Here are 51 books that Ladies in Black fans have personally recommended if you like
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I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
There is a certain kind of literature that takes my breath away. In my experience, there is nothing more exhilarating than reading a book that you think is contemporary that veers, with the reader hardly noticing, into the speculative. I adore books that take the ordinary world and sprinkle it with magic and possibilities.
With this book, Matt Haig answers a question many of us contemplate: What if? What if I’d taken the other fork in the road? This book answers that question for one flawed, beautiful character, and I was enthralled with every page.
The #1 New York Times bestselling WORLDWIDE phenomenon
Winner of the Goodreads Choice Award for Fiction | A Good Morning America Book Club Pick | Independent (London) Ten Best Books of the Year
"A feel-good book guaranteed to lift your spirits."-The Washington Post
The dazzling reader-favorite about the choices that go into a life well lived, from the acclaimed author of How To Stop Time and The Comfort Book.
Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of…
I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.
Deliciously Scottish with sparky dialogue that had me laughing out loud.
The characters are all flawed, making mistakes I can identify with. I find relationships difficult at times, and this book was reassuringly familiar—like I wasn't "the only one". I also love the wee boy Bertie and his desperate need not to hurt anyone, a familiar feeling I could relate to, and found myself forgiving the "pushover” in me.
Life for Bertie seems to be moving at a pace that is rather out of his control. In Drummond Place gardens it seems that Olive has their future together all planned out. Meanwhile, upstairs at 44 Scotland Street, Bertie's father Stuart is powerless to stop over-bearing Irene and her motion for Bertie to travel to Aberdeen on a three-month secondment. And, further up in the New Town, while Bruce Anderson plots with old-school chums, love blossoms in Big Lou's Cafe.
Warm hearted, humorous and wonderfully wise, Love in the Time of Bertie offers philosophical insight as well as sartorial elegance.…
I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.
Deborah's characters struggle with the disappointments of getting older with a bittersweet humor that I found comforting.
Just shy of the "pensioner age" myself, I can relate to the loneliness and regret of lost dreams experienced by the characters. I was captivated by her storytelling. I felt like I was there, and that I not only knew the characters but shared their feelings when alone.
At Myrtle House, the twin beds have never been so busy...
The irrepressible Russell 'Buffy' Buffery has upped sticks from London and moved to a decrepit B&B in rural Wales. He needs to fill the beds, and what better way than with 'Courses for Divorces', his new money-making wheeze.
Those checking in include: Harold, whose wife has run off with a younger woman; Amy, who's been unexpectedly dumped by her (not-so) weedy boyfriend and Andy, the hypochondriac postman whose girlfriend is much too much for him to handle.
Under Buffy's tutelage, these casualties of the marriage-go-round find themselves re-learning all…
I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.
I was asked to do some storytelling for children, then regretted accepting until I found this book. Born in Australia but now living in Scotland, I miss the humor I grew up with.
This fantastic children's book gave me the confidence to "go all out," lose my rigid upbringing, and allow the little girl in me to tell the story as she had not only been forbidden to do but made to feel ashamed that she wanted to.
There are lots of laughs at every level in The 117-Storey Treehouse, the ninth book in the number one bestselling Treehouse series from Andy Griffiths and Terry Denton.
Andy and Terry have added another thirteen levels of crazy fun to their every-growing treehouse (it used to be a 104-story treehouse, but it just keeps growing!) They've got a tiny-horse level, a pyjama-party room and an Underpants Museum and Treehouse Information Centre! But Andy and Terry have found themselves running from the Story Police and the only way to escape, is through the terrifying Door of Doom!
I’m an author, poet, and editor who works in natural history and social history publishing by day, explaining the unique flora and fauna, culture, and spirit of this ancient continent. By night, I moonlight as a fiction author, writing whatever takes my fancy. Seeing Australia and understanding Australia aren’t always the same thing in a country with unforgiving stony desert at its heart, more venomous creepy-crawlies than you can ‘poke a stick at’ (but please don’t!), the oldest living culture in the world, and a complex history. So, here are my recommendations for novels that travel deep into the Australian spirit.
First published in 1894, this is definitely a nostalgic choice; however, there’s a good reason why it became the first Australian novel to be continuously in print for 100 years in 1994. Esther Turner’s classic novel is Australia’s answer to Little Women, and if you don’t fall in love with the seven boisterous Woolcot children and end up in tears over the tragic events at Yarrahappini, I’m afraid you’re even harder-hearted than Captain Woolcot himself!
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
I’m an Australian crime writer and I love reading crime with a real sense of place and/or time. Growing up in Australia, most of the time I read international authors, so finding fabulous books by local authors was a thrill every time, and that excitement has never left me. This list crosses the genre from cosy to hard-boiled crime, which hopefully means something for everyone. If nothing here grabs you, there’s a lot more fantastic Australian crime fiction to discover (did you know Australian author Charlotte Jay won the first ever Edgar Award in 1954?) and I can passion-talk about it anytime!
Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!
