Here are 63 books that Lovecraft Country fans have personally recommended if you like
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I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
The only reason I don’t list Love in the Ruins as my favorite novel is because the shadow of this book looms large over every speculative novel I read.
Both books are extraordinarily funny, but Love in the Ruins has become more of a comfy read, while I still find Gravity’s Rainbow complex and challenging. It’s a cross between slapstick and mind f*ck. I would issue a trigger alert for readers who find occasional perverse sex and violence uncomfortable, but I personally believe reading uncomfortable books can make us grow into better readers and better writers.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.
I love a sprawling family saga set in a small town. My husband’s father came from a small town in South Georgia that was founded by one of his ancestors. My husband’s grandfather, after visiting Chicago and being impressed by the big department stores he saw there, decided that what his tiny little town needed was a huge department store of its own. He built one, and amazingly, it was a success for many years, with folks coming from all around to marvel at its architectural sophistication and its dazzling array of wares. Like the fictional town of Perdido, Alabama, where the action is centered in Blackwater, everyone there knows everybody else, and nothing secret stays hidden for long.
On Easter Sunday, 1919, a flood engulfs Perdido. Oscar Caskey, the eldest son of the town’s most influential family, discovers a stranger named Elinor Dammert waiting patiently inside a room on…
Blackwater is the saga of a small town, Perdido, Alabama, and Elinor Dammert, the stranger who arrives there under mysterious circumstances on Easter Sunday, 1919. On the surface, Elinor is gracious, charming, anxious to belong in Perdido, and eager to marry Oscar Caskey, the eldest son of Perdido’s first family. But her beautiful exterior hides a shocking secret. Beneath the waters of the Perdido River, she turns into something terrifying, a creature whispered about in stories that have chilled the residents of Perdido for generations. Some of those who observe her rituals in the river will never be seen again…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Not for the squeamish, this gothic tale of a depraved serial killer in rural Tennessee is probably the closest Cormac McCarthy ever came to writing a horror novel. For all the sordidness, the power of the author’s language shines through. I enjoyed the humor, pathos, and psychological insight woven in throughout
As with other McCarthy novels I’ve read, this book contains beautiful sentences and phrases, as well as searing images, that have lingered in my mind for years.
In this taut, chilling novel from the bestselling, Pulitzer Prize–winning author of The Road, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail.
While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.
"Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post
Look for Cormac McCarthy's new novel, The Passenger.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This 2011 novel is set in the Ten Thousand Islands off the southwest coast of Florida. I am drawn to the novel’s peculiar backdrop: a shabby alligator-wrestling theme park in the swamp.
Along with the fantastical setting, the reader is quickly lured into this place by the vivid, precocious voice of the thirteen-year-old narrator, Ava Bigtree, who is on a quest to rescue her sister, whom Ava believes to have been stolen away into the Underworld by Bird Man, a mysterious gentleman claiming to possess magical gifts.
New York Times Bestseller | Pulitzer Prize Finalist
"Ms. Russell is one in a million. . . . A suspensfuly, deeply haunted book."--The New York Times
Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness.
I’m a lifelong New Jerseyan married to a man whose family comes from Georgia. It gave me an opportunity to observe the white, Southern, upper-class weltanschauung, up close. To hear them talk, you’d think the Civil War had ended just a few days earlier, and if the Yankees had only respected states’ rights, none of that mess would have happened. My book is about a dysfunctional Georgia family who has far too much money than is good for them. Hijinks ensue.
The action is set in the fictional east Texas town of New Long Lincoln, where Daniel Russell returns after a long absence. He was 13 when his father tried to kill them both by driving his car into Moon Lake. Now a drought has caused the lake to evaporate and the car’s been found, with the remains of Daniel’s father inside, as well as an extra body in the trunk. Daniel teams up with a childhood friend who’s become a police officer to untangle a web of old grudges and strange murders.
Drowned towns – ones that are deliberately submerged in order to build dams and reservoirs – fascinate me. There’s one in Sussex County, New Jersey, called Walpack. It was intended to be buried under a man-made lake in the nineteen-seventies, as part of a project to build a dam across the Delaware River. It was a cause célèbre…
Daniel Russell was only thirteen years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash- and growing into adulthood- Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.
As Daniel diligently follows where the mysterious trail of vengeance leads,…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I read this book every year. In my opinion, Walker Percy, along with Flannery O’Connor, is the premiere southern novelist of the last half of the 20th Century. I consider it one of the finest novels written and an example of the plotting, character development, use of language, and religious parody to which young novelists should aspire.
Percy’s novel blends Southern Gothic, science fiction, and comedy to create a world in which the racial divide in New Orleans blossoms into an apocalypse with hilarious and unpredictable results.
A pair of profound dystopian novels from the “brilliantly breathtaking” New York Times–bestselling and National Book Award–winning author of The Moviegoer (The New York Times Book Review).
