100 books like Far Off Things

Hodgson's sea-based stories, drawing on his experience as a sailor, have a plausibility that draws me in. The vast emptiness of the ocean is depicted vividly, creating a sense of isolation that adds to the terror of his work. Add to this some of the most bizarre creatures in literature and we have a bleak, enchanting atmosphere. I find the sense of brooding horror really puts me in the scene.

The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.

Howard's style is compelling, dragging you through the story with an inescapable inevitability. His characters possess stark, almost brutal qualities, sure of their place in the world they inhabit, even when facing the unknown. With mighty warriors such as Conan, we know they cannot lose but when it comes to Howard's horror stories, success is not so certain.

If Dr. Syn is a mysterious, cunning character, perhaps the Romney marsh is more mysterious. It's a haunting, eerie place, more a character in its own right than a location. The misty bog stays in the memory long after reading this intriguing book. The Dr. himself, and Mr. Mipps his associate, are as fever-inducing as the marsh itself.

I love this classic book that catalogs some of Will Self’s seminal writings about psychogeography, a term that describes the relationship between our consciousness and the geographic spaces we occupy.

Self borrows from the legacy of the avant-garde notions of dérive, or “drift” or disorientation, where one can find oneself by losing oneself. Here, Self playfully positions himself as a rebel against the contemporary world, a time-traveler of sorts, who rolls back the clock and deconstructs history by walking rather than driving in urban contexts.

It’s a book full of surprises and provocative ideas.

I love comics, and here is the Master at the top of his game.

Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.

Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting. 

This novel takes a more serious tone from the outset, though there are humorous situations in the later books. This is one that will keep you up at night, reading and biting your fingernails as the characters struggle to survive. It begins somewhat slowly, but quickly gains steam and keeps you wanting more. The action is fast-paced and realistic and the military aspects are spot on. There is a character for everyone in this series, and it was the idea of Sky that loosely inspired a character in my own series.

The way that Campbell wrote this heroine and followed her progress from a young and naïve college girl to powerful and able to face down every threat thrown her way was so engaging and powerful that I bought the entire series as soon as it was released. The male characters were so diverse and far-ranging that none of them… show more.

My favorite thing about magical realism is that it is often used to discuss social and cultural issues, colonialism, the powerful and elite, environmental issues, racism, war, homophobia, genocide, and more. It can also be used to talk about social issues that are equally as important but maybe not as heavy. That’s why I love Melmoth by Sarah Perry – because magical realism is used to cover a gambit of social and historical issues. 

In the novel, Perry focuses on a mythical figure called Melmoth the Witness who preys upon people in the darkest moments of their lives. Through this mythical figure, Perry discusses everything from Nazi Germany to fear, sins, loneliness, and self-loathing with a magical lens. I loved the grit and darkness of this magical realism story and I know you will too.

This book is another that has a similar vibe to The Dresden Files and my books. This one had a really unique take that I liked, mixing in ghosts with the other supernatural creatures and elements. The main character has some fun, memorable quirks that I enjoyed, and the plot had some great twists that I didn’t see coming. The world is really broad, and there’s a lot more to uncover about how things work, so I liked that it didn’t tell everything in the first book, so it left me with the desire to read more.  

I know, I know—this one’s YA urban fantasy. What’s this book doing on this list? It is one of my all-time favorites, and it has the heart of a dark academia story.

It sweeps you up in its magic and doesn’t let you go. The book itself is like a spell. I can’t even fully articulate why I love it so much. The characters are obsessive and flawed and so wonderfully written I can’t get them out of my head. Because of it, I own a version of Gansey’s multimedia, research-driven, Welsh king-hunting journal. Now, if that’s not the spirit of dark academia, I don’t know what is.