Here are 100 books that The Last Sin Eater fans have personally recommended if you like
The Last Sin Eater.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.
There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.
Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.
When Israel Finch and Tommy Basca, the town bullies, break into the home of school caretaker Jeremiah Land, wielding a baseball bat and looking for trouble, they find more of it than even they expected. For seventeen-year-old Davey is sitting up in bed waiting for them with a Winchester rifle. His younger brother Reuben has seen their father perform miracles, but Jeremiah now seems as powerless to prevent Davey from being arrested for manslaughter, as he has always been to ease Reuben's daily spungy struggle to breathe. Nor does brave and brilliant nine-year-old Swede, obsessed as she is with the…
As the daughter of a prim and proper New England family, expectations were that I would follow societal norms: attend college, get married, and raise a family. I knew practically nothing about the world outside the United States, nor had I any curiosity about it. Everything changed in 1980 when I took a job as an accountant working for one of the world’s greatest adventurers, Richard Bangs. He literally dragged me, kicking and screaming, into the remotest heart of Africa, where I became infected by wanderlust. Ever since, as a single woman, I have embraced a life of adventure traveling around our amazing planet.
This story also tells of a river journey by four young orphans who in 1932 escape from a horrid Indian training school and travel for months down the Mississippi River. They head into the unknown, unprotected from the perils they encounter.
On my journey, I needed to be constantly vigilant for natural predators like lions, hippos, and crocs. These children had to be on the lookout for human predators: the search party sent looking for them, drifters, grifters, and traveling faith healers. Facing each obstacle we encountered on our trips, we managed not only to survive but actually thrive in hostile surroundings.
1932, Minnesota-the Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O'Banion, a lively boy whose exploits earn him the superintendent's wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own.
Over the course of one unforgettable summer, these four orphans will fly into the unknown and cross paths with others…
As a clinical psychologist, a man, and a human being on his own journey of healing and becoming, I suppose I’m interested in stories with struggling but lovable male protagonists because I’m the struggling male protagonist in my own life story, learning how to fall in love again with myself and my story and the little boy who lives on within me. The courage my clients show in the process of facing their pain and finding something beautiful in it is inspiring to me. I hope my life reflects that courage, too. And I want to write stories that give others hope and inspiration for this kind of healing, as well.
I remember as a boy weeping at the end of Where the Red Fern Grows, not because the dogs died, but because Billy Colman returned decades later to find the rusted axe from that fateful night still stuck in the tree. Great books show us time isn’t linear; it’s like an accordion folding over on itself, so a pivotal moment from our past can, in some mysterious way, always feel present. Here. Somehow on the tip of time’s tongue. It makes you ache with the fullness of your story, your life. The ending of Ordinary Gracedid that to me. As I turned the final pages, I wept, my kids pounding on the locked door of the bedroom, and my own childhood pounding on the door of my heart.
NEW YORK TIMES BESTSELLER WINNER OF THE 2014 EDGAR AWARD FOR BEST NOVEL WINNER OF THE 2014 DILYS AWARD A SCHOOL LIBRARY JOURNAL BEST BOOK OF 2013
From New York Times bestselling author William Kent Krueger, a brilliant new novel about a young man, a small town, and murder in the summer of 1961.
"That was it. That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word."
New Bremen, Minnesota, 1961. The Twins were playing their…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Here’s another book better known for the excellent film adaption, but the novel actually brings the gritty, sometimes brutal daily life in the rural Ozarks alive in the mind’s eye more vividly than a movie ever could.
Daniel Woodrell’s atmospheric story of a teen daughter’s quest to bring her father back for his court date, dead or alive, is a simple narrative rendered with stark, almost Biblical prose. I particularly appreciated the author’s distinctive language and evocative imagery.
This is a fiercely original tale of love, heartbreak and resilience in the lonely wastes of the American Midwest. The last time Ree saw her father, he didn't bring food or money but promised he'd be back soon with a paper sack of cash and a truckload of delights. Since he left, she's had to look after her mother - sedated and losing her looks - and her two younger brothers. Ree hopes the boys won't turn out like the others in the Ozark mountains - hard and mean before they've learnt to shave. One cold winter's day, Ree discovers…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As a leader in autobiographical fiction, Wolfe writes of a large family dominated by an alcoholic, authoritarian father who is highly dramatic in words and behavior.