*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!
Meet Cliff Hardy. Smoker, drinker, ex-boxer. And private investigator.
The Dying Trade not only introduces a sleuth who has become an enduring Australian literary legend—the antihero of thirty-seven thrillers—but it is also a long love letter to the seamy side of Sydney itself.
Seeing couples that are still in love after being with one another for 50+ years has always warmed my heart. Seeing my grandparents hold one another’s hands and look at each other with love always made me hopeful to find such a love. I have not been blessed to have that kind of love in my life (yet) but that does not stop me from looking for it and finding it in books. The characters in my favorite books are ones I identify with on some level. They are loyal, do not give up and they love wholeheartedly, even if they make some missteps along the way, the end destination always ends up being deeply in love. And I love cheering on characters when they deal with everyday issues and roadblocks on this journey of love.
This story consumed me and I could not put the book down. I would wake up in the middle of the night to read more of it. As an avid reader, I have books that I liked, books that I loved, and then I have a list of books that are riveting and that speak to my soul. Those are the books I reread and think about often. This book was saved under that last list. Watching Oliver interact with everyone after the ordeal he went through was soul-shattering. Seeing Sydney be a source of comfort, patience and a well of overflowing love to him was just beautiful. Hartmann even made me feel emotions for someone I thought I would initially hate, but ended up feeling bad for at the end of the book. She is a magician with words. That’s why it is a top pick for me for…
To the rest of the world, he was the little boy who went missing on the Fourth of July. To me, he was everything. My heart hasn't been the same since he disappeared, but I've learned to build my life around that missing piece. Twenty-two years later, the last thing I expect is for that missing piece to come back. His name is Oliver Lynch, and this is his story. This is our story.
I arrived in Sydney in the 90s knowing as much as one brief peruse the Berlitz Guide could provide me. For the next 25 years I immersed myself in its beautiful harbour and beaches whilst writing four novels, all set in my hometown of London. But when I sat down to write my fifth novel, The Unforgiving City, set in 1890s Sydney, I drew a complete blank. What was my adopted city’s history? Did it even have one? If so, where was it? By the time I’d finished the novel I’d unearthed a whole other, hidden, Sydney. I will never view my new home town the same way again.
Published in 1934, this is Stead’s first novel, and its Modernistic portrayal of a loosely connected group of young men and women existing and interacting in a poverty-wracked but rapidly changing between-the-Wars Sydney caused a literary storm at the time. The City, caught between its Colonial heritage and its future as a modern Twentieth Century metropolis is the real star of the novel even as its seven bewildered, beleaguered characters roam its bay and suburbs, its libraries, university, and pubs, attempting to negotiate their changing city and their place in it. I couldn’t write a novel about Sydney without visiting Christina Stead’s Sydney first.
Originally published in 1934, Seven Poor Men of Sydney is Christina Stead's first novel, a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil. Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas through politics, religion and philosophy. Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
I don’t often read books more than once, but this one I have, and I know I will read it again. The woman whose life is revealed this time is 70-year-old Nora Porteous. She has returned to her native Brisbane, Australia after having escaped it by marriage to Sydney, and having escaped that marriage to London. She now reflects wryly on how she developed throughout those years of hardship and joy as she also experiences the changes in the neighbourhood she ran from decades before. As we move through both her memories of the past and her experience of the present, the details that help us to understand her are extraordinary: ‘The man is unlocking the door. I have had to talk and smile too much in his car, and as I wait I consciously rest my face.’
One of Australia’s most celebrated novels: one woman’s journey from Australia to London
Nora Porteous, a witty, ambitious woman from Brisbane, returns to her childhood home at age seventy. Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life.
At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the…
Most motorcycle travellers spend months planning their trips but I took off on a whim having been lured by romance and tales of the open road. When my conventional life fell apart, I surprised even myself by flying to India and buying a brand new 500cc Enfield Bullet motorcycle and began my haphazard global wanderings learning to trust that the world I had been told was a dangerous place, wasn't at all (except for a couple of occasions at sea!) I liked the meandering life so much, it became a way of life.
Any book that starts with an impulsive decision is bound to engage someone like me who doesn’t like to plan much before a journey. With his Australian visa shortly to expire and his relationship going the same way, Nathan, aged twenty-nine doesn’t do the sensible thing and fly back home to the UK. Instead, he buys a potentially unsuitable decommissioned postal delivery 105cc Honda "Postie" motorbike. He names it Dorothy and starts the homeward journey from Sydney to London. I found his story riveting as, like me, he finds delight in the simpleness of life on the road and in meeting local people and other travellers.
This is the story of my 35,000 kilometres ride from Sydney to London on a 105cc Honda called Dorothy. It was journey of nine months, through eighteen countries, with barely any planning, hardly equipment, just setting off one day and hoping that somehow I'd make it to the other side of the world.
The book was originally released by HarperCollins in Australia where it is known as Going Postal. This is the international release, with a few changes to the text and a list of images and videos at the end. Hope you enjoy.
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