100 books like Lotus

This book took me on a slow-burn journey and I loved it. Watching the main characters and how they grew throughout the book really moved me. It also features some soccer (which I love) and a heroine who is strong and amazing and focused and a hero who is an anti-hero at first, but he will have you falling in love with him in no time. Coach Kulti truly is the guy you don’t want to like, but you can’t help but fall for once he bares himself to the reader (and the heroine). This book is definitely a must-read. Mariana Zapata writes the best slow-burn romances. 

This book made me smile, ugly cry, laugh, feel upset, feel hopeful and it gave me goosebumps. I loved everything that it made me feel. The hero made an enormous sacrifice for the heroine without telling her. Misunderstandings and this secret ultimately placed them on separate paths, but when fate places them in the same place years later, it's magic. It is a story about second chances, about the flame of true love never going out, and about facing one’s biggest fear and facing it daily for the person you love.

This romance caught me off guard. It was a dark romance about a kidnapped man and a woman. The heroine and her sister's fiancé who she disliked. I have to say this book isn’t for everyone as the sensitive subject matter is written about, such as rape and also a suicide attempt. However, because of Hartmann’s amazing way with words, I can’t stop thinking about this book and the characters. Hartmann’s exquisite writing style took me into the basement where the couple was kept. I felt fear and sadness for them. I felt hope. I felt so many things that left me confused at times, but as I was struggling with emotions, I found myself falling in love with these characters. This book was unlike any I have read before. It is a must-read.

Aiden and Vanessa’s story is another slow burn, but it does not feel slow at all. Zapata has a way of building a sensual story that makes you want more without feeling as if you are missing something. I did not think I would like slow-burn romances until I came across Zapata. I fell in love with these characters as they were becoming friends and ultimately as they fell in love with one another. I found myself smiling a lot watching the interactions between these two. It’s magic. I still think of Aiden often and wish he were my boyfriend! (That is how much I liked him).

I’m a sucker for a great ending, and this book offers the best. Though the beginning is pretty great, as well. Paige is a fish out of water when she heads from Chicago to Sydney, Australia to work for a mega-church even though she’s become jaded against organized religion. She doesn’t realize the guy she’s instantly attracted to on the flight overseas is the pastor’s son. To make things worse, Josh has an ex who abused alcohol, so when Paige barfs on his shoes, he suspects she’s inebriated even though she’s simply airsick. When forced to work together, they assume the worst of each other in spite of grudging respect and growing attraction. These characters are absolutely enjoyable, though be prepared to go through some tough stuff with them too.

Ivory Tembo is a wonderfully dynamic character, brought to life with sensitivity and fascinating insight. The story is set in modern-day Sydney where a killer stalks the night, with Ivory Tembo the officer investigating the brutal murders. Extraordinary character development unfolds in just a few pages, from Ivory’s fractured youth growing up in foster care, to an emotionally vulnerable young woman, to her present-day tough, determined persona that serves her well as a detective. Forced to delve into her heritage, she is supported by a vibrant cast who bring folktale to life. With the help of a medicine woman, the mystery ventures into the supernatural, taking Ivory on an instinctive journey to unify two worlds.

I don’t often read books more than once, but this one I have, and I know I will read it again. The woman whose life is revealed this time is 70-year-old Nora Porteous. She has returned to her native Brisbane, Australia after having escaped it by marriage to Sydney, and having escaped that marriage to London. She now reflects wryly on how she developed throughout those years of hardship and joy as she also experiences the changes in the neighbourhood she ran from decades before. As we move through both her memories of the past and her experience of the present, the details that help us to understand her are extraordinary: ‘The man is unlocking the door. I have had to talk and smile too much in his car, and as I wait I consciously rest my face.’

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

Published in 1934, this is Stead’s first novel, and its Modernistic portrayal of a loosely connected group of young men and women existing and interacting in a poverty-wracked but rapidly changing between-the-Wars Sydney caused a literary storm at the time. The City, caught between its Colonial heritage and its future as a modern Twentieth Century metropolis is the real star of the novel even as its seven bewildered, beleaguered characters roam its bay and suburbs, its libraries, university, and pubs, attempting to negotiate their changing city and their place in it. I couldn’t write a novel about Sydney without visiting Christina Stead’s Sydney first.

Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!

*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!