His wife’s determination to survive by running a boarding house and investing in real estate leaves little time for parental attention to the needs of their children.
While most grow to repeat the dysfunctional family habits that hinder healthy development, the youngest child, with the help of his teachers, struggles enough to finally take steps away from the pain, and out of the cycle, as I did with my own life.
The spectacular, history-making first novel about a young man’s coming of age by literary legend Thomas Wolfe, first published in 1929 and long considered a classic of twentieth century literature.
A legendary author on par with William Faulkner and Flannery O’Connor, Thomas Wolfe published Look Homeward, Angel, his first novel, about a young man’s burning desire to leave his small town and tumultuous family in search of a better life, in 1929. It gave the world proof of his genius and launched a powerful legacy.
The novel follows the trajectory of Eugene Gant, a brilliant and restless young man whose…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
I have written all my life. This includes freelance writing as well as reporter jobs at small, weekly newspapers in the DC/VA area. I have also taught writing (creative and technical writing) to students as diverse as jail inmates, residents of homeless shelters, military officers at the Pentagon, CIA employees, and firefighters at Ronald Reagan National Airport. Both of my published novels are works of historical fiction set in my native Iceland: Seal Woman and Sigga of Reykjavik. These novels cover the time 1908 to 1955, a period when Iceland was a little-known island. I have always been drawn to novels about isolated, cold-weather places where unusual characters and mannerisms flourish.
This depiction of a life of poverty in southern Appalachia around 1900 would be too sad to warrant its reading, were it not for its strong and sensitive narrator, Julie Harmon. The author describes the mundane details of butchering a hog or washing of a dead man’s feet within the context of the marriage of Hank and Julie, poor, uneducated, and perhaps mismatched young people who face one adversity after another. The details of ordinary life blossom into unexpected meaning in the interpretation of a sensitive narrator who not only cherishes details, but who is also exquisitely aware of her own feelings. She speaks in the straightforward language of an uneducated person rather than in the flowery prose of a voice attuned to expressing itself. Yet her presentation takes on the poetry of a clever woman gifted with a unique interiority.
Through Julie, the author renders nuanced feelings in a…
A New York Times Bestseller & Oprah's Book Club Pick
Young Julie Harmon works “hard as a man,” they say, so hard that at times she’s not sure she can stop. People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.
But Julie and Hank’s new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it’s…
I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.
Erskine Caldwell is deeply underrated; for my money, he’s one of the best southern gothic writers in the genre. Perhaps it’s down to the risque nature of his books and characters, which were especially provocative (and in some cases, downright despicable) for the time period. However, beyond the depravity there is a real beating heart in his books that perfectly capture the desperation and grief of depression-era Georgia.
Like Tobacco Road, this novel chronicles the final decline of a poor white family in rural Georgia. Exhorted by their patriarch Ty Ty, the Waldens ruin their land by digging it up in search of gold. Complex sexual entanglements and betrayals lead to a murder within the family that completes its dissolution. Juxtaposed against the Waldens' obsessive search is the story of Ty Ty's son-in-law, a cotton mill worker in a nearby town who is killed during a strike.
First published in 1933, God's Little Acre was censured by the Georgia Literary Commission, banned in Boston, and once led the…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
Miyamoto is a famous ethnologist who walked the length of Japan, padding through its far-flung hamlets, to compile books about provincial livelihoods in the 1930s. The result is a look into the hard lives of rice farmers and their wives.
Miyamoto’s interviews revealed many of the cultural quirks, such as the promiscuous ways of certain country women and their equally unrestrained suitors—often traders passing through town. The characters Miyamoto interviews offer fascinating, frank, and impactful voices, especially from women who would not have otherwise been heard.
Tsuneichi Miyamoto (1907-1981), a leading Japanese folklore scholar and rural advocate, walked 160,000 kilometers to conduct interviews and capture a dying way of life. This collection of photos, vignettes, and life stories from pre- and postwar rural Japan is the first English translation of his modern Japanese classic. From blowfish to landslides, Miyamoto's stories come to life in Jeffrey Irish's fluid translation.
