52 books like Murder on the Flying Scotsman

I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?

My travels have been quite adventurous, purposely or by accident. I’ve visited 32 countries, 5 of them Communist. I look below the surface. I love the jungle and even Mexican police. My young reader novels have elements of crime. I knew and know a lot of tough guys and use elements of them in my characters. Crime weaved through much of my 32-year firefighting career. Firefighter crime thrillers are rare. Firefighters do come in contact with crime: bomb threats, meth labs, child abuse, arson of all sorts, murder, assaults, drownings, and as they say ‘much, much more’. I’m glad to be retired.

As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.

As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.

I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it. 

I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.

For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.

I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.

I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!

I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible.