100 books like The Rostikov Legacy

Chastain’s Terra Haven Chronicles currently stands at three books, with Deadlines and Dryads as the first. This is an exciting, feel-good urban fantasy series set in an alternate United States. Here, everyone practices some form of elemental magic (environmental destruction is almost unheard of and completely anathema), and humans live peacefully (mostly) alongside gargoyles, minotaurs, centaurs, dryads, and other species. I love the optimism of Chastain’s books. The world is grim enough. When I need a pick-me-up, Chastain is often my go-to read.

Most urban fantasy is very firmly fixed in the modern world, and the protagonists are overwhelmingly Caucasian. Boroson’s The Girl with Ghost Eyes is a wonderful change of pace. Not only is our hero a Chinese woman in 19th century San Francisco, but she is also a trained Daoshi priestess — who cannot take over her father’s practice precisely because she is a woman. The Girl with Ghost Eyes deftly deals with sexism, racism, labor exploitation, and immigration, while also introducing the audience to traditional Chinese beliefs and practices about magic, shapeshifters, spirits, and the afterlife. A terrific reminder that tradition can simultaneously strengthen and imprison us. 

I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.

The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.

Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.

This is hands down one of my favorite science fiction books ever, and it is very atypical for science fiction. No big space battles, no hungry aliens. Just three people trying to figure out their lives and how they work together, all while humanity prepares to launch our first expeditions beyond the solar system. Of Kindred and Stardust features a diverse cast (in terms of ethnicity and gender), a polyamorous romance, and a polytheistic protagonist who keeps an altar for the Goddess and ancestors in his room and who looks forward to attending his family’s solstice celebration. This is what the future might actually look like, with polytheism (and polyamory) fully accepted into society.

The “Doctrine of Right” in The Metaphysics of Morals, Kant’s main philosophical writing on legal and political philosophy, offers a spectacular ideal theory of freedom. Despite serious heterosexism and sexism, it offers a systematic, ideal theory of freedom that I love working on to address its shortcomings to make it a stronger and better theory.

For example, I bring his theory into conversation with Simone de Beauvoir, Judith Butler, Hannah Arendt, and Anna J. Cooper to develop it in the ways that Kant encourages us to do, to arrive at a more complete theory of human freedom that is suitable for actual societies with their complex and complicated histories (non-ideal theory). Sex, Love, and Gender is my first book-length attempt to do this.

For a New Liberty breaks apart traditional assumptions about politics in ways that I hadn’t considered until reading this book.

Rothbard uses common-sense reasoning to explain the problems with our governing structures today and paves the way for a whole new paradigm. Even more than that, Rothbard shows how society could look in the future if government functions were privatized.

This book is also a great primer for the “Austrian School” of economics. I had many aha moments when reading this book, and it helped change my worldview. 

The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him… show more.

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

My first horror read. It is dear to me. I picked it up off the shelf. It was neat and small in my hands, so not too overwhelming for someone who didn’t enjoy reading. However, I wanted to give the genre a try as I had been a hobby horror writer for a year or so beforehand. I liked the cover and blurb on the back, which was more of an excerpt, got me walking quickly to the counter to buy it so I could rush home to find out what was going to happen. This book opened the floodgates to the beauty of horror fiction. The excitement of the characters which had inspired my earlier experiments and still provides insights to this day. This is a wild ride, so grab on tight and let it take you as it had taken me.

Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series.