Fans pick 100 books like The Mermaid of Black Conch

This is a must-read for me to understand the archetypes inherent to women. I have not only read it but also reread it and studied it with other women. 

I love anything wild, and so does Dr. Estés. She believes that within every woman, there lives a powerful force filled with good instincts, passionate creativity, and ageless knowing. The wild is instinctual and endangered. Civilization demands women become rigid in roles contrary to the life-giving messages of our own souls. I have always believed this, and this book reinforces my beliefs.

Dr. Clarissa Pinkola Estés uses mythology, fairy tales, folk tales, and stories to assist the reconnection to our wild nature. Her interpretations are so rich, just reading the forward from time to time makes me weep with recognition of truth.

This has very strong and life-giving implications for me as a writer, but it truly is an astounding book… show more.

The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.

Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.

Haunting and beautiful, it gave me a new perspective on what science fiction can accomplish: Ishiguro’s book is subtle, humane, and deeply concerned with the troubles of the real world.

This story of Klara, an “artificial friend” purchased to keep a sick little girl company, takes up questions of eugenics, artificial intelligence, and, ultimately, what it means to be a human being.

Along the way, the book explores the gulf between economic and social classes with as much care and compassion as Charles Dickens or Thomas Hardy—Klara and the Sun is some of the most inspiring science fiction I have ever read.

I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.

The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.

The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world.  Despite their different natures, they become unlikely friends and have to work together to survive. 

While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior. 

The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.

The Snow Child depicts a maybe real, maybe imaginary little girl bringing joy to a childless, homesteading couple in 1920s Alaska.

In this bestselling debut novel, released in 2016, a couple that yearns for a child of their own is visited by a nymph who appears and disappears in the snow drifts on their homestead. In her novel, Eowyn Ivy manages to sustain the reader’s belief that this girl could in fact be real, without directly saying one way or the other. 
Why do this in an essentially realist portrayal of hardscrabble life in rural Alaska? Again, I see it as a way to get past the character’s rational mind and open both the character and readers’ hearts to the ineffable.

Here, Mabel, the main character says it better. “You did not have to understand miracles to believe in them, and in fact, Mabel had come to suspect the opposite.… show more.

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story. 

As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharata from the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."

This exquisite novel begins with a university lecturer (Too old? Too deluded?) in love with student forty years his junior. She’s an ethereal, white-haired creature, but at first, their love seems mutual, and plausible. They honeymoon in Orkney, where selkie legends begin to encroach on his state of mind. He’s obsessed with her, and she’s obsessed with the sea. The reader is never quite sure if she’s a selkie or not, which resonates with me as I love books where ambiguity is an integral part of the narrative.