Fans pick 91 books like 4.50 from Paddington

I hate this book for all the reasons I love it: because it’s perfect.

It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.

Romance. Deception. Murder. Shiny things.

Genius.

Forget the movie, pick up the real thing. Poirot at his best.

I was excited to read another book with fascinating characters and of course, a great K-9. Nickless’ characters are well-developed and very believable. Her fictional K-9 Clyde is captivating and while he’s technically retired, still has the skillset to help his handler, Sydney Parnell.

I love the character arc with Sydney in each book as she recovers from the traumas of serving in the military. I also love that Nickless had Sydney return home to Denver to work as a railroad police special agent. This is a law enforcement job that I haven’t seen in any other book. I appreciated the thrilling storyline and how Nickless created strong tension that ratcheted up to a suspenseful ending. 

Another British mystery by a British author, this one with Carola Dunn’s resourceful and determined sleuth, the Honorable Daisy Dalrymple, who sleuths in the 1920s, when England is just recovering from the Great War. Daisy makes a living writing magazine articles but she keeps stumbling over dead bodies, much to the chagrin of Scotland Yard’s Detective Inspector Alec Fletcher. In this book, early in the series, Daisy boards the Flying Scotsman, heading from London to Edinburgh. Then Belinda Fletcher shows up. The detective’s daughter is on the lam from her difficult grandmother. Then someone gets murdered on the train and Daisy once again finds herself a suspect and reluctant sleuth.

A crowded troop train is heading across a desolate stretch of tracks through the Rocky Mountains. It’s the dead of winter 1873 and you can almost feel the chill seeping into the railcars. The troops are headed to Fort Humboldt to relieve the cholera-stricken garrison. In addition to the troops, the train’s passengers include a powerful governor, the daughter of the fort’s commander, and a US marshal escorting an outlaw prisoner. But people and their stories aren’t what they seem. A passenger is murdered. Time is running out and a lot of people are going to wind up dead before the end of the story. A masterful thriller by MacLean.

I just did a reread of this timed for the release of the seventh in the series, and every time I read it I’m blown away by the genius way Thomas deconstructs the Holmes mythology and then puts it back together again in a new, fascinating, plausible, entirely satisfying way.

In this retelling Holmes is not only a woman, but one who has been exiled from society for—well, behaving like Sherlock Holmes. The characterization—not only of Holmes, but also of her family, associates, and enemies—is rich and believable, and the mysteries are complex and gripping.

The whole series explores the fundamental injustice of women being treated differently from men, as well as the many ingenious ways women find to escape, avoid, and subvert that norm—and the price they pay.

This is the first book in a series that is as witty, complex, charming, and dark as Oscar Wilde himself. (“I can resist everything but temptation.”) The author is steeped in Wilde and his world, quotes him extensively (but appropriately) and also delivers a great mystery set in the fascinating era of Victorian decline and fin de siècle artistic fervor. Arthur Conan Doyle, in a great turnabout, plays “Watson” to Wilde’s “Sherlock” in all the mysteries. A later book in the series takes on Jack the Ripper, with some surprising suspects!

Arguably the greatest of all detectives, Sherlock Holmes died early in his career when his creator Sir Arthur Conan Doyle sent him hurtling down the Reichenbach Falls in ‘The Final Problem’. But Holmes soon came back to life—firstly in The Return of Sherlock Holmes and in later years as a character in numerous spinoffs/riffs/reboots. One of the best of these is James Lovegrove’s series of Lovecraftian horror stories featuring Holmes and Watson. They are all great but the third one, Sherlock Holmes and the Sussex Sea-Devils, has the best title. Lovegrove writes stylishly and wittily and his deadpan approach to the absurd monsters he conjures up makes these a delicious read.   

The first of Lovegrove’s Cthulhu Casebooks series. This was my introduction to the idea of a mash-up between classic and modern stories.

In Shadwell Shadows we see the brilliant Holmes and loyal Watson that everyone is familiar with, but Lovegrove takes the characters and shakes up their worlds.

He takes their documented histories and adds new, darker elements among the old. These are the hidden stories which Watson could never commit to paper for fear of what they would do to humanity.

What if, while pursuing Doctor Moriarity, Holmes and Watson were actually on the trail of something much older and more evil.

This Agatha Christie doesn’t feature her famous Hercule Poirot or Miss Marple. Instead, it introduces a likable young couple, Bobby and Frankie, who fall into adventure by accident.

This book has the best one-line denouement of all mystery novels. It is a line that will give you chills when you read it. (Or re-read it. This mystery is so good that I have reread it many times in my life, and I get chills each time.)

One question ties the whole mystery together. As a mystery writer, I wish I could find that turning point question for each of my novels. But, alas, Agatha Christie was the queen. 

Flavia de Luce is surely one of the most original—and the most delightful—detective characters ever written. The precocious eleven-year-old lives in a crumbling manor house in the English countryside, with her vague father, beastly older sisters, and faithful retainer Dogger. Her interest in chemistry—and death—tend her get her into trouble on a regular basis. In this book, Flavia is on the scene when the body of the church organist turns up in the medieval tomb of St Tancred, the parish church’s patron saint. Predictably, she sets out to solve the murder, tearing about the village on her faithful bicycle Gladys. Alan Bradley evokes a world—rural England in the 1950s—that many of us would love to return to (in spite of the murders!) and has created an unforgettable heroine. If you enjoy mysteries that make you smile, rather than… show more.