Winner of the National Book Award for The Moviegoer, the “dazzlingly gifted” Southern philosophical author Walker Percy wrote two vividly imagined satirical novels of America’s future featuring deeply flawed psychiatrist and spiritual seeker Tom More (USA Today). Love in the Ruins is “a great adventure . . . so outrageous and so real, one is left speechless” (Chicago Sun-Times), and its sequel The Thanatos Syndrome “shimmers with intelligence and verve” (Newsday).
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I’ve reread this book almost as many times as Love in the Ruins. Although the book isn’t as well-known as some of the others I’m recommending, the title’s appropriate because reading these pages walloped my brain.
The novel within a novel written by a character who escapes from an asylum combines conspiracies, mind-control, flying sting rays, doppelgangers, and a delicious writing style. What keeps me engrossed is the love Spenser shows for his characters and his ability to craft a complex storyline from what is basically a fairy tale.
Harry Gainesborough wrote a children's story called Zod Wallop. And then his daughter died. Now Raymond Story, a patient at Harwood Psychiatric Hospital and Harry's biggest fan, has escaped--to find Harry in his remote cabin. Raymond is convinced that the people, creatures, and places of Zod Wallop are real. And as events transpire, Harry begins to wonder if Raymond is right.
Telescopes, microscopes, computer modeling–these exist because some things are easier to study when you change their shape. That’s how we learned about planets, germs, and the economy. Enlarging, shrinking, and filling in details lets us examine and understand. I think literature can do the same thing with ideas. Asking ‘what if?’ lets us probe things we can’t with our gadgets. Concepts. Hypotheticals. A story that pulls a big idea like taffy? That is a treat. I’ve got five in this dish.
What if elevator inspectors had their own influential guild? Not science fiction, not fantasy, and not even alternative history. Just a riveting, delightful, challenging ‘what if’ that does not fit in a box. In a shaft. In a skyscraper. When I first heard about this book, I thought elevator inspection might be, let’s say, resistant to novel-sized interrogation.
To this, I now say, behold the umbrella that fits in the purse or the king-sized mattress that arrives in a toddler-sized box. This book unfolds and puffs up deliberately and warmly, and eventually, you find yourself curled up, reading about the very nature of thought. In a person. In a society. You don’t want to turn out the light and stop.
'A thrilling blend of noir and fantasy.'Guardian. In an unnamed city - a hardboiled pre-Civil Rights New York sort of city -heroine Lila Mae has succeeded in becoming the very first Black female elevator inspector. In Whitehead's darkly comic otherworld, this is a job imbued with an almost mystical significance. But the illustrious Department of Elevator Inspectors is in crisis, bitterly divided between the Empiricists (check the machinery) and the Intuitionists (tune in to the vibes). Lila is an Intuitionist and so much better at her job than anyone else that surely it must be those 'good-old-boy' Empiricists who have…
I read at least 100 books each year, mostly novels, and before I became a published author in 2019, used to send a list of my favorite 30 to hundreds of friends, friends of friends, and family. I began hosting New Books in Literature, a podcast channel on the New Books Network, in 2018, and have interviewed over 180 authors so far. It was tough to choose just 5 top books, but in looking over all those interviews, I remembered how much I loved reading these books, all set in the United States long before the 21st century.
This novel about an African American family struggling to survive in early 20th century America touches upon many things, including African American soldiers coming home from WWI, the Great Migration north, and the world of 1930s Harlem.
It’s historical literary fiction and a mystery, but it’s ultimately a stunning novel about the lengths a mother will go to protect her family. Holloway is emerita professor of English and Law at Duke University, and I loved talking to her about her retirement career as an author!
In her anticipated second novel, Karla Holloway evokes the resilience of a family whose journey traces the river of America's early twentieth century. The Mosby family, like other thousands, migrate from the loblolly-scented Carolinas north to the Harlem of their aspirations-with its promise of freedom and opportunities, sunlit boulevards, and elegant societies.
The family arrives as Harlem staggers under the flu pandemic that follows the First World War. DeLilah Mosby and her daughter, Selma, meet difficulties with backbone and resolve to make a home for themselves in the city, and Selma has a baby, Chloe. As the Great Depression creeps…
I am an author of romantic historical fiction and a book reviewer of more than 1,000 books. I also have a blog: Historical Romance Review. I love deep historicals—both my own and those written by others--that bring history and realistic love stories to life. Adventure and love on the high seas is my favorite setting.
Superbly written, heart-stopping, action-filled. It’s the story of highborn 18-year-old Cassie Brougham, who on the day before her marriage to a viscount she has loved for years, is abducted by 34-year-old Anthony Wells, the Earl of Clare, who has been watching her since she was a child all the while believing she is his perfect mate.
Though Anthony’s intention is marriage, that doesn’t stop him from rape to claim her, nor imprisonment, first on his yacht and then in his Italian villa, as he tries to persuade her to marry him. The plot is intricate and intriguing with lots of action and lots of mystery. The characters are richly drawn, including the hero who has a noble side notwithstanding his selfish and brutal act of taking another man’s bride.
