed for a crime, so she has to figure out what is really going on. One of my favorite aspects was that it was pretty mild when it came to the sensual elements, so while it had plenty of romantic tension, there was more plot than sex, which I prefer.
With genie powers I shouldn’t be able to use, thanks to my curse-mark.
In my defense, the damn grizzly was threatening civilians and might have been a vampire as well. Pittsburgh is safer without him. Only the Fae court doesn’t believe my story, and the shifters are out for blood.
Now I’ve lost my job as a romantic investigator, and I’m on death row. My only hope is an oddly outgoing vegetarian vampire lawyer who seems strangely familiar. Too familiar. Almost like we’ve met before, and this whole thing was a set-up…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.
Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."
I started writing urban fantasy because that’s what I wanted to read more of, and at the time there wasn’t much on offer. I started the Kit Melbourne series with the aim of creating a world in which magic was real, but most people don’t believe in it. I aim for believable, realistic characters with plausible relationships. I’m not a fan of prophets, noble bloodlines, or destiny; magic in my worlds are much more egalitarian. Vampires are not sexy superheroes. Faeries are more like aliens than pinup girls. My inspirations are mystery, true crime, anthropology, psychology, history, natural sciences, ecology, and neo-Paganism—and books like those on this list!
Molly Tanzer came up with one of the cleverest “magic” tropes ever and I wish I’d thought of it myself. Her Victorian London “diabolists” engage with demons in a way that felt so logical that it seemed 100% plausible. It involves specific plants, for example, ginger. These demons are more like sentient aliens that enter into a (permanent) symbiotic relationship with a human host, upon which they confer benefits.
It made me go, “I mean, getting into devil worship like this may not be my thing, but yeah, I get why people could be into it.” It’s not all gushing balls and gaslit concerts either, since our protagonists are much more middle class. There’s danger here, because not all of these diabolists are harmless. I craved ginger for months after this book.
Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siecle wonders ... and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she's sent to London to chaperone her younger sister, aspiring art critic Dorina. Unfortunately for Evadne, she soon learns too much about all of it when Dorina meets their uncle's friend, Lady Henrietta "Henry" Wotton. A semi-respectable aristocrat in public, in private she is secretly in the thrall of a demon obsessed with beauty and pleasure. When Lady Henry and Dorina immediately hit it…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.
'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July
Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.
'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world…
Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.
Silence is much more cerebral than Carnacki, more prone to solve his mysteries from the comfort of his armchair over a pipe of tobacco. But don't let the leisurely pace fool you; Blackwood brings the chills like few others can, and you might find yourself looking over your shoulder more than once, or even getting up to put a stronger light on. If creeping dread is your thing, Blackwood's your man for it.
One of the former British writers of supernatural tales in the twentieth century, Algernon Blackwood (1869–1951) wrote stories in which the slow accumulation of telling details produced a foreboding atmosphere of almost unendurable tension. Blackwood's literary renown began in 1908 with the publication of a highly successful collection of stories, John Silence — Physician Extraordinary, featuring a "psychic doctor." This volume contains all five of the John Silence stories from the 1908 edition plus one additional tale. Edited and with an informative introduction by S. T. Joshi, noted occult fiction authority, the stories include "A Psychical Invasion," in which Silence…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.
That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful.
From Bram Stoker Award -winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts-perfect for fans of Yellowjackets.
The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter-and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another, never…
Joshua Cutchin has written seven books. If you find yourself beside him on an airplane and ask what he writes about, he’ll say, “Speculative non-fiction.” If he warms up, he’ll explain that he writes about supernatural mysteries—UFOs, Bigfoot, ghosts, etc.—all through the lens of folklore. A suspicion that all these phenomena are connected undergirds his writing. In addition to his books, Joshua regularly contributes to essay collections and, in 2019, appeared on the hit History Channel series Ancient Aliens. Joshua has appeared on countless paranormal programs, including Coast to Coast AM. He regularly speaks at events nationwide, most recently Rice University’s 2023 Archives of the Impossible conference.
1987’s Communion made Whitley Strieber the world’s most famous alien abductee. Since then, many have derided him as a fantasist or even a charlatan.
Most attacks stem from his critics’ insistence on viewing Strieber’s experiences literally. Few stop to consider whether or not that approach may be misguided. In this collaboration with Rice University professor Dr. Jeffrey Kripal, Strieber’s firsthand accounts are placed in dialogue with religious scholarship, providing a useful framework for navigating the treacherous waters between the objective and subjective.
The Super Natural acknowledges that these things are—at least partially—"real" in a sense that modern culture would recognize. Their meaning, however, may well be something else entirely, best apprehended through our never-ending attempt to make sense of our place in the cosmos.
Two of today's maverick authors on anomalous experience present a perception-altering and intellectually thrilling analysis of why the paranormal is real, but radically different from what is conventionally understood.
Whitley Strieber (Communion) and Jeffrey J. Kripal (J. Newton Rayzor professor of religion at Rice University) team up on this unprecedented and intellectually vibrant new framing of inexplicable events and experiences.
Rather than merely document the anomalous, these authors--one the man who popularized alien abduction and the other a renowned scholar and "renegade advocate for including the paranormal in religious studies" (The New York Times)--deliver a fast-paced and exhilarating study of…
