77 books like Love in the Time of Bertie

At one time, whenever I heard "science fiction," my mind would jump to spaceships, aliens, and dystopian worlds. So, when it came to categorizing my time travel novel, I was surprised to learn that I’d unwittingly penned a sci-fi book. I initially resisted this classification since my story has more of a domestic thriller vibe, and the characters only travel a few years, not centuries, through time. However, I’ve since accepted that time travel is science fiction. The books on my list prove that sci-fi doesn’t necessarily mean hardcore science. It can have a more universal appeal, exploring themes of love, loss, and destiny without a time machine or extraterrestrial in sight.

I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.

I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.

I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.

I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it. 

For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.

I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.

I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!

I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible. 

I’m a Scottish writer who has lived in Edinburgh for over twenty years and feel a deep affinity for the city. Edinburgh is known for its festival and its castle, which are the parts of the city that the tourists flock to, but there is so much more to it than that. I like books that show the city in a different light: the ones in which Edinburgh itself becomes a character and not just a backdrop; the books that invoke the darker side of Edinburgh, the bits that stay hidden, the bits that only the locals know about.