The most recommended black magic books

Since the 1980s, anthropologists have been confronting the fraught ethics of representing other people, other places, other cultures much more directly than their counterparts in journalism or travel writing. Will Buckingham didn’t stick with anthropology, and this book about his fieldwork with woodcarvers in eastern Indonesia – written two decades after the events it describes – goes some way to explaining why. It’s wry, funny and thought-provoking. The title refers to the theft committed by every travelling writer.

I picked the third book in the Greatcoats series as it contains the fight sequence I remember the most, but every entry in this series has some incredible swordplay and memorable action. The Greatcoats take all the swashbuckling bravado of the Three Musketeers but thrown into a far more dangerous world with black magic and angry deities. There’s a cavalier joy to every sword fight, which often details the specific strategies to the point where you feel like you’re learning how to fight for yourself. There’s tons of honor and bravery in the face of a brutal, bleak world, and worth every page.

My first horror read. It is dear to me. I picked it up off the shelf. It was neat and small in my hands, so not too overwhelming for someone who didn’t enjoy reading. However, I wanted to give the genre a try as I had been a hobby horror writer for a year or so beforehand. I liked the cover and blurb on the back, which was more of an excerpt, got me walking quickly to the counter to buy it so I could rush home to find out what was going to happen. This book opened the floodgates to the beauty of horror fiction. The excitement of the characters which had inspired my earlier experiments and still provides insights to this day. This is a wild ride, so grab on tight and let it take you as it had taken me.

A thick science book on envy is just what we need to help us release this feeling. The author looks at “Man the Envier” in an anthropological way. He shows how diverse cultures have struggled to manage this natural impulse, even using “black magic.” That may sound crazy, but my Italian ancestors did this. They believed that suffering is caused by malocchio—the evil eye from a person who envies you.

I like this book because it shows how humans create envy inside themselves. You may not want to see inside yourself. It’s easier to dream that the perfect society that will relieve your envy. But you make yourself powerless when you do that because you can’t control society. You are better off building your power over your emotions, as my books explain.

The thirst for knowledge of the black arts sets the tone for this book. The smallest events are loaded with ominous foreboding, from the understated beginning to the immensely world-shattering ending. Dirk Renswoude is a dark figure, yet never seemingly repulsive enough to prevent the reader from allying with him, being complicit in his deeds.

A friend once described her early years of motherhood as non-stop work but also total idleness. Galchen’s slim book of collected observations and witticisms about babies and motherhood, some only one dazzling paragraph long, made me pause to savor each word. I liken reading this book to reading fun poetry or admiring a pop-up gallery. You can read a bit of this book every day, without losing the thread. Each chapter (they are very mini chapters) made me see the world in a new light. Many made me laugh out loud with joy. 

Pied Pier, soul stealer, serial killer. Who is Mr. Clarinet? On the island of Haiti – not yet recovered from the sickeningly corrupt rule of Papa Doc Duvalier – children are vanishing amidst rumours of black magic and voodoo. Private investigator, Max Mingus, is hired to track down the son of a wealthy islander. Nick Stone lived for many years in Haiti, and his in-depth knowledge of the place seeps through the book like the blood of its numerous victims. The Haiti of this novel is dark, lawless, dangerous, and utterly fascinating. 

Charlotte English’s Malykant Mystery series is a rarity. Not only are the mysteries engaging, but the setting is unusual (a wintery Russian-type city) and the main character is the priest-assassin of the God of Death! Konrad Savast swore himself to the God’s service after his sister’s violent death, vowing to track down and kill those who had violated natural law through the act of murder. Savast’s devotion to his God and his duty will appeal to Pagans of every tradition. While tragic, the stories are never gruesome. Short enough to read in a single sitting, and lots of fun.

The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him… show more.