100 books like Voss

This is an Australian classic. Published in 1948, Park wrote this, her first novel, when she moved to the crowded, chaotic impoverished inner Sydney suburb of Surry Hills. Fascinated and deeply stirred by what she saw, her novel centres on the close-knit Darcy family whose love for one another and enduring joy for life is in stark contrast to the harsh and occasionally brutal world around them. Park’s love for her characters and for her city shines through and provides a magical yet thoughtful window on a Sydney in the years immediately following the war. I worked in Surry Hills for many years and I set much of my last novel on its streets and laneways so to walk those same streets in Ruth Park’s footsteps was such a treat.

Anita Heiss is an Australian academic and author of a number of insightful books on what it’s like being Indigenous in Australia. Her novel Bila Yarrudhanggalangdhuray begins in 1852 with a catastrophic flood that is a metaphor for the disastrous effects of European colonisation. Told mainly through the eyes of a young Wiradjuri woman, the novel is a powerful exploration of the clash of cultures that followed European settlement and appropriation of the land. It is a vivid and moving depiction of the unbalanced power relations between the races as well as between men and women.

Although The Territory was published in the 1940s, the book is as vivid as if it came out last year. Neither a novel nor a history, it is an evocative account of Ernestine Hill’s extensive travels around Northern Australia, the Aboriginal and white people she met, the stories she came across, and the joys and hardships she faced. I view it as essential reading for anyone planning to visit the Top End of Australia. I first read it while I was mapping out the plot of my own book, and was blown away by Ernestine Hill’s evocation of The Territory. 

I love this novel for its beautiful imagery, its character development, and its deeply sensitive portrayal of the clash of civilisations that was to prove so devastating to the countryside as well as to its original inhabitants. Salt Creek tells the story of the European settlers’ incursion in the mid-1850s into a remote coastal region of South Australia, and it focuses on one particular family’s struggles with establishing themselves in a land that already belonged to others. 

I love this novel by Jessica Anderson for its subtle psychological insights and its powerful evocation of an Australian colony in its early days. Set in the 1830s, The Commandant tells the story of a young Irish woman arriving in Australia to visit her sister, whose husband runs the Moreton Bay penal settlement, where he is much-hated by the convicts for his fanatical implementation of punishments. Becoming the object of a convict’s obsession, Frances feels responsible for that convict’s brutal lashing and is changed by the experience. The Indigenous people are shadowy figures in the background, for Anderson’s focus is on the brutality of the penal regime and how it affects a young woman’s innocence. 

Published in 1934, this is Stead’s first novel, and its Modernistic portrayal of a loosely connected group of young men and women existing and interacting in a poverty-wracked but rapidly changing between-the-Wars Sydney caused a literary storm at the time. The City, caught between its Colonial heritage and its future as a modern Twentieth Century metropolis is the real star of the novel even as its seven bewildered, beleaguered characters roam its bay and suburbs, its libraries, university, and pubs, attempting to negotiate their changing city and their place in it. I couldn’t write a novel about Sydney without visiting Christina Stead’s Sydney first.

A librarian friend recommended Lesley Muir’s explosive exposé of the scandal and corruption that underpinned the development of Sydney’s transport networks in the late Nineteenth Century. Spanning the decades immediately preceding Australia’s Federation, Shady Acres uncovers, as Elizabeth Farrelly says in her introduction, "the perennial crookedness of Sydney’s planning." As I immersed myself in 1890s Sydney for my own novel – and with my story and characters focussed on these very men who sat in the New South Wales’  parliament - I found the book provided the sort of rich vein of detail that allowed me to really bring this time and these people to life. 

A bold and broad-sweeping book, written in the 1940s, described as a novel but featuring a mix of real and fictional characters, The Timeless Land is a beautifully imaginative telling of the arrival of the First Fleet in what became Sydney in 1788, as seen through the eyes of the Aboriginal people, the Governor and his officers, convicts and the odd settler. The depiction of the part-real, part-invented Aboriginal people may cause raised eyebrows nowadays, but the book is based on thorough research and written with great imagination and sensitivity. I love the mix of the real and the imaginary, while never distorting the facts. It’s a brilliant way to paint a vivid portrait of a subject, I’ve done it myself (if I may be presumptuous enough to bracket myself with Ms. Dark).

I loved the title of this book, it had me intrigued from the start. I like writing clues and riddles into my own adventure stories, so I found this one irresistible. The story starts in Sydney where I grew up and leads us to a typical outback country town in Australia. Instead of a place I wish I could travel to, this one is very familiar to me. Its setting is similar to my own adventures, based on childhood holidays and memories. Instead of taking me on an adventure to a different country, this book travels back in time to the early 1920s. I found I was desperate to solve each riddle before the main character and unravel the mystery to safely bring the kids home, back to their own reality. 

Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!

*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!