100 books like The Haunting of Velkwood

I believe Edgar Allan Poe’s stories are ripe for retelling. Poe was constrained by his own aesthetics (he was not fond of longer works), so his short fiction always hinted at larger worlds just beyond the page.

T. Kingfisher gives us one such world behind The Fall of the House of Usher and fills out the story of haunted siblings Roderick and Madeline Usher. I love that Kingfisher, like Poe, knows the names of flowers and fauna, and her book is saturated with trees, flowers, rabbits, and, oh yes, mushrooms. I hunt for mushrooms myself, so I loved this particular element.

The voice of this novel is also key to its success, so I recommend the audiobook as well. It’s a bit campier with the accents, but it adds to the fun.

I love books that engage in a literary conversation with writers from a previous era, and Mat Johnson’s novel does just that—it’s both a homage and a critique of Edgar Allan Poe’s sole novel, The Narrative of Arthur Gordon Pym, itself a hodgepodge of gothic elements and maritime adventure. It’s also horrifyingly racist with its depictions of black-skinned islanders.

Johnson inverts and reframes these uncomfortable racial dynamics to glorious effect. It is both a raucous satire and full-throttle adventure story, as Johnson’s hero, Chris Jaynes, leads an all-black crew to the South Pole—into the center of whiteness—to discover what may be on the last bastion of the African Diaspora. From there, it only gets weirder and funnier.

Ghosts are my some of my favorite creatures in horror since, unlike werewolves and vampires, I believe they tap into a shared emotional landscape. Who has not wanted to speak to the spirit of a recently deceased loved one? Who has not stood over a grave and demanded answers? Farrenkopf takes this desire and builds a whole mythology around it while adding to the mix another irresistible question:

What if you could speak to your dead relatives and find out how you are going to die? Would you want to know?

Dave Gallagher, a cemetery caretaker, wrestles with this quandary, which gives the book its tension and grit. No easy answers are given here. Farrenkopf creates a world that is both fantastical and grounded in human longing. 

Forget all those self-help tomes and Cosmo articles—this is the book that will improve your relationships.

It may seem deranged to admit loving a book, which is, arguably, one of the coldest I’ve ever read, but this slim 128-page exercise in pitiless dread made me a better person. After reading it one afternoon, I emerged shaken and disturbed. Ever since then, I have tried never to argue with my spouse on long road trips. Or argue, period. I’m not kidding.

There is a connection to major Poe themes here, but I will leave that a mystery. As the title implies, a vanishing occurs, and the novel is about the void that opens up afterward. Damn, just writing that sentence has me shaking. Go hug your loved ones. 

One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.

Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.

More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr. 

Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away. 

So good! A ghost story rich in texture, set in Britain during the seventies. Twins Tim and Abi live in an insular world, obsessed with the paranormal. After they prank a school friend with a fake ghost photograph events start to spiral out of control. Nostalgic without being syrupy, this book felt like stepping back into my own ghost-obsessed childhood. It’s that familiarity, as well as the slow burn of the strange and unnerving events, that kept me absolutely hooked.