100 books like Far Off Things

Hodgson's sea-based stories, drawing on his experience as a sailor, have a plausibility that draws me in. The vast emptiness of the ocean is depicted vividly, creating a sense of isolation that adds to the terror of his work. Add to this some of the most bizarre creatures in literature and we have a bleak, enchanting atmosphere. I find the sense of brooding horror really puts me in the scene.

The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.

Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.

If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.

I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.

Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.

It’s a book full of surprises and provocative ideas.

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

Molly Tanzer came up with one of the cleverest “magic” tropes ever and I wish I’d thought of it myself. Her Victorian London “diabolists” engage with demons in a way that felt so logical that it seemed 100% plausible. It involves specific plants, for example, ginger. These demons are more like sentient aliens that enter into a (permanent) symbiotic relationship with a human host, upon which they confer benefits.

It made me go, “I mean, getting into devil worship like this may not be my thing, but yeah, I get why people could be into it.” It’s not all gushing balls and gaslit concerts either, since our protagonists are much more middle class. There’s danger here, because not all of these diabolists are harmless. I craved ginger for months after this book.

If you know Hellboy only from the movies, you’re seeing a very limited image of the character and his adventures. Hellboy has many roots (pulp sci fi and crimefighter stories, superhero tales, Lovecraft’s mythos), but one of his earliest is in real world magic and folktale. We see this in his encounters with Baba Yaga, Hecate, and others, but also in his battle fairy creatures that are vulnerable to unforged iron.

Hey, this non-fiction book I’ve read has a lot to offer. Great study for those who wants to understand more about metaphysical world!

This is his fourth book that I’ve read besides Reincarnation, The Secret Teaching of All Ages, and The Wisdom of the Knowing Ones. I love his books, because can I learn a lot of mystical things which is related to the fantasy series that I’ve been working on. And it has a great impact on my writing for the first book in my series.

It taught me that we are not alone in this world. There are a lot that we don’t know about spiritual dimension that can’t be seen with our mundane eyes. As within, so without. Our inner wisdom creates the reflection of our reality.
I feel contented with the knowledge shared in this book. It helped me to enlighten my perspective… show more.

Corinna Treitel’s Science for the Soul did for the occult what Goodrick-Clarke’s Occult Roots of Nazism did for Ariosophy, providing the first comprehensive account of the wide array of occult doctrines and esoteric sciences that flourished in Germany and Austria at the turn of the twentieth century.

While she does include a chapter on occultism in the Third Reich, Treitel is careful not to blame occultism for Nazism, showing how Theosophy and Anthroposophy (the progenitors of Ariosophy), astrology, parapsychology, spiritualism, and other esoteric doctrines provided a socially and politically diverse group of Germans a range of alternative beliefs and practices to help make sense of a modernizing, post-industrial, “disenchanted” world.

One of the two best books, with Anne Harrington’s Reenchanted Science, on the history of German occultism and “border science”.