Here are 100 books that The Boats of the 'Glen Carrig' fans have personally recommended if you like
The Boats of the 'Glen Carrig'.
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I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.
Dirk Renswoude is a craftsman and loner of noble birth who has been mistreated by his family. He meets Thierry, a young scholar on his way to study at the university at Basle and they soon discover that they share a fascination with the black arts. Thierry is initially cautious and afraid of blasphemy, whilst Dirk is ambitious and thirsts for power. Dirk leads them on to experiments with mystic circles drawn on the floor in chalk, the chanting of arcane incantations and the evocation of grotesque, demonic visions writhing in the speculum.
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.
From the unsurpassed imagination of the creator of Conan, Robert E. Howard, here are twenty-one tales of suspense, high adventure and Lovecraftian horror.
Foul sacrifices are made to a reptilian God in Hungary, a werewolf prowls the corridors of a castle in strife-torn Africa, criminal masterminds on both sides of the Atlantic vie for world domination, an enchanted ring exerts a terrible influence upon its wearer...
...And, as written in the pages of the accursed Necronomicon and Unaussprechlichen Kulten, the Great Old Ones watch our world from beyond the void - and wait...
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.
I love forests. There's a particular atmosphere, a sense of being close to nature. Yet there's a mystery, you can never see too far ahead. What's around the corner? A truly atmospheric book has the quality of a forest, leading us on but never revealing too much at once. Perhaps beyond the next tree, or page, is something that may not be of our universe.
In Machen's stories, occult experiences are related to place, the environment creating conditions in the mind that open it to receive the ethereal. The connection to nature, billions of years of the natural world, provides countless possibilities for unknown forces to intrude on our reality. Far Off Things is an exploration of psychogeography, informed by Machen's early life in Wales.
Arthur Machen's 1922 collection of essays covers the first part of his life. (It was followed by 1923's "Things Near and Far" and 1924's "The London Adventure.") To the original book has been added a lengthy essay on Machen and his work, as well as a Recommended Works list, covering the essential fiction and non-fiction by this important author. (Of his novella "The Great God Pan," Stephen King said, "Maybe the best [horror story] in the English language.")
As a child of immigrants I lived in three countries and went to five schools by grade eight, and I loved it! It started a passion in me for people and cultures. I’ve now lived in six countries, I speak five languages and visited countless places as a tourist. Learning about people and cultures is in my blood. Seeing the world, expanded my imagination and love for fantastical worlds. But, because I’ve met with many cultures and individuals, reading books with shallow characters and badly developed cultures is painful for me. I can tell when an author truly understands their characters and the worlds they create and I value that.
I’m a sucker for teen romance, but, I don’t like it when that’s all the story is about. Fable and Namesake had that awesome teen love but it was perfectly intertwined into the larger plot of the story. On that note, the plot was great! It was rich and extensive, not just a cover for the romance. Additionally, the book delved into parent-teen relationships on a realistic and detailed level, which I find to be a rarity in YA fantasy novels.
With the Marigold ship free of her father, Fable and its crew were set to start over. That freedom is short-lived when she becomes a pawn in a notorious thug's scheme. In order to get to her intended destination she must help him to secure a partnership with Holland, a powerful gem trader who is more than she seems.
As Fable descends deeper into a world of betrayal and deception, she learns that the secrets her mother took to her grave are now putting the people Fable cares about in danger. If Fable is going to save…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself.…
Two events happened around the same time, 1950-51, that made me want to go to sea. One was seeing the movie Down to the Sea in Ships and the second was a 30-minute boat ride on the sea. I was about 9-years old at the time. I think I must have identified with the boy (Jed) in the novel and unlike my younger brother, I enjoyed the thrill of the wind and waves and I wasn’t seasick. From then on, I had a lifelong love of the sea, serving with the Merchant Navy, having my own seagoing boat and for 22 years teaching navigation and sailing knowledge to Sea Cadets.
You do not have to be a lover of seafaring novels to enjoy Dana’s memoir and his vivid descriptions of people and places. Two Years Before the Mast is a masterpiece of writing. As an Englishman, I have always enjoyed reading American prose; Steinbeck, Hemingway, Melville, they seem to write clearly and to the point without the long-windedness of some authors.
How times have changed since the days when Dana was a seaman, (even when I was at sea in the 1950s 60s, and 70s) to today’s conditions for seafarers. My nephew who is a chief engineer with BP has the same amount of leave as the time he spends at sea, (4 months max) with the internet, skyping, and Netflix. He is highly paid and flown home first class. My contract was for 12 months, no leisure facilities on the ship, a letter now and then, and a train…
‘Two Years Before the Mast’ is a memoir by the American author Richard Henry Dana, published in 1840, having been written after a two-year sea voyage from Boston to California on a merchant ship starting in 1834. A film adaptation under the same name was released in 1946. It is the true story of Richard Henry Dana’s voyage aboard the merchant vessel the ‘Pilgrim’ on a trip around Cape Horn during the years 1834 to 1836. Dana was a student at Harvard when a case of the measles affected his vision. He left school and enlisted as a sailor on…
Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.
Sailors — among my favorite books — is a vivid account of the lives of English merchant seamen in the 17th and 18th centuries. These were the years when England rose to dominance in global commerce and became the greatest naval power in the world. Acclaimed historian Peter Earle explores every aspect of the sailor's life: conditions of service, wealth and possessions, life aboard ship, the perils of the sea, discipline and punishment, sickness, desertion, mutiny and mortality, and the role of the sailor in times of war. Evocative, scholarly, and colorful, this story of England's "bravest and boldest" reveals how life on the waves was not all storms and conflict, tyranny and revolt, but also one of comradeship, adventure, and love of the sea.
A social and economic history of the lives of English merchant sailors in the 17th and 18th centuries, when England dominated the world in commerce and power. Drawn from primary documents and diaries, all aspects are examined, including conditions of service, discipline, mortality and war.
I grew up and have often lived around water and ships—Norfolk, VA, Aiea, Hawaii, Savannah, Georgia—and I’ve always had a fascination with things nautical. As a cartoonist, I’m of course always on the lookout for comics that overlap with this interest. Curiously, these sorts of stories seem to be few and far between in the U.S. but more of a genre staple in Europe—France in particular. I tried to highlight here not just books that I particularly like, but books that are representative of the breadth and depth that the comics medium can offer in art style, tone, and intended audience. I hope you enjoy some of these as much as I have!
This is a beautiful little book in an interesting format—a single image per page—that tells the story of a poet whose romanticizing about life on the sea is put to the test when he’s shanghaied and made part of a crew of sailors heading for Hong Kong. Don’t be fooled by Drew’s stunning cartooning that evokes the glory of the heyday of newspaper cartooning (think E.C. Segar, Walt Kelly, etc.); this is a book for grown-ups.
A poet is shanghaied and adventures on the high seas in this graphic novel: now in paperback.
The central character of Set to Sea is a big lug and an aspiring poet who runs up tabs at the local bars by day and haunts the docks by night, writing paeans to the seafaring life. When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies, but he learns to live―and love―a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals,…
I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.
This is one of those books that I had to put down a couple of times previously because the protagonist’s flaw hit too close to home. Jim is so ashamed of his past cowardice that each time his identity is found out, he will travel farther away from the spreading Western colonies. A Western marauder eventually invades the Malay and Bugis community where he lives, and Jim has to bear the consequence of speaking up for the man in good faith. After so many years, this book is still one of my top favorites because Jim finally stops running and faces his fear. He ultimately becomes the hero that he has always wanted to be.
'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.'
Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to…