Here are 100 books that Kristin Lavransdatter fans have personally recommended if you like
Kristin Lavransdatter.
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I’ve always been an avid reader and loved different genres from the beginning. I started out reading historical fiction as a child, including the Little House books, Anne of Green Gables, and Where the Red Fern Grows. I soon discovered that science fiction and fantasy did the same thing, transporting me to different words and places instead of times. Many of my favorite books have elements of these as well as action, tension, thrills, and romance. These things transcend genre, and by reading books that combine genres, I find some of the most interesting and original stories.
Tigana might be my favorite book of all time, any genre, which says a lot.
Every time I read it, I am blown away by the perfection of the story and characters and the intricate story of love, hate, rebellion, magic, and politics. I have read it at least a dozen times since I first discovered it, and every time, I find something new or rediscover something I’d forgotten that makes this book wonderful.
It has the structure of a fantasy story and quest for redemption but is also a story of family, friendship, trust, loyalty, and love. It could be any empire and conquest in history. Imagine how devastating it would be to have the name of your country erased from time and memory.
With this rich, masterfully written extravaganza of myth and magic, the internationally acclaimed author of THE FIONAVAR TAPESTRY trilogy has created an epic that will forever change the boundaries of fantasy fiction.
Set in a beleaguered land caught in a web of tyranny, Tigana is the deeply moving story of a people struggling to be free. A people so cursed by the dark sorceries of the tyrant King Brandin that even the very name of their once beautiful land cannot be spoken or remembered.
But not everyone has forgotten. A handful of men and women, driven by love, hope and…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
I seriously enjoy a good “between-a-rock-and-a-hard-place” romance, especially when the female heroine is able to navigate it while staying true to herself. In this one, King John weds his illegitimate but beloved daughter Joanna to his bitter enemy, Llewelyn, Prince of North Wales, in an effort to take Wales under his control. But Joanna loves both of them—father and husband—and is forced time and again to prove her loyalty to one side or the other, until neither faction supports her in return. While this definitely portrays the helplessness that many medieval women faced, often experiencing a forced marriage for some political purpose or other, Joanna’s courage, bravery, and sense of self in the face of so much conflict were inspiring and so addicting to read about.
An absorbing historical novel of power and betrayal, loyalty and political intrigue in thirteenth-century England, Wales and France, centring on King John of England, younger brother to the brilliant Richard Lionheart, Joanna, his illegitimate but recognised daughter and Llewellyn Ab Iowerth, Prince of Gwynedd, a bitter opponent of English ways, laws and encroachment into Wales who becomes Joanna's husband.
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
Due to my short attention span, I was hesitant to read this book at first, due to the words “History” and “Memoir” in the title; however, “Dragons” sold me, and I’m very glad it did.
This book reads like a classic Victorian travel narrative, following an intelligent and likable protagonist in her quest to learn more about the natural life around her—namely, dragons. The way this genre-bending novel treats dragons, showing them in scientific diagrams and field drawings, makes for an interesting semi-fantasy world that’s exciting to step into and so much fun to explore.
Everyone knows Isabella, Lady Trent, to be the world's preeminent dragon naturalist. Here at last, in her own words, is the true story of a pioneering spirit who risked her reputation, prospects, and her life to satisfy scientific curiosity; of how she sought true love despite her lamentable eccentricities; and of her thrilling expedition to the mountains of Vystrana, where she made discoveries that would change the world.
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
Ever since I picked up an old copy of Richard Halliburton’s Book of Wonders as a child, I’ve known that exploring other cultures and countries is something I wanted to experience for the rest of my life. From then on, I’ve traveled, taken cross-cultural studies, and managed international teams as a tech marketer–and my passion for new people and places hasn’t ceased. I love reading (and writing) about the liminal spaces in history–the times and places that aren’t easy to define and don’t make it into standard history books. This list reflects my interests, and I hope it broadens the horizons of other readers.
This massive book has haunted me ever since I finished it a few months ago. It’s set during a period I knew nothing about (India, 1975, during Indira Gandhi’s “State of Emergency”).
It took me a while to become invested in the characters, and that is because Mistry takes his time (more than 600 pages) to really develop the four main characters, exploring their history, their motives, fears, and prejudices.
Parts of this book were so brutal that I had to set it aside for a few days until I felt I could continue. Parts of it were so sensitive and touching that I cried.
When I finished it, I had a book hangover, and I haven’t been able to get it out of my head since.
With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future.
As the characters move from distrust to friendship…
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
When I read this book, I felt like I was back walking on the streets of India. Alka Joshi's vivid storytelling will transport you to a world of vibrant colors, rich traditions, and compelling characters.
In this first book of the Jaipur Trilogy, Lakshmi, a skilled henna artist, navigates a complex society, unraveling secrets and defying societal norms. Joshi's exquisite prose and the book's engrossing plot offer the perfect blend of escapism and depth, making it an ideal companion for a journey.
As you soar through the skies, it promises to transport you to another time and place, making the flight feel like a brief detour into an enchanting literary world.
For fans of Balli Kaur Jaswal's Erotic Stories for Punjabi Widows and Thrity Umrigar's The Space Between Us, Alka Josh's The Henna Artist by is lushly-rendered, emotional book club fiction set in post-Raj 1950s Jaipur about a young woman struggling to shape her own destiny in a world pivoting between the traditional and the modern.
