100 books like The Nigerwife

Having lived as an expat for thirteen years, the title immediately grabbed me. I’ve since read all of Chris Pavone’s books.

Kate moved to Luxembourg for her husband’s job and is trying to settle into her role as a housewife, but a series of strange events make her wonder whether her past life in an unconventional career is catching up with her.

I related to Kate’s struggles of leaving a job she loved to focus on family, both the positives and negatives (minus the life-threatening danger). When I left my career, I started writing to create a portable job I could take with me as we traveled the world for my husband’s work, so I completely understood Kate’s need to find purpose in her life.

I am Australian, and while I haven’t been to Newcastle, the atmospheric bushland, venomous snakes, and stunning but treacherous coastline made me feel right at home. This is Lee Christine’s hometown, and her love and respect for the land are right there on the page.

Layer in a detective with a complicated past, a journalist with a connection to the case, a dead judge, and missing lawyers, and Lee has created a wonderful blend of intrigue, scandal, and budding romance.

I enjoy mysteries with well-developed characters who make me care about their personal lives as well as wanting to solve the case, and Lee achieved this.

This book combines two of my greatest loves: ballroom dance and mystery novels. The ballroom dance world is designed for drama, especially when the competition is at Blackpool, the Mecca of ballroom dance.

I was fascinated to see this novel was co-written. Shirley Ballas brings the wealth of her ballroom dance experience to the party, including being head judge of Strictly Come Dancing. Her partner, author Sheila McClure, delivers the literary skills. A fabulous partnership.

Book two is out soon, and I can’t wait.

I loved this book because, well, Paris—what’s not to love?—and at a micro level, the setting is an apartment with attics, spyholes, and lots of stairs. I’ve always wanted to live in a house with a hidden doorway, and this was exactly that kind of place.

Jess goes to the apartment to find her half-brother but instead finds a bunch of creepy inhabitants who seem reluctant to tell her where he is. Lucy’s novels feel like modern-day Agatha Christies, with a locked-room vibe and defined set of suspects, and this is no exception, right up my alley.

I love thrillers set in foreign locations that give me a glimpse into other cultures, along with a big dose of mystery and intrigue. This book delivers on all fronts.

I could not put this book down. Set in Lagos, Nigeria, I loved the dual points of view of Nicole, the missing British wife of a wealthy Nigerian businessman, and her estranged aunt Claudine, who arrives from London to look for her. The sense of dread, helplessness, and desperation both women experience throughout the book is palpable and devastating, making both characters relatable and well-developed. 

This book deftly explores the complications that arise when women, especially black women, go missing in foreign countries.

I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.

Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.

Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.

Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it.  Such a treat!

This delightful new addition to children’s literature addresses two young cousins, both living in large cities on different continents – one (Olu) in Lagos, Nigeria, and the other (Greta) in Milan Italy – share complementary experiences and differences in their diverse settings – in their lived lives and while they are playing.

The bold, colorful, and wonderfully engaging illustrations that convey the different characters and settings are a key part of the pleasure of reading this book.

I really enjoyed this excellent, ethereal collection of stories from Booker Prize winner Ben Okri who, from early on, has always infused the supernatural and dream logic into his literary work to get at a deeper truth in his very grounded stories about post-independence Nigeria and Nigerians. The lightest on its speculative elements out of all the books I’ve recommended, it’s also a great entry point for literary fiction fans looking to ease into the more flighty and wild parts of African speculative fiction. There are all the realities of life – anxiety, joy, poverty, war, love, but there are spirits and strange things too. Okri’s writing lures you in and takes you on a journey to observe Nigerian life from a skewed angle with unexpected tenderness. 

What I appreciate most about this story is that it offered me painstaking clarity on the emotional journey to and through motherhood. I was shaken by how quickly Nnu Ego went from sought-after bride to castoff to competitor for her husband’s affections—and how, through it all, her ability to bear children was the only metric society valued her for.

Even more harrowing to me was how thanklessly her daughters and sons treated her. This book gave me a wholly new appreciation for my mother and motherhood.

In this riveting account, Agbiboa dispels the myth that corruption is a culturally accepted norm in Nigeria.

He spent months behind the wheel as a minibus conductor in the informal settlements of Lagos, Nigeria, and experienced first-hand the stark realities of the corrupt interactions between drivers, police, and members of the transport workers union.

Nigerians reject, and simultaneously have little choice, but to participate in the petty corruption that arises from the systematic, violent, and exploitative relationship between the state and union on the one hand, and transport operators and passengers on the other.

Agbiboa shows that binary understandings of formality/informality, public/private, and legal/illegal derived from Western thought do not adequately capture the way that petty corruption is embedded in the state and is driven by elite corruption.

This resonated strongly with my research on the informal economy in Tanzania.