I arrived in Sydney in the 90s knowing as much as one brief peruse the Berlitz Guide could provide me. For the next 25 years I immersed myself in its beautiful harbour and beaches whilst writing four novels, all set in my hometown of London. But when I sat down to write my fifth novel, The Unforgiving City, set in 1890s Sydney, I drew a complete blank. What was my adopted city’s history? Did it even have one? If so, where was it? By the time I’d finished the novel I’d unearthed a whole other, hidden, Sydney. I will never view my new home town the same way again.
"Maggie Joel’s The Unforgiving City is a fantastic look back at the history of Sydney and the stories that are all too believable for that time. It is a grand, sweeping tale that grabs you the moment you open the first page. Each character’s story is completely gripping, interwoven from character to character with perfect ease… Maggie Joel has created a stunning and evocative story that will sweep you off your feet and put you down right in the middle of the dirty streets of turn of the century Sydney."
I first read Voss– Patrick White’s 1957 fictionalised account of the doomed expedition and eventual disappearance of German explorer Ludwig Leichhardt - 25 years ago at university. I returned to it a couple of years ago as I embarked on my fifth novel, similarly set in 19th century Sydney, recalling how I enjoyed the novel in my earlier reading but finding myself, in this my second reading two decades later, utterly blown away by White’s stunning and bitingly witty evocation of mid-1800s Sydney society.
Voss describes an epic journey, both physical and spiritual. The eponymous hero, Johann Voss, is based on Ludwig Leichhardt, the nineteenth-century German explorer and naturalist who had already conducted several major expeditions into the Australian outback before making an ambitious attempt to cross the entire continent from east to west in 1848. He never returned. White re-imagines his story with visionary intensity. Voss's last journey across the desert and the waterlogged plains of central Australia is a true 'venture to the interior'. But Voss is also a love story, for the explorer has become inextricably bound up with Laura Trevellyn,…
This is an Australian classic. Published in 1948, Park wrote this, her first novel, when she moved to the crowded, chaotic impoverished inner Sydney suburb of Surry Hills. Fascinated and deeply stirred by what she saw, her novel centres on the close-knit Darcy family whose love for one another and enduring joy for life is in stark contrast to the harsh and occasionally brutal world around them. Park’s love for her characters and for her city shines through and provides a magical yet thoughtful window on a Sydney in the years immediately following the war. I worked in Surry Hills for many years and I set much of my last novel on its streets and laneways so to walk those same streets in Ruth Park’s footsteps was such a treat.
An Australian classic, this is the story of the Darcy family who live in the Depression era tenements of Surry Hills, Sydney.
Hugh and Margaret Darcy are raising their family in Sydney amid the brothels, grog shops, and run-down boarding houses of Surry Hills, where money is scarce and life is not easy.
Filled with beautifully drawn characters that will make you laugh as much as cry, this Australian classic will take you straight back to the colourful slums of Sydney with convincing depth, careful detail, and great heart.
Published in 1934, this is Stead’s first novel, and its Modernistic portrayal of a loosely connected group of young men and women existing and interacting in a poverty-wracked but rapidly changing between-the-Wars Sydney caused a literary storm at the time. The City, caught between its Colonial heritage and its future as a modern Twentieth Century metropolis is the real star of the novel even as its seven bewildered, beleaguered characters roam its bay and suburbs, its libraries, university, and pubs, attempting to negotiate their changing city and their place in it. I couldn’t write a novel about Sydney without visiting Christina Stead’s Sydney first.
Originally published in 1934, Seven Poor Men of Sydney is Christina Stead's first novel, a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil. Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas through politics, religion and philosophy. Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.
A librarian friend recommended Lesley Muir’s explosive exposé of the scandal and corruption that underpinned the development of Sydney’s transport networks in the late Nineteenth Century. Spanning the decades immediately preceding Australia’s Federation, Shady Acres uncovers, as Elizabeth Farrelly says in her introduction, "the perennial crookedness of Sydney’s planning." As I immersed myself in 1890s Sydney for my own novel – and with my story and characters focussed on these very men who sat in the New South Wales’ parliament - I found the book provided the sort of rich vein of detail that allowed me to really bring this time and these people to life.
Eleanor Dark’s 1941 seminal fictionalised account of Sydney’s early development into a convict settlement in the 1790s was the book pressed upon me by my housemate in the first few months after my arrival in Australia. It was an inspired choice. Dark’s depiction of the incomers' initial, frequently disastrous, attempts to set up a colony, their uneasy, often brutal interaction with the indigenous peoples, and their halting and abortive first explorations into the hinterland were pivotal in forming my impressions of the city I had moved to. Three decades later, when I came to set my own novel in historic Sydney, I returned to Dark’s Timeless Landand found it as inspiring as I had all those years ago. Truly a timeless novel.
An outstanding literary achievement, meticulously researched and deeply felt, this portrait of the earliest days of the European settlement of Australia remains unrivalled. the year 1788: the very beginning of European settlement. these were times of hardship, cruelty and danger. Above all, they were times of conflict between the Aborigines and the white settlers. Eleanor Dark brings alive those bitter years with moments of tenderness and conciliation amid the brutality and hostility. the cast of characters includes figures historical and fictional, black and white, convict and settler. All the while, beneath the veneer of British civilisation, lies the baffling presence…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