After fleeing an arranged marriage as a fifteen year old to an abusive older man, Lakshmi Shastri steals away alone from her rural village to Jaipur. Here, against odds, she carves out a living for herself as a henna artist, and friend and confidante to…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
There is so much going on in this book in terms of plot, drama, and relationships, but why I especially love it is because Caris, one of the protagonists, breaks the mold of the typical powerless medieval woman. When the Black Plague comes to Kingsbridge, Caris is the only one who uses observation and common sense to realize that the disease spreads by contact. In a world that revolves around religion and superstition, this doesn’t go over well. Though forced to sacrifice the love of her life, and put on trial as a witch, Caris sticks to her guns and enacts the medical policies she knows will save lives. Eventually, she gains the townspeople’s trust, ultimately ascending into a position of power within the town. Get it, girl!
On the day after Halloween, in the year 1327, four children slip away from the cathedral city of Kingsbridge. They are a thief, a bully, a boy genius and a girl who wants to be a doctor. In the forest they see two men killed. As adults, their lives will be braided together by ambition, love, greed and revenge. They will see prosperity and famine, plague and war. One boy will travel the world but come home in the end; the other will be a powerful, corrupt nobleman. One girl will defy the might of the medieval church; the other…
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
This nonfiction about a French priest who was burned at the stake in 1634 reads like fiction. Although I knew the story and how it ends, Rapley’s writing is suspensful and dramatic. The author keeps close to Grandier, whose character flaws contribute to his death. Grandier’s enemies are given their separate situations and in some cases are treated with generosity. Though the writing is not emotional, I was dismayed and hardly able to believe this actually happened.
As a Catholic priest, Grandier was an influential figure in the Loudun community and local government. A brilliant speaker, he was popular with his parishioners. But he had enemies, including Cardinal Richelieu and Louis XIII, who was trying to wrest political autonomy from local governors and centralize power in Paris. Grandier's support of the governor of Loudun meant that he was seen as an enemy of the crown. In addition, the debonair priest's romantic intrigues brought him into conflict with some of the town's most influential power brokers. When a nearby convent of Ursuline nuns began experiencing strange visions and…
I am a trained historian and past educator at a historical museum. I fell into my passion for Norway during WWII after I dreamed about a man in the snow surrounded by German soldiers. I was encouraged to write the scene down. That scene became the prologue to The Jøssing Affair, but not before going to libraries and reading countless secondary and primary resources, interviewing numbers of Norwegian-Americans who settled in my area in the 1950s, and eating a lot of lefse. This passion of over 28 years has taken me to Norway to walk Trondheim where my novels take place and forge friendships with local historians and experts.
Skis Against the Atom is a classic action story from WWII and about one of the most famous commando raids. It is the first-hand account of the heavy water raid by one of the men who was part of it, Knut Haukelid. First published in 1954, this book just pulled me into the dangerous and heroic actions of a group of young men who undertook the destruction of the heavily-guarded plant at Rjukan in Telemark. It gave me ideas for my own book concerning not only the planning and execution of missions, but the camaraderie of the men doing it. One of my favorite stories in the book happened after the plant was blown up. It’s almost as thrilling as the actual raid. It’s a great read and constantly in print.
The exciting, first-hand account of heroism and daring sabotage during the Nazi occupation of Norway. The outcome of World War II could very possibly have been much different if Knut Haukelid and his small, but courageous band of Norwegian soldiers had not been successful in sabotaging the Nazis supply of heavy water. The heavy water produced at a facility in occupied Norway was vital to Hitlers race with the United States to develop the atomic bomb. Knut Haukelids Skis Against The Atom gives the reader an intimate account of the valiant and self-sacrificing service that the not-to-be-subdued Norwegians performed for…
I'm Stefán Máni, the Dark prince of Nordic noir. I was an avid book reader from an early age but I didn’t believe I could become a writer myself one day. I dropped out of school at the age of 17, worked in the fishing industry, and travelled to Europe and the United States. I started writing at the age of 23, published my first book at the age of 26, and my first best-seller at the age of 34; the thriller Black’s Game that became a popular movie in 2012. Since then I've written many best sellers and created the most popular character in Icelandic literature; detective Hordur Grímsson.
Knut Hamsun is one the greatest writers of all time, in my opinion.
And yes, I am separating the work from the person and the political views. Hamsun was a strange guy and he wrote mainly about strange guys.
Lieutenant Thomas Glahn is one of them, the protagonist of Pan. Glahn is an ex-soldier, living in a hunting hut near a small harbour town in Norway. Technically, Pan is a love story. But it is not a typical love story. It is so co-dependent and twisted that it literally hurts.
Glahn is at best an idiot, at worst some kind of a sociopath. He thinks he is in love but his “love” is not innocent and pure but ugly and even dirty. It is easy to feel sorry for Glahn, easier to simply hate him.
But the book is so well written and the story so fascinating that the…
The Nobel Prize winner's lyrical and disturbing portrait of love and the dark recesses of the human psyche
A Penguin Classic
A lone hunter accompanied only by his faithful dog, Aesop, Thomas Glahn roams Norway's northernmost wilds. Living out of a rude hut at the edge of a vast forest, Glahn pursues his solitary existence, hunting and fishing, until the strange girl Edvarda comes into his life. Sverre Lyngstad's superb translation of Hamsun's 1894 novel restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes.
For more than seventy years, Penguin has been the